The most interesting fountains are those known as Sebil, generally pious foundations, and next to the mosques and turbehs, the best specimens of Oriental Art in the city. The finest example of this form of fountain is the well-known Fountain of Sultan Achmed III. (1703-1730), which stands to the east of S. Sophia, near the Grand Entrance to the Seraglio, and which was designed by that Sultan himself. The fountains are polygonal chambers; with broad, brightly-painted, wooden eaves; with sides of gilded open iron work, or of marble slabs, over which carved flowers and fruits are spread in profusion; and, often, surmounted by fantastic little domes. Within, is found a tank from which a man keeps full of water a number of metal cups, attached by chains to the iron work, but accessible, through the openings in it, to every thirsty wayfarer, without money and without price. The living, personal, human element in this mode of distributing water is as impressive as the fairy form of the monument. Furthermore, water-carriers, paid from the funds which endow a fountain, go about the streets to give “the water of life” freely to any person who asks for it.

To erect a public fountain is a very usual form of public benefaction among Moslems, and is regarded as highly meritorious. It is common to find, in the garden wall of Turkish mansions along the Bosporus, a fountain opening on the side of the quay for the relief of any passer-by, and especially of boatmen, who come on shore to tow their craft against the current. To repair a fountain is also a work of merit; an idea that, on one occasion, gave rise to a curious incident. The fountain in a certain Turkish district, although very much the worse for use, was for some reason left neglected by the community. Whereupon a Christian neighbour proposed to put the fountain in order at his own expense. The offer was welcome, but it raised a difficult question. Would the original Moslem builder of the fountain not lose the merit of having constructed it, if his work were restored by a Christian? Would the Moslem community in the district not lose merit, for allowing the fountain to be repaired by an alien in creed? And so the matter was laid aside for consideration. At last it was settled to the satisfaction of all parties on the following understanding. The Christian might be allowed to execute the necessary repairs, if he renounced any merit for doing so, and agreed that all the merit of the good deed should belong to the original Moslem builder of the fountain. To this way out of the difficulty, the Christian had no objection, and, after signing a legal document to that effect, he was permitted to carry out his kind intention.

Turks are extremely particular in regard to the quality of the water they drink, and are willing to be at much trouble and expense to obtain water of the kind they prefer. To be a perfect beverage, water must issue from a rock, fall from a height, be of medium temperature, flow rapidly and copiously, taste sweet, spring in high and lonely around, and run from south to north, or from east to west. The excellence of any water is accordingly determined by the number of these conditions it fulfils. It is remarkable how much pleasure Turks find in visiting a famous spring in the country, to spend the whole day beside it, under the shade of trees, doing little else but drink carafe after carafe of the water, as the elixir of life. Resorts of this description abound on the shores and in the valleys of the Upper Bosporus, under such names as “The Water of Life,” “The Silver Water,” “The Water under the Chestnut Trees,” “The Water beside the Hazels.” The spectacle of the great gatherings there, on Fridays, arrayed in bright colours, seated tier above tier on the terraced platforms built against the green slope of a hill, the women above, the men below, all in the deep shade of branches meeting overhead, forms a picture beyond a painter’s power to reproduce.

In this connection may be mentioned also the attractive little scenes upon which one comes frequently in walking through the city—quiet nooks, a little off the great thoroughfares, with a vine or westeria spread on a trellis across the street for an awning, and a group of humble workmen, seated on low stools at the door of a cafeneh, sipping tiny cups of coffee, drinking water, smoking the narghileh, too happy to speak much. Occasionally, the court of a small khan, or a portion of a large court, is thus canopied by a trellised vine, making an oasis in the desert of lowly toil.

OPEN-AIR CAFÉ, STAMBOUL

Smoking the narghileh and drinking coffee occupy a large part of the Turk’s time.