The gifts to the prodigal are probably significant. They not only express in general the cordiality of the welcome, but seem to be capable of specific interpretations, as representing various aspects of the blessed results of return to God. The robe is the familiar emblem of character. The prodigal son is treated like the high-priest in Zechariah's vision; his rags are stripped off, and he is clothed anew in a dress of honour. 'Them he also justified: and whom he justified, them he also sanctified.' The ring is a token of wealth, position, and honour. It is also a sign of delegated authority, and is an ornament to the hand. So God gives His prodigals, when they come back, an elevation which unforgiven beings do not reach, and sets them to represent Him, and arrays them in strange beauty. No doubt the lad had come back footsore and bleeding, and the shoes may simply serve to keep up the naturalness of the story. But probably they suggest equipment for the journey of life. That is one of the gifts that accompany forgiveness. Our feet are shod with the preparedness of the gospel of peace.
Last of all comes the feast. Heaven keeps holiday when some poor waif comes shrinking back to the Father. The prodigal had been content to sink his sonship for the sake of a loaf, but he could not get bread on such terms. He had to be forgiven and bathed in the outflow of his father's love before he could be fed; and, being thus received, he could not but be fed. The feast is for those who come back penitently, and are received forgivingly, and endowed richly by the Father in heaven.
GIFTS TO THE PRODIGAL
'… Bring forth the best robe, and put it on him; and put a ring on his hand, and shoes on his feet: 23. And bring hither the fatted calf, and kill it….' —LUKE XV. 22, 23.
God's giving always follows His forgiving. It is not so with us. We think ourselves very magnanimous when we pardon; and we seldom go on to lavish favours where we have overlooked faults. Perhaps it is right that men who have offended against men should earn restoration by acts, and should have to ride quarantine, as it were, for a time. But I question whether forgiveness is ever true which is not, like God's, attended by large-hearted gifts. If pardon is only the non-infliction of penalty, then it is natural enough that it should be considered sufficient by itself, and that the evildoer should not be rewarded for having been bad. But if pardon is the outflow of the love of the offended to the offender, then it can scarcely be content with simply giving the debtor his discharge, and turning him into the world penniless.
However that may be with regard to men, God's forgiveness is essentially the communication of God's love to us sinners, as if we had never sinned at all. And, that being so, that love cannot stay its working until it has given all that it can bestow or we can receive. God does not do things by halves; and He always gives when He forgives.
Now that is the great truth of the last part of this immortal parable. And it is one of the points in which it differs from, and towers high above, the two preceding ones. The lost sheep was carried back to the pastures, turned loose there, needed no further special care, and began to nibble as if nothing had happened. The lost drachma was simply put back in the woman's purse. But the lost son was pardoned, and, being pardoned, was capable of receiving, and received, greater gifts than he had before. These gifts are very remarkably detailed in the words of our text.
Now, of course, it is always risky to seek for a spiritual interpretation of every point in a parable, many of which points are mere drapery. But, on the other hand, we may very easily fall into the error of treating as insignificant details which really are meant to be full of instruction. And I cannot help thinking—although many would differ from me,—that this detailed enumeration of the gifts to the prodigal is meant to be translated into the terms of spiritual experience. So I desire to look at them as suggesting for us the gifts of God which accompany forgiveness. I take the catalogue as it stands—the Robe, the Ring, the Shoes, the Feast.
I. First, the Robe.
'Bring forth the best robe, and put it on him.' That was the command. This detail, of course, like all the others, refers back to, and casts light upon, the supposed condition of the spendthrift when he came back. There he stood, ragged, with the stain of travel and the stench of the pig-sty upon his garments, some of them, no doubt, remains of the tawdry finery that he had worn in the world; wine-spots, and stains, and filth of all sorts on the rags. The father says, 'Take them all off him, and put the best robe upon him.' What does that mean?