CANTO IV.

But anxious cares the pensive nymph oppressed,[456]
And secret passions laboured in her breast.
Not youthful kings in battle seized alive,
Not scornful virgins who their charms survive,
Not ardent lovers robbed of all their bliss, 5
Not ancient ladies when refused a kiss,
Not tyrants fierce that unrepenting die,[457]
Not Cynthia when her manteau's pinned awry,
E'er felt such rage, resentment, and despair,
As thou, sad virgin! for thy ravished hair. 10
For, that sad moment, when the sylphs withdrew,[458]
And Ariel weeping from Belinda flew,
Umbriel, a dusky, melancholy sprite,
As ever sullied the fair face of light,
Down to the central earth, his proper scene, 15
Repaired to search the gloomy cave of Spleen.
Swift on his sooty pinions flits the gnome,[459]
And in a vapour reached the dismal dome.
No cheerful breeze this sullen region knows,
The dreaded east is all the wind that blows.[460] 20
Here in a grotto, sheltered close from air,
And screened in shades from day's detested glare,[461]
She sighs for ever on her pensive bed,
Pain at her side, and Megrim[462] at her head.
Two handmaids wait[463] the throne: alike in place, 25
But diff'ring far in figure and in face.
Here stood Ill-nature like an ancient maid,
Her wrinkled form in black and white arrayed;
With store of pray'rs, for mornings, nights, and noons,
Her hand is filled; her bosom with lampoons. 30
There Affectation with a sickly mien,
Shows in her cheek the roses of eighteen,
Practised to lisp, and hang the head aside,
Faints into airs, and languishes with pride,
On the rich quilt sinks with becoming woe, 35
Wrapped in a gown, for sickness, and for show.
The fair ones feel such maladies as these,
When each new night-dress gives a new disease.[464]
A constant vapour o'er the palace flies;
Strange phantoms rising as the mists arise; 40
Dreadful, as hermits' dreams in haunted shades,
Or bright, as visions of expiring maids.[465]
Now glaring fiends, and snakes on rolling spires,[466]
Pale spectres, gaping tombs, and purple fires:
Now lakes of liquid gold, Elysian scenes, 45
And crystal domes, and angels in machines.[467]
Unnumbered throngs, on ev'ry side are seen,
Of bodies changed to various forms by Spleen.[468]
Here living tea-pots stand, one arm held out,
One bent; the handle this, and that the spout: 50
A pipkin there, like Homer's tripod walks;[469]
Here sighs a jar, and there a goose-pye talks;[470]
Men prove with child, as pow'rful fancy works,[471]
And maids turned bottles, call aloud for corks.[472]
Safe past the gnome through this fantastic band, 55
A branch of healing spleenwort in his hand.[473]
Then thus addressed the pow'r—"Hail, wayward queen!
Who rule[474] the sex to fifty from fifteen:
Parent of vapours[475] and of female wit,
Who give th' hysteric, or poetic fit, 60
On various tempers act by various ways,
Make some take physic, others scribble plays;
Who cause the proud their visits to delay,
And send the godly in a pet to pray;
A nymph there is, that all thy pow'r disdains, 65
And thousands more in equal mirth maintains.
But oh! if e'er thy gnome could spoil a grace,
Or raise a pimple on a beauteous face,
Like citron-waters[476] matrons' cheeks inflame,
Or change complexions at a losing game; 70
If e'er with airy horns I planted heads,
Or rumpled petticoats, or tumbled beds,
Or caused suspicion when no soul was rude,
Or discomposed the head-dress of a prude,
Or e'er to costive lap-dog gave disease, 75
Which not the tears of brightest eyes could ease:
Hear me, and touch Belinda with chagrin,
That single act gives half the world the spleen."
The goddess with a discontented air
Seems to reject him, though she grants his pray'r. 80
A wondrous bag with both her hands she binds,
Like that where once Ulysses held the winds;
There she collects the force of female lungs,
Sighs, sobs, and passions, and the war of tongues.
A phial next she fills with fainting fears, 85
Soft sorrows, melting griefs, and flowing tears.
The gnome rejoicing bears her gifts away,
Spreads his black wings, and slowly mounts to day.
