As appendages of the skin, the nails may here be noticed. Their beauty consists in their figure, their surface, and their color.
By their figure, they serve as a defence to the delicate extremities of the fingers, which would otherwise be easily hurt against hard bodies. They form at once shields and supporting arches to the fingers; and they give facility in laying hold of bodies which would escape from their smallness. They ought accordingly to be arched, and to extend as far as the flesh which terminates the fingers.—The form of the nails depends much on the care employed in cutting them during infancy, and still more on the mode of employing the hand.
The nails ought also to be smooth and polished, somewhat transparent, and rose-colored. Their rosy color seems to show that their texture has less density and more transparence.
It is in this view of the nutritive system and the characteristics which render it beautiful, and especially after this portion of it which regards the organs and functions of secretion, that the mammæ and their beauty should be considered.
In woman, the bust is smaller and more rounded than in man; and it is distinguished by the volume and the elegant form of the bosom.
The external and elevated position of the mammæ is by far the most suitable for a nursling, which, no longer deriving subsistence from within the mother, nor yet able of itself to find it without, must be gently and softly borne toward her; an admirable position, says a French writer, “which, in keeping the infant under the eyes and in the arms of the mother, establishes between them an interesting exchange of tenderness, of cares, and of innocent caresses, which enables the one the better to express its wants, and the other to enjoy the sacrifices which she makes, in continually contemplating their object.”
According to Buffon, in order that the mammæ be well placed, it is necessary that the space between them should be as great as that from the mammæ to the middle of the depression between the clavicles, so that these three points form an equilateral triangle.
The two portions of the mammæ should be well detached. The whole presents, in beautiful models, more elegance than volume; and the areola, it may be observed, is red in fair women and deeper colored in brown ones.
Winckelmann observes that, in the antique statues, the mammæ terminate gently in a point, and that they have always virginal forms, as a consequence of the system of the ancient artists, which consists in not recalling in the ideal the wants and the accidents of humanity.
Finally on this particular head, I must observe that the reproduction of the species is, in woman, the most important object of life, and that every thing in her physical organization has evident reference to it. Of all the passions in woman, says Richerand, “love has the greatest sway: it has even been said to be her only passion. All the others are modified by it, and receive from it a peculiar cast, which distinguishes them from those of man.... Fontenelle used to say of the devotion of some women, ‘One may see that love has been here.’ It has been said, in speaking of St. Theresa, ‘To love God, is still to love.’ Thomas maintains that, ‘With women a man is more than a nation.’—‘Love,’ says Madame de Stael, ‘is but an episode in the life of man; it is the whole history of the life of woman.’”