It is now to be seen, whether a branch of science which is strictly founded on anatomy and physiology—one which entangles the reader in no mystical and delusive hypothesis, and presents to him only indisputable facts—one which is applicable to the subject most universally and deeply interesting to mankind, the critical judgment of female beauty, as founded on necessary functions—and one which unravels the greater difficulties which that subject presents—may not excite and permanently command a great degree of public interest.
A preliminary view of the importance of this subject is given in the first chapter; the urgency of its discussion, in relation to the interests of decency and morality, is established in the second; and some useful cautions as to youth are offered in the third.
In regard to the importance of the subject, I may, even here, avail myself of the highest authorities.
Thomas More, speaking of the people of his commonwealth, says: “They do greatly wonder at the folly of all other nations, which, in buying a colt (whereas, a little money is in hazard), be so chary and circumspect, that, though he be almost all bare, yet they will not buy him, unless the saddle and all the harness be taken off—lest, under those coverings, be hid some gall or sore. And yet, in choosing a wife, which shall be either pleasure or displeasure to them all their life after, they be so reckless, that, all the residue of the woman’s body being covered with clothes, they esteem her scarcely by one hand-breadth (for they can see no more but her face), and so to join her to them, not without great jeopardy of evil agreeing together—if anything in her body afterward should chance to offend and mislike them.”[1]
Francis Bacon is of similar opinion.
Happily, the advancement of anthropological science in modern times, may, as is here shown, be so applied as to render quite unnecessary the objectionable methods proposed by both these philosophers, in order to carry their doctrines into practice.
Shall I be blamed, because I avail myself of the progress of knowledge to render all that these great men desired on this subject of easy attainment and inoffensive to woman? Shall I be blamed, because I first facilitate that which the still farther advancement of knowledge will inevitably render an everyday occurrence, and the guide of the most important act of human life?—I care not.
In the details as to female beauty, it will be seen how incorrectly Winckelmann says: “In female figures, the forms of beauty are not so different, nor the gradations so various, as in those of males; and therefore in general they present no other difference than that which is dependant upon age.... Hence, in treating of female beauty, few observations occur as necessary to be made, and the study of the artist is more limited and more easy.... It is to be observed, that, in speaking of the resemblance of nude female figures, I speak solely of the body, without concluding from it that they also resemble each other in the distinctive characters of the head, which are particularly marked in each, whether goddess or heroine.”—The differences, even in the bodies of females, are here shown to be both numerous and capable of distinct classification.
It is right to observe, that this work has nothing to do with an early production of the writer, a consciousness of the small value of which prevented his attaching his name to it, which he now knows to be utterly worthless, and which has since been vamped up with things which are more worthless still.
The most valuable features of the present work are entirely new and original. Others are such as the writer thought not unworthy of preservation from earlier essays. He has also, throughout this work, adopted from other writers, with no other alteration than accuracy required, every view, opinion, or remark, which he thought applicable to a department of science, of which all the great features are new.