Sunk in Thalestris' arms the nymph he found,
Her eyes dejected, and her hair unbound. 90
Full o'er their heads the swelling bag he rent,
And all the furies issued at the vent.
Belinda burns with more than mortal ire,
And fierce Thalestris fans the rising fire.
"O wretched maid!" she spread her hands, and cried, 95
(While Hampton's echoes, "Wretched maid!" replied)
"Was it for this you took such constant care
The bodkin, comb, and essence to prepare?
For this your locks in paper durance bound?
For this with tort'ring irons wreathed around? 100
For this with fillets strained your tender head,
And bravely bore the double loads of lead?[477]
Gods! shall the ravisher display your hair,
While the fops envy, and the ladies stare!
Honour forbid! at whose unrivalled shrine 105
Ease, pleasure, virtue, all our sex resign.[478]
Methinks already I your tears survey,
Already hear the horrid things they say,
Already see you a degraded toast,
And all your honour in a whisper lost! 110
How shall I, then, your helpless fame defend?
'Twill then be infamy to seem your friend!
And shall this prize, th' inestimable prize,
Exposed through crystal to the gazing eyes,
And heightened by the diamond's circling rays, 115
On that rapacious hand for ever blaze?
Sooner shall grass in Hyde-Park Circus grow,[479]
And wits take lodgings in the sound of Bow;
Sooner let earth, air, sea, to chaos fall,
Men, monkeys, lap-dogs, parrots, perish all!" 120
She said; then raging to Sir Plume[480] repairs,
And bids her beau demand the precious hairs:
(Sir Plume, of amber snuff-box justly vain,
And the nice conduct of a clouded cane)[481]
With earnest eyes, and round unthinking face, 125
He first the snuff-box opened, then the case,
And thus broke out—"My Lord, why, what the devil!
Zounds! damn the lock! 'fore Gad, you must be civil.
Plague on't! 'tis past a jest—nay prithee, pox!
Give her the hair"—he spoke, and rapped his box. 130
"It grieves me much," replied the peer again,
"Who speaks so well should ever speak in vain,
But by this lock, this sacred lock I swear,[482]
(Which never more shall join its parted hair;
Which never more its honours shall renew, 135
Clipped from the lovely head where late it grew)
That while my nostrils draw the vital air,[483]
This hand, which won it, shall for ever wear."
He spoke, and speaking, in proud triumph spread
The long-contended honours of her head.[484] 140
But Umbriel, hateful gnome! forbears not so;
He breaks the phial whence the sorrows flow.[485]
Then see! the nymph in beauteous grief appears,
Her eyes half languishing, half drowned in tears;
On her heaved bosom hung her drooping head, 145
Which, with a sigh, she raised; and thus she said.
"For ever cursed be this detested day,
Which snatched my best, my fav'rite curl away!
Happy! ah ten times happy had I been,[486]
If Hampton-Court these eyes had never seen! 150
Yet am not I the first mistaken maid,
By love of courts to num'rous ills betrayed.
Oh had I rather unadmired remained
In some lone isle, or distant northern land;
Where the gilt chariot never marks the way, 155
Where none learn ombre, none e'er taste bohea!
There kept my charms concealed from mortal eye,
Like roses, that in deserts bloom and die.
What moved my mind with youthful lords to roam?
O had I stayed, and said my pray'rs at home! 160
'Twas this the morning omens seemed to tell,[487]
Thrice from my trembling hand the patch-box[488] fell;
The tott'ring china shook without a wind,
Nay, Poll sat mute, and Shock was most unkind!
A sylph too warned me of the threats of fate, 165
In mystic visions, now believed too late!
See the poor remnants of these slighted hairs!
My hands shall rend what ev'n thy rapine spares:
These in two sable ringlets taught to break,
Once gave new beauties to the snowy neck;[489] 170
The sister-lock now sits uncouth, alone,
And in its fellow's fate foresees its own;[490]
Uncurled it hangs, the fatal shears demands,
And tempts, once more, thy sacrilegious hands.
Oh hadst thou, cruel! been content to seize 175
Hairs less in sight, or any hairs but these!"


