I have made the necessities of extra-illustration the mainspring, as it were, of my autograph collecting. If the young autograph collector has no specific object of this kind in view (and in the course of ten years' hard work in the vineyard of grangerising there are few kinds of autographs I have not required) I should strongly recommend him to begin with some specific line, be it soldiers or sailors, painters or poets, actors and actresses, men of letters, worthies of a particular city, county, or college, and so forth. If this course is adopted an interesting collection can be formed without incurring enormous cost, and the value of good autographs is sure to rise. It is given to few men in a generation, or even in a century, to form collections of a cosmopolitan and all-embracing character like that made by the late Mr. Alfred Morrison between the years 1865 and 1882, the catalogue of which, prepared with the utmost care by M. A. W. Thibaudeau, fills six folio and seven imperial octavo volumes, and costs £60. French collectors pay great attention to classification, and each letter is generally placed in a chemise or cover bearing some heraldic or other appropriate device. In the case of a small collection like that which Sir George White, Bart., has acquired, of letters and documents relating solely to Bristol, an alphabetical arrangement is preferable. If, however, one gathers autographs of all conceivable kinds, and "of all nations and languages," subdivisions become absolutely essential if you want to find any particular specimen without difficulty. I have already referred to the Alfred Bovet Catalogue, prepared on scientific lines by M. Étienne Charavay. In this collection the many thousand items of which it consisted were divided into—(1) Heads of Government; (2) Statesmen and Political Personages; (3) The French Revolution; (4) Warriors; (5) Men of Science and Explorers; (6) Actors and Actresses; (7) Writers; (8) Painters, Sculptors, Engravers, and Architects; (9) Huguenots; and (10) Women. There was a further subdivision according to nationalities, and these were finally arranged chronologically. The preface to the Bovet Catalogue, admirably written by M. Étienne Charavay, has been published separately under the attractive title of "The Science of Autographs." It deserves to be translated and published in English, for no more thoughtful essay on the value of historical letters and the cult of the autograph has ever appeared. It is now time to consider the application of the legal maxim of caveat emptor to the acquisition of MSS. of every description. The presence of a forgery will often discredit an otherwise interesting and valuable collection. Not long ago I was shown an album of autographs which represented the gleanings of two or three generations of a highly respectable county family. The moment I opened it I recognised my old friend the Byron-Galignani facsimile, which is offered to dealers as a rare specimen at least once a week. The owner, who had paid several pounds for it, declared he could vouch for its genuineness beyond the shadow of a doubt! He never quite forgave my taking down the Paris edition of Byron's poems to convince him of his error.

[III]
THE
CAVEAT EMPTOR
OF AUTOGRAPH
COLLECTING

FIRST PAGE OF A.L.S. OF DR. JOHNSON TO SIR JOSHUA REYNOLDS ON THE SUBJECT OF CRABBE'S POEMS, 1783.

LINES OF THOMAS CHATTERTON ON HORACE WALPOLE, WHICH COST SIR GEORGE WHITE, OF BRISTOL, £34.