The grave in the garden bids us bring the wholesome contemplation of death into all life.
It may be a harm and weakening to think of it, but should be a strength.
II. The dim hopes with which men have fought against death.
To lay the dead amid blooming nature and fair flowers has been and is natural to men. The symbolism is most natural, deep, and beautiful, expressing the possibility of life and even of advance in the life after apparent decay. There is something very pathetic in so eager a grasping after some stay for hope.
All these natural symbols are insufficient. They are not proofs, they are only pretty analogies. But they are all that men have on which to build their hopes as to a future life apart from Christ. That future was vague, a region for hopes and wishes or fears, not for certainty, a region for poetic fancies. The thoughts of it were very faintly operative. Men asked, Shall we live again? Conscience seemed to answer, Yes! The instinct of immortality in men's souls grasped at these things as proofs of what it believed without them, but there was no clear light.
III. The clear light of certain hope which Christ's resurrection brings.
The grave in the garden reversed Adam's bringing of death into Eden.
Christ's resurrection as a fact bears on the belief in a future state as nothing else can.
It changes hope into certainty. It shows by actual example that death has nothing to do with the soul; that life is independent of the body; that a man after death is the same as before it. The risen Lord was the same in His relations to His disciples, the same in His love, in His memory, and in all else.
It changes shadowy hopes of continuous life into a solid certainty of resurrection life. The former is vague and powerless. It is impossible to conceive of the future with vividness unless as a bodily life. And this is the strength of the Christian conception of the future life, that corporeity is the end and goal of the redeemed man.