CANTO V.

She said: the pitying audience melt in tears,
But Fate and Jove had stopped the baron's ears.[491]
In vain Thalestris with reproach assails,
For who can move when fair Belinda fails?
Not half so fixed the Trojan could remain, 5
"While Anna begged and Dido raged in vain.[492]
Then grave Clarissa[493] graceful waved her fan;
Silence ensued, and thus the nymph began.
"Say, why are beauties praised and honoured most,[494]
The wise man's passion, and the vain man's toast?[495] 10
Why decked with all that land and sea afford,
Why angels called, and angel-like adored?[496]
Why round our coaches crowd the white-gloved beaux,[497]
Why bows the side-box from its inmost rows?[498]
How vain are all these glories, all our pains, 15
Unless good sense preserve what beauty gains:
That men may say, when we the front box grace,
Behold the first in virtue as in face!
Oh! if to dance all night, and dress all day,
Charmed the small-pox, or chased old age away; 20
Who would not scorn what housewifes' cares produce,
Or who would learn one earthly thing of use?
To patch, nay ogle, might become a saint,
Nor could it sure be such a sin to paint.
But since, alas! frail beauty must decay, 25
Curled or uncurled, since locks will turn to grey;
Since painted, or not painted, all shall fade,
And she who scorns a man, must die a maid;
What then remains but well our pow'r to use,
And keep good humour still whate'er we lose? 30
And trust me, dear! good humour can prevail,
When airs, and flights, and screams, and scolding fail.
Beauties in vain their pretty eyes may roll;
Charms strike the sight, but merit wins the soul.
So spoke the dame, but no applause ensued;[499] 35
Belinda frowned, Thalestris called her prude.
To arms, to arms! the fierce virago cries,[500]
And swift as lightning to the combat flies.
All side in parties, and begin th' attack;
Fans clap, silks rustle, and tough whalebones crack; 40
Heroes' and heroines' shouts confus'dly rise,
And base and treble voices strike the skies.[501]
No common weapons in their hands are found,
Like gods they fight, nor dread a mortal wound.
So when bold Homer makes the gods engage,[502] 45
And heav'nly breasts with human passions rage;
'Gainst Pallas, Mars; Latona, Hermes arms;
And all Olympus rings with loud alarms:
Jove's thunder roars, heav'n trembles all around,
Blue Neptune storms, the bellowing deeps resound: 50
Earth shakes her nodding tow'rs, the ground gives way,
And the pale ghosts start at the flash of day![503]
Triumphant Umbriel on a sconce's height[504]
Clapped his glad wings, and sate to view the fight.[505]
Propped on their bodkin spears,[506] the sprites survey 55
The growing combat, or assist the fray.
While through the press enraged Thalestris flies,
And scatters death around from both her eyes,
A beau and witling perished in the throng,
One died in metaphor, and one in song.[507] 60
"O cruel nymph! a living death I bear,"[508]
Cried Dapperwit, and sunk beside his chair.
A mournful glance Sir Fopling upwards cast,
"Those eyes are made so killing"[509]—was his last.
Thus on Mæander's flow'ry margin lies[510] 65
Th' expiring swan, and as he sings he dies.
When bold Sir Plume had drawn Clarissa down,
Chloe stepped in, and killed him with a frown;
She smiled to see the doughty hero slain,
But, at her smile, the beau revived again. 70
Now Jove suspends his golden scales in air,[511]
Weighs the men's wits against the lady's hair;
The doubtful beam long nods from side to side;
At length the wits mount up, the hairs subside.
See fierce Belinda on the baron flies, 75
With more than usual lightning in her eyes:
