I glanced at the title; it was; "Autobiography of My Nose."
"Er—what's wrong with it?" I said falteringly.
"It lends itself too readily to vulgarity," she said.
I picked up the book, and together we read the opening words.
"When first I began to run . . . ."
The high-minded lady left the room hurriedly.
I loved that class. Often I wish that I had kept their essays. One day we had a five minute essay on the subject: Waiting for My Cue. Lawrence wrote of standing on the steps in a cold sweat of fear. He had only five words to say—"The carriage waits, my lord," but he had never acted before. His cue was: "Ho! Who comes here?"
"At last," he wrote, "I heard the fateful words: 'Ho! Who comes here?' I could not move; I stood trembling on the stairs.
"'Get on, you idiot!' whispered the stage manager savagely, but still I could not move.
"'Ho! Who comes here?' repeated the fool on the stage. Still I could not move a step.