But the psalmist is thinking rather of the varying complexion of his days as bright or dark; and looking beyond circumstances, he sees God. The "hand of mine enemies" seems shrivelled into impotence when contrasted with that great hand, to which he has committed his spirit, and in which are his "times"; and the psalmist's recognition that it holds his destiny is the ground of his prayer for deliverance from the foes' paralysed grasp. They who feel the tender clasp of an almighty hand need not doubt their security from hostile assaults. The petitions proper are three in number: for deliverance, for the light of God's face, and for "salvation." The central petition recalls the priestly blessing (Num. vi. 25). It asks for consciousness of God's friendship and for the manifestation thereof in safety from present dangers. That face, turned in love to a man, can "make a sunshine in a shady place," and brings healing on its beams. It seems best to take the verbs in vv. 17, 18, as futures and not optatives. The prayer passes into assurance of its answer, and what was petition in ver. 1 is now trustful prediction: "I shall not be ashamed, for I cry to Thee." With like elevation of faith, the psalmist foresees the end of the whispering defamers round him: shame for their vain plots and their silent descent to the silent land. The loudest outcry against God's lovers will be hushed some day, and the hands that threatened them will be laid motionless and stiff across motionless breasts. He who stands by God and looks forward, can, by the light of that face, see the end of much transient bluster, "with pride and contempt," against the righteous. Lying lips fall dumb; praying lips, like the psalmist's, are opened to show forth God's praise. His prayer is audible still across the centuries; the mutterings of his enemies only live in his mention of them.

That assurance prepares the way for the noble burst of thanksgiving, as for accomplished deliverance, which ends the psalm, springing up in a joyous outpouring of melody, like a lark from a bare furrow. But there is no such change of tone as to warrant the supposition that these last verses (19-24) are either the psalmist's later addition or the work of another, nor do they oblige us to suppose that the whole psalm was written after the peril which it commemorates had passed. Rather the same voice which triumphantly rings out in these last verses has been sounding in the preceding, even in their saddest strains. The ear catches a twitter hushed again and renewed more than once before the full song breaks out. The psalmist has been absorbed with his own troubles till now, but thankfulness expands his vision, and suddenly there is with him a multitude of fellow-dependants on God's goodness. He hungers alone, but he feasts in company. The abundance of God's "goodness" is conceived of as a treasure stored, and in part openly displayed, before the sons of men. The antithesis suggests manifold applications of the contrast, such as the inexhaustibleness of the mercy which, after all revelation, remains unrevealed, and, after all expenditure, has not perceptibly diminished in its shining mass, as of bullion in some vault; or the varying dealings of God, who sometimes, while sorrow is allowed to have its scope, seems to keep His riches of help under lock and key, and then again flashes them forth in deeds of deliverance; or the difference between the partial unfolding of these on earth and the full endowment of His servants with "riches in glory" hereafter. All these carry the one lesson that there is more in God than any creature or all creatures have ever drawn from Him or can ever draw. The repetition of the idea of hiding in ver. 20 is a true touch of devout poetry. The same word is used for laying up the treasure and for sheltering in a pavilion from the jangle of tongues. The wealth and the poor men who need it are stored together, as it were; and the place where they both lie safe is God Himself. How can they be poor who are dwelling close beside infinite riches? The psalmist has just prayed that God would make His face to shine upon him; and now he rejoices in the assurance of the answer, and knows himself and all like-minded men to be hidden in that "glorious privacy of light," where evil things cannot live. As if caught up to and "clothed with the sun," he and they are beyond the reach of hostile conspiracies, and have "outsoared the shadow of" earth's antagonisms. The great thought of security in God has never been more nobly expressed than by that magnificent metaphor of the light inaccessible streaming from God's face to be the bulwark of a poor man.