Nor feared the chief th' unequal fight to try,
Who sought no more than on his foe to die.
But this bold lord with manly strength endued,
She with one finger and a thumb subdued; 80
Just where the breath of life his nostrils drew,
A charge of snuff the wily virgin threw;
The gnomes direct, to ev'ry atom just,
The pungent grains of titillating dust.[512]
Sudden, with starting tears each eye o'erflows, 85
And the high dome re-echoes to his nose.
"Now meet thy fate," incensed Belinda cried,
And drew a deadly bodkin from her side.
(The same, his ancient personage to deck,[513]
Her great great grandsire wore about his neck, 90
In three seal-rings; which after, melted down,
Formed a vast buckle for his widow's gown:
Her infant grandame's whistle next it grew,
The bell she jingled, and the whistle blew;
Then in a bodkin[514] graced her mother's hairs, 95
Which long she wore, and now Belinda wears.)
"Boast not my fall," he cried, "insulting foe!
Thou by some other shalt be laid as low:
Nor think, to die dejects my lofty mind;
All that I dread is leaving you behind! 100
Rather than so, ah let me still survive,
And burn in Cupid's flames—but burn alive."[515]
"Restore the Lock!" she cries; and all around
"Restore the Lock!" the vaulted roofs rebound.[516]
Not fierce Othello in so loud a strain 105
Roared for the handkerchief that caused his pain.
But see how oft ambitious aims are crossed,
And chiefs contend till all the prize is lost!
The lock, obtained with guilt, and kept with pain,
In ev'ry place is sought, but sought in vain: 110
With such a prize no mortal must be blessed,
So heav'n decrees! with heav'n who can contest?
Some thought it mounted to the lunar sphere,
Since all things lost on earth are treasured there.[517]
There heroes' wits are kept in pond'rous vases,[518] 115
And beaus' in snuff-boxes and tweezer-cases.
There broken vows, and death-bed alms[519] are found,
And lovers' hearts with ends of ribbon bound,
The courtier's promises, and sick man's pray'rs,
The smiles of harlots, and the tears of heirs,[520] 120
Cages for gnats, and chains to yoke a flea,
Dried butterflies, and tomes of casuistry.
But trust the muse—she saw it upward rise,
Though marked by none but quick, poetic eyes:[521]
(So Rome's great founder to the heav'ns withdrew, 125
To Proculus alone confessed in view)
A sudden star, it shot through liquid air,
And drew behind a radiant trail of hair.[522]
Not Berenice's locks first rose so bright,
The heav'ns bespangling with dishevelled light. 130
The sylphs behold it kindling as it flies,
And pleased pursue its progress through the skies.[523]
This the beau monde shall from the Mall survey,
And hail with music its propitious ray;[524]
This the bless'd lover shall for Venus take, 135
And send up vows from Rosamonda's lake;[525]
This Partridge[526] soon shall view in cloudless skies,
When next he looks through Galileo's eyes;[527]
And hence th' egregious wizard shall foredoom
The fate of Louis, and the fall of Rome. 140
Then cease, bright nymph! to mourn thy ravished hair,
Which adds new glory to the shining sphere!
Not all the tresses that fair head can boast,
Shall draw such envy as the lock you lost.
For after all the murders of your eye,[528] 145
When, after millions slain,[529] yourself shall die;
When those fair suns shall set, as set they must,
And all those tresses shall be laid in dust,
This lock the muse shall consecrate to fame,
And 'midst the stars inscribe Belinda's name. [530] 150


THE

RAPE OF THE LOCK.

Nolueram, Belinda, tuos violare capillos
Sed juvat, hoc precibus me tribuisse tuis.—Mart.

First Edition.