Mr. Birchall wished particularly to have the Declaration returned to him as soon as possible and likewise wishes you to favour him with the Dedications and operas, which are to be put to the Trio, Sonata and the Grand Symphony in A. The publication of the Sonata has been delayed a long time in consequence of that, but he hopes you will not delay forwarding all on the receipt of this. When you write again Mr. Birchall will be glad to know your sentiments respecting writing Variations to the most favourite English, Scotch or Irish airs for the Pianoforte with an accompaniment either for the violin or violoncello—as you find best—about the same length as Mozart’s airs “La dove prende” and “Colomba o tortorella” and Handel’s “See the Conquering Hero Comes”; with your Variations, be so good, when you oblige him with your terms, as to say whether the airs need be sent you; if you have many perhaps mentioning the name will be sufficient. In fixing the price Mr. Birchall wishes you to mention a sum that will include Copying and Postages.

For R. Birchall.
C. Lonsdale.

Beethoven’s reply in English bears all the marks of Häring’s pen, being only signed by himself:

Vienna, October 1, 1816.

My dear Sir:

I have duly received the £5, and thought previously you would not increase the number of Englishmen neglecting their word and honour as I had the misfortune of meeting with two of this sort. In reply to the other topics of your favour, I have no objection to write Variations according to your plan and I hope you will not find £30 too much, the accompaniment will be a flute or violin or a violoncello; you’ll either decide it when you send me the approbation of the price, or you’ll leave it to me. I expect to receive the songs or poetry—the sooner the better, and you’ll favour me also with the probable number of works of Variations you are inclined to receive of me.

The Sonate in G with the accompaniment of a violin is dedicated to his Imperial Highness, Archduke Rudolph of Austria—it is Op. 96. The Trio in B-[flat] is dedicated to the same and is Op. 97. The Piano arrangement of the