It was only now that I received your letter, because I have just returned home.
In this connection Wegeler comes to speak of the outward conditions of Beethoven: “Beethoven,” he says on page 33,
brought up under extremely restricted circumstances, and as it were, under guardianship, though that of his friends, did not know the value of money and was anything but economical. Thus, to cite a single instance, the Prince’s dinner hour was fixed at 4 o’clock. “Now,” said Beethoven, “it is desired that every day I shall be at home at half-past 3, put on better clothes, care for my beard, etc.—I can’t stand that!” So it happened that he frequently went to the taverns, since, as has been said, in this as in all other matters of economy, he knew nothing about the value of things or of money. The Prince, Wegeler continues, who had a loud, metallic voice, once directed his serving-man that if ever he and Beethoven should ring at the same time the latter was to be first served. Beethoven heard this, and the same day engaged a servant for himself. In the same manner, once when he took a whim to learn to ride, which speedily left him, the stable of the Prince being offered him, he bought a horse.
Concerning his friend’s affairs of the heart, Wegeler had opportunity to make observations in Vienna. He relates on page 43 that while he was in the capital Beethoven “was always in love and made many conquests which would have been difficult if not impossible for many an Adonis.” Beethoven’s antipathy to teaching before he left Bonn has already been noticed. In Vienna he developed a still stronger repugnance to playing in society when requested to do so. He often complained to Wegeler how grievously this put him out of sorts, whereupon the latter sought to entertain him and quiet him by conversation. “When this purpose was reached,” he continues,
I dropped the conversation, seated myself at the writing table, and Beethoven, if he wanted to continue the discourse, had to sit down on the chair before the pianoforte. Soon, still turned away from the instrument, he aimlessly struck a few chords out of which gradually grew the most beautiful melodies. Oh, why did I not understand more of music! Several times I put ruled paper upon the desk as if without intention, in order to get a manuscript of his; he wrote upon it but then folded it up and put it in his pocket! Concerning his playing I was permitted to say but little, and that only in passing. He would then go away entirely changed in mood and always come back again gladly. The antipathy remained, however, and was frequently the cause of differences between Beethoven and his friends and well-wishers.
Old Bonn Friends Remembered
There is still one other reminiscence of Wegeler in the appendix to the “Notizen” (page 9) worthy of citation. “At one time private lectures were given in Vienna on Kant, which had been arranged by Adam Schmidt, Wilhelm Schmidt, Hunczovsky, Göpfert and others. In spite of my urgings Beethoven refused to attend a single one of them.” There is no reference in Wegeler’s “Notizen” to instruction received by Beethoven from Albrechtsberger. With his old colleague in the Court Orchestra in Bonn, Nicolaus Simrock, though he was a much older man, Beethoven remained in touch after his removal to Vienna. Simrock, who was highly esteemed both as man and musician, had embarked in business as a music publisher in Bonn. The Variations on a theme from Dittersdorf’s “Rothkäppchen,” were published by him (at the latest in the early part of 1794), as well as those for pianoforte four hands on a theme by Count Waldstein (some time in the same year). It is to the latter composition that the following letter refers:
Vienna, August 2, 1794.
Dear Simrock: