A.L.S. OF THE ABBÉ LISZT TO SECRETARY OF PRINCESS OF WALES (QUEEN ALEXANDRA), APRIL 16, 1886.
In this particular class of autographs "album specimens" have often considerable value, for musicians have always been the target of the autograph-hunter, especially so of those of the fair sex.[58] It is no uncommon sight after a "star" concert to see the tired-out central attraction in a state of autograph siege, either for inscriptions in albums or signatures to photographs. The plaintive autograph letter of Franz Liszt tells the tale of the request made on behalf of the owner of a Royal Album to the exigencies of which he gracefully surrendered. A few bars of music written and signed by Handel would now be worth quite £20 or £25; and some day the musical autographs of Edward Elgar will fetch very high prices. William and Philip Hayes rank in the first class of English composers of Church music, although the father was overshadowed by his loyal friendship for Handel, and the latter by his admiration for Haydn. I have acquired (with one or two trifling exceptions) the MSS. of their compositions, several of which have never been published. Like most musicians, the Hayeses were humourists. They wrote anthems and chants, but they won fame in their generation by catches, canons, glees, madrigals, and fugitive pieces of all sorts. The tuneful airs of Philip Hayes [1738-1797] re-echoed amidst the glades of Blenheim, and were often heard at Ranelagh, Vauxhall, and "Marybone."[59] Musical autographs have risen considerably in price during the past thirty years, as shown at the comparatively recent Taphouse Sale. A very fine letter of Chopin's was offered for sale at 250 francs last year by Madame Veuve Gabriel Charavay. Letters of Mendelssohn and Wagner are in great request. The former vary in price from £3 to £10. Although Richard Wagner was a prolific letter-writer, any letter of his is worth £5 or thereabouts, and many have sold at from £20 to £50. I have never seen an A.L.S. of Handel's in the sale-rooms. A good one will probably fetch £50. A fragment of one of his compositions, once in the possession of William Hayes, lately realised £100. Much of his music seems to have been written out by Smart.
A.L.S. OF JOSEPH HAYDN, THE COMPOSER, JUNE 5, 1803.
In 1876 Mr. Waller offered a letter of Beethoven's for sale at £3 10s.; one by Dr. Blow for £1 and 2 pp. of one of William Boyce's compositions for 7s. 6d.! The latter would certainly fetch 40s. to-day, but thirty years ago autographs of Catalani, Bishop, Cooke, Holmes, Hummel, Michael Kelly, Lablache, Loder, Meyerbeer, Offenbach, Louisa Pyne, Rossini, Rudersdorff, Tamburini, and Samuel Wesley averaged about 3s.! I lately gave £3 3s. for the signed MS. of Wesley's "Ode on the Death of Boyce," the bicentenary of whose birth occurs this year (1910), in which also the centenary of the birth of Wesley's musical son, Samuel Sebastian Wesley, might appropriately be celebrated at Gloucester. Amongst Mr. Frank Sabin's autographic rariora is the MS. of the original score of Thomas Moore's "Last Rose of Summer." There is a great demand in America just now for Moore MSS. of this sort, although ordinary letters rarely fetch high prices. Charles Burney's letters (of which I have many) are to my mind always interesting, although they only bring from 15s. to 30s. in the sale-rooms.
For some collectors the Drama offers a peculiar fascination. I have already described the letter of William Wilson of the "Fortune" Theatre, with whom Shakespeare possibly played.[60] The great dramatist himself, from the autograph point of view, has been alluded to. In turning over the catalogues of 1876-86 one is struck with the high prices of letters of David Garrick and Sarah Siddons. Garrick rarely wrote a dull letter. When Paul Sandby asked for a box he replied—
I will maintain Good Master Sandby
And with my blood, the Fact will stand by,
The trifle ask'd is no great favour,
And you and your's are wellcome ever
D Garrick
Here are some examples of Garrick's letters to Mrs. Montagu not generally known:—