This whole section indicates a lawless condition in which open violence, robbery, and murder were common. In Hosea's vigorous language, "blood touched blood," the splashes being so numerous that they met, and the land was red with them. There is no reason to suppose that the picture is ideal or exaggerated. Where in the turbulent annals of Israel it is to be placed must remain uncertain; but that it is a transcript of bitter experience is obvious, and the aspect which it presents should be kept in view as a corrective of the tendency to idealise the moral condition of Israel, which at no time was free from dark stains, and which offered only too many epochs of disorganisation in which the dark picture of the psalm could have been photographed from life.

The phrases for the victims in this section are noteworthy: "the innocent"; "the helpless"; "the poor." Of these the first and last are frequent, and the meaning obvious. There is a doubt whether the last should be regarded as the designation of outward condition or of disposition, i.e. whether "meek" or "poor" is the idea. There are two cognate words in Hebrew, one of which means one who is bowed down, i.e. by outward troubles, and the other one who bows himself down, i.e. is meek. The margin of the Hebrew Bible is fond of correcting these words when they occur in the text and substituting the one for the other, but arbitrarily; and it is doubtful whether in actual usage there is any real distinction between them. "Helpless" is a word only found in this psalm (vv. 8, 10, 14), which has received various explanations, but is probably derived from a root meaning to be black, and hence comes to mean miserable, hapless, or the like. All the designations refer to a class—namely, the devout minority, the true Israel within Israel—and hence the plurals in vv. 10, 12, and 17.

The second part of the psalm (ver. 12 to end) is the prayer, forced from the heart of the persecuted remnant, God's little flock in the midst of wolves. No trace of individual reference appears in it, nor any breath of passion or vengeance, such as is found in some of the psalms of persecution; but it glows with indignation at the blasphemies which are, for the moment, triumphant, and cries aloud to God for a judicial act which shall shatter the dream that He does not see and will not requite. That impious boast, far more than the personal incidence of sufferings, moves the prayer. As regards its form, the reappearance of the acrostic arrangement is significant, as is the repetition of the prayer and letter of ix. 19, which binds the two psalms together. The acrostic reappears with the direct address to God. The seven verses of the prayer are divided by it into four groups, one of which is abnormal as containing but one verse, the unusual length of which, however, somewhat compensates for the irregularity (ver. 14). The progress of thought in them follows the logic of emotional prayer rather than of the understanding. First, there are a vehement cry for God's intervention and a complaint of His mysterious apparent apathy. The familiar figure for the Divine flashing forth of judgment, "Arise, O Lord," is intensified by the other cry that He would "lift His hand." A God who has risen from His restful throne and raised His arm is ready to bring it down with a shattering blow; but before it falls the psalmist spreads in God's sight the lies of the scornful men. They had said (ver. 11) that He forgot; the prayer pleads that He would not forget. Their confidence was that He did not see nor would requite; the psalmist is bold to ask the reason for the apparent facts which permit such a thought. The deepest reverence will question God in a fashion which would be daring, if it were not instinct with the assurance of the clearness of His Divine knowledge of evil and of the worthiness of the reasons for its impunity. "Wherefore doest Thou thus?" may be insolence or faith. Next, the prayer centres itself on the facts of faith, which sense does not grasp (ver. 14). The specific acts of oppression which force out the psalmist's cry are certainly "seen" by God, for it is His very nature to look on all such ("Thou" in ver. 14 is emphatic); and faith argues from the character to the acts of God and from the general relation of all sin towards Him to that which at present afflicts the meek. But is God's gaze on the evil an idle look? No; He sees, and the sight moves Him to act. Such is the force of "to take it into Thy hand," which expresses the purpose and issue of the beholding. What He sees He "takes in hand," as we say, with a similar colloquialism. If a man believes these things about God, it will follow of course that he will leave himself in God's hand, that uplifted hand which prayer has moved. So ver. 14 is like a great picture in two compartments, as Raphael's Transfiguration. Above is God, risen with lifted arm, beholding and ready to strike; beneath is the helpless man, appealing to God by the very act of "leaving" himself to Him. That absolute reliance has an all-prevalent voice which reaches the Divine heart, as surely as her child's wail the mother's; and wherever it is exercised the truth of faith which the past has established becomes a truth of experience freshly confirmed. The form of the sentence in the Hebrew (the substantive verb with a participle, "Thou hast been helping") gives prominence to the continuousness of the action: It has always been Thy way, and it is so still. Of course "fatherless" here is tantamount to the "hapless," or poor, of the rest of the psalm.

