For the student of English literature Pope's work has a threefold value. It represents the highest achievement of one of the great movements in the developments of English verse. It reflects with unerring accuracy the life and thought of his time — not merely the outward life of beau and belle in the days of Queen Anne, but the ideals of the age in art, philosophy, and politics. And finally it teaches as hardly any other body of English verse can be said to do, the perennial value of conscious and controlling art. Pope's work lives and will live while English poetry is read, not because of its inspiration, imagination, or depth of thought, but by its unity of design, vigor of expression, and perfection of finish — by those qualities, in short, which show the poet as an artist in verse.

[Contents]


Chief Dates In Pope's Life

1688Born, May 21
1700Moves to Binfield
1709Pastorals
1711Essay on Criticism
1711-12Contributes to Spectator
1712Rape of the Lock, first form
1713Windsor Forest
1713Issues proposals for translation of Homer
1714Rape of the Lock, second form
1715First volume of the Iliad
1715Temple of Fame
1717Pope's father dies
1717Works, including some new poems
1719Settles at Twickenham
1720Sixth and last volume of the Iliad
1722Begins translation of Odyssey
1725Edits Shakespeare
1726Finishes translation of Odyssey
1727-8Miscellanies by Pope and Swift
1728-9Dunciad
1731-2Moral Essays: Of Taste, Of the Use of Riches
1733-4 Essay on Man
1733-8 Satires and Epistles
1735Works
1735Letters published by Curll
1741Works in Prose; vol. II. includes the correspondence with Swift
1742Fourth book of Dunciad
1742Revised Dunciad
1744Died, May 30
1751First collected edition, published by Warburton, 9 vols.

[Contents]


The Rape of the Lock