Such learn'd and modest, not more great than good,
With manners gen'rous as his noble blood,
E'er saints impatient snatched him to the sky,
Roscommon was, and such is Normanby.
[290] An Essay on translated Verse seems, at first sight, to be a barren subject; yet Roscommon has decorated it with many precepts of utility and taste. It is indisputably better written, in a closer and more vigorous style, than the last-mentioned essay.—Warton.
When Warton wrote, some traditional reputation still lingered round the poems of Roscommon. His feeble platitudes are now forgotten.
[291] Rochester's Poems:
to her was known
Every one's fault or merit but her own.—Cunningham.
[292] Walsh was in general a flimsy and frigid writer. The Rambler calls his works pages of inanity. His three letters to Pope, however, are well written. His remarks on the nature of pastoral poetry, on borrowing from the ancients, and against florid conceits, are worthy perusal.—Warton.
In the manuscript, the eulogy on Walsh was at first somewhat different:
Such late was Walsh—nor can'st thou, Muse, offend,
Next these to name the Muse's judge and friend;
Who free from envious censure, partial praise,
Showed ancient candour in malicious days
To frailties mild, &c.
The Muse did offend notwithstanding. After speaking of the irritation he excited by his commendations of Erasmus, Pope thus continued in his letter to Caryll of July 19, 1711:—"Others, you know, were as angry that I mentioned Mr. Walsh with honour, who as he never refused to any one of merit of any party the praise due to him, so honestly deserved it from all others of never so different interests or sentiments." The objections seem to have come from the Roman Catholics, and to have been made on religious or political grounds, from which it may be inferred that Walsh was an active opponent of the exiled family. Neither the laudation of Dryden, who said he was "the best critic of our nation," nor the poetical tribute of Pope, could do more than preserve the bare name of an author whose literary qualifications were of the most trivial kind. Dennis, who was acquainted with him, and who admits that he was an indifferent poet, adds that "he was learned, candid and judicious, and a man of a very good understanding in spite of his being a beau." He was a country gentlemen of fortune, and a member of parliament, which were the principal circumstances that conferred lustre upon his small talents in the eyes of the wits.
[293] Pope fell into the prevalent vice of uttering extravagant, insincere compliments; for it is impossible to believe that he "no more attempted to rise" in verse because he had lost the guidance of Walsh. The guide had not done much towards directing Pope's flight, and "teaching him to sing." The Pastorals were his only work, antecedent to the Essay on Criticism, which had a nominal originality, and three of these Pastorals were written before he and Walsh were acquainted.