Among the organists:

Christian Gottlob Neefe, aged 36, born at Chemnitz; married, his wife is 32, has served 3 years, was formerly chapelmaster with Seiler; salary 400 fl. “Christian Neffe, the organist, in my humble opinion might well be dismissed, inasmuch as he is not particularly versed on the organ, moreover is a foreigner, having no Meritten whatever and of the Calvinistic religion.”

Ludwig van Beethoven, aged 13, born at Bonn, has served 2 years, no salary. “Ludwig Betthoven, a son of the Betthoven sub No. 8, has no salary, but during the absence of the chapelmaster Luchesy he played the organ; is of good capability, still young, of good and quiet deportment and poor.”

One of the items of the third report, proposing reductions of salaries and removals, has a very special interest as proving that an effort was made to supplant Neefe and give the post of court organist to young Beethoven. It reads:

Item. If Neffe were to be dismissed another organist would have to be appointed, who, if he were to be used only in the chapel could be had for 150 florins, the same is small, young, and a son of a court musici, and in case of need has filled the place for nearly a year very well.

The attempt to have Neefe dismissed from the service failed, but a reduction of his salary to the pittance of 200 florins had already led him to look about him to find an engagement for himself and wife in some theatre, when Maximilian, having become acquainted with his merits (notwithstanding his Calvinism), restored his former allowance by a decree dated February 8, 1785. When Joseph Reicha came to Bonn in Mattioli’s place is still undetermined with exactness; but a decree raising him from the position of concertmaster to that of concert director, and increasing his salary to 1,000 florins, bears date June 28, 1785. In the general payroll of this year Reicha’s salary is stated to be 666 thalers 52 alb., “tenorist Beethoven’s” 200 th., “Beethoven jun.” 100 th.

Chapter VI

Beethoven Again—The Young Organist—A First Visit to Vienna—Death of Beethoven’s Mother—Sympathetic Acquaintances—Dr. Wegeler’s “Notizen”—Some Questions of Chronology.

Schindler records—and on such points his testimony is good—that he had heard Beethoven attribute the marvellous development of Mozart’s genius in great measure to the “consistent instruction of his father,” thus implying his sense of the disadvantages under which he himself labored from the want of regular and systematic musical training through the period of his childhood and youth.[32] It is, however, by no means certain that had Ludwig van Beethoven been the son of Leopold Mozart, he would ever have acquired that facility of expression which enabled Wolfgang Mozart to fill up the richest and most varied scores almost as rapidly as his pen could move, and so as hardly to need correction—as if the development of musical idea was to him a work of mere routine, or perhaps, better to say, of instinct. Poeta nascitur, non fit, not only in respect to his thoughts but to his power of clothing them in language. Many a man of profoundest ideas can never by any amount of study and practice acquire the art of conveying them in a lucid and elegant manner. On the other hand there are those whose thoughts never rise above the ordinary level, but whose essays are very models of style. Handel said of the elder Telemann, that he could compose in eight parts as easily as he (Handel) could write a letter; and Handel’s own facility in composition was something astonishing. Beethoven, on the contrary, as his original scores prove, earned his bread by the sweat of his brow. But no amount of native genius can compensate for the want of thorough training. If, therefore, it be true that nature had in some degree limited his powers of expressing his musical as well as his intellectual ideas, so much greater was the need that, at the age which he had now reached, he should have opportunity to prosecute uninterruptedly a more profound and systematic course of study. Hence, the death of Maximilian Friedrich, which must have seemed to the Beethovens at first a sad calamity, proved in the end a blessing in disguise; for while it did not deprive the boy of the pecuniary benefits of the position to which he had just been appointed, it gave him two or three years of comparative leisure, uninterrupted save by his share of the organist’s duties, for his studies, which there is every reason to suppose he continued under the guidance of his firm friend Neefe.