The personal tone recurs for a moment in vv. 21, 22, in which it is doubtful whether we hear thankfulness for deliverance anticipated as certain and so spoken of as past, since it is as good as done, or for some recently experienced marvel of loving-kindness, which heartens the psalmist in present trouble. If this psalm is David's, the reference may be to his finding a city of refuge, at the time when his fortunes were very low, in Ziklag, a strange place for a Jewish fugitive to be sheltered. One can scarcely help feeling that the allusion is so specific as to suggest historical fact as its basis. At the same time it must be admitted that the expression may be the carrying on of the metaphor of the hiding in a pavilion. The "strong city" is worthily interpreted as being God Himself, though the historical explanation is tempting. God's mercy makes a true man ashamed of his doubts, and therefore the thanksgiving of ver. 21 leads to the confession of ver. 22. Agitated into despair, the psalmist had thought that he was "cut off from God's eyes"—i.e., hidden so as not to be helped—but the event has showed that God both heard and saw him. If alarm does not so make us think that God is blind to our need and deaf to our cry as to make us dumb, we shall be taught the folly of our fears by His answers to our prayers. These will have a voice of gentle rebuke, and ask us, "O thou of little faith, wherefore didst thou doubt?" He delivers first, and lets the deliverance stand in place of chiding.

The whole closes with a summons to all whom Jehovah loves to love Him for His mercy's sake. The joyful singer longs for a chorus to join his single voice, as all devout hearts do. He generalises his own experience, as all who have for themselves experienced deliverance are entitled and bound to do, and discerns that in his single case the broad law is attested that the faithful are guarded whatever dangers assail, and "the proud doer" abundantly repaid for all his contempt and hatred of the just. Therefore the last result of contemplating God's ways with His servants is an incentive to courage, strength, and patient waiting for the Lord.


[PSALM XXXII.]

1 Blessed he whose transgression is taken away, whose sin is covered,
2 Blessed the man to whom Jehovah reckons not iniquity,
In whose spirit is no guile.
3 When I kept silence, my bones rotted away,
Through my roaring all the day.
4 For day and night Thy hand weighed heavily upon me;
My sap was turned [as] in droughts of summer. Selah.
5 My sin I acknowledged to Thee, and my iniquity I covered not,
I said, I will confess because of my transgressions to Jehovah,
And Thou—Thou didst take away the iniquity of my sin. Selah.
6 Because of this let every one beloved [of Thee] pray to Thee in a time of finding;
Surely when great waters are in flood, to him they shall not reach.
7 Thou art a shelter for me; from trouble wilt Thou preserve me,
[With] shouts of deliverance wilt encircle me. Selah.
8 I will instruct thee and teach thee in the way which thou shouldest go;
I will counsel thee, [with] mine eye upon thee.
9 Be not ye like horse, like mule, without understanding,
Whose harness to hold them in is bit and bridle,
Else no coming near to thee.
10 The wicked has many sorrows,
And he who trusts in Jehovah—with loving-kindness will He encircle him.
11 Rejoice in Jehovah, and exult, ye righteous;
And shout joyfully, all ye upright of heart.

One must have a dull ear not to hear the voice of personal experience in this psalm. It throbs with emotion, and is a burst of rapture from a heart tasting the sweetness of the new joy of forgiveness. It is hard to believe that the speaker is but a personification of the nation, and the difficulty is recognised by Cheyne's concession that we have here "principally, though not exclusively, a national psalm." The old opinion that it records David's experience in the dark time when, for a whole year, he lived impenitent after his great sin of sense, and was then broken down by Nathan's message and restored to peace through pardon following swiftly on penitence, is still defensible, and gives a fit setting for this gem. Whoever was the singer, his song goes deep down to permanent realities in conscience and in men's relations to God, and therefore is not for an age, but for all time. Across the dim waste of years, we hear this man speaking our sins, our penitence, our joy; and the antique words are as fresh, and fit as close to our experiences, as if they had been welled up from a living heart to-day. The theme is the way of forgiveness and its blessedness; and this is set forth in two parts: the first (vv. 1-5) a leaf from the psalmist's autobiography, the second (ver. 6 to end) the generalisation of individual experience and its application to others. In each part the prevailing division of verses is into strophes of two, each containing two members, but with some irregularity.

The page from the psalmist's confessions (vv. 1-5) begins with a burst of rapturous thankfulness for the joy of forgiveness (vv. 1, 2), passes to paint in dark colours the misery of sullen impenitence (vv. 3, 4), and then, in one longer verse, tells with glad wonder how sudden and complete was the transition to the joy of forgiveness by the way of penitence. It is a chart of one man's path from the depths to the heights, and avails to guide all.