Then at last comes the cry for the descent of God's uplifted hand (vv. 15, 16). It is not invoked to destroy, but simply to "break the arm" of, the wicked, i.e. to make him powerless for mischief, as a swordsman with a shattered arm is. One blow from God's hand lames, and the arm hangs useless. The impious denial of the Divine retribution still affects the psalmist with horror; and he returns to it in the second clause of ver. 15, in which he prays that God would "seek out"—i.e., require and requite, so as to abolish and make utterly non-existent—the wicked man's wickedness. The yearning of every heart that beats in sympathy with and devotion to God, especially when it is tortured by evil experienced or beheld flourishing unsmitten, is for its annihilation. There is no prayer here for the destruction of the doer; but the reduction to nothingness of his evil is the worthy aspiration of all the good, and they who have no sympathy with such a cry as this have either small experience of evil, or a feeble realisation of its character.

The psalmist was heartened to pray his prayer, because "the nations are perished out of His land." Does that point back to the great instance of exterminating justice in the destruction of the Canaanites? It may do so, but it is rather to be taken as referring to the victories celebrated in the companion psalm. Note the recurrence of the words "nations" and "perished," which are drawn from it. The connection between the two psalms is thus witnessed, and the deliverance from foreign enemies, which is the theme of Psalm ix., is urged as a plea with God and taken as a ground of confidence by the psalmist himself for the completion of the deliverance by making domestic oppressors powerless. This lofty height of faith is preserved in the closing stanza, in which the agitation of the first part and the yearning of the second are calmed into serene assurance that the Ecclesia pressa has not cried nor ever can cry in vain. Into the praying, trusting heart "the peace of God, which passeth understanding," steals, and the answer is certified to faith long before it is manifest to sense. To pray and immediately to feel the thrilling consciousness, "Thou hast heard," is given to those who pray in faith. The wicked makes a boast of his "desire"; the humble makes a prayer of it, and so has it fulfilled. Desires which can be translated into petitions will be converted into fruition. If the heart is humble, that Divine breath will be breathed over and into it which will prepare it to desire only what accords with God's will, and the prepared heart will always find God's ear open. The cry of the hapless, which has been put into their lips by God himself, is the appointed prerequisite of the manifestations of Divine judgment which will relieve the earth of the incubus of "the man of the earth." "Shall not God avenge His own elect, though He bear long with them? I tell you that He will avenge them speedily." The prayer of the humble, like a whisper amid the avalanches, has power to start the swift, white destruction on its downward path; and when once that gliding mass has way on it, nothing which it smites can stand.


[PSALM XI.]

1 In Jehovah have I taken refuge;
How say ye to my soul,
Flee to the mountain as a bird?
2 For lo, the wicked bend the bow,
They make ready their arrow upon the string,
To shoot in the dark at those who are upright of heart.
3 For the foundations are being destroyed;
The righteous—what hath he achieved?
4 Jehovah in His holy palace, Jehovah, whose throne is in heaven—
His eyes behold, His eyelids try, the children of men.
5 Jehovah trieth the righteous,
But the wicked and lover of violence His soul hateth.
6 May He rain upon the wicked snares;
Fire and brimstone and a burning wind be the portion of their cup!
7 For Jehovah is righteous: righteous deeds He loveth;
The upright shall behold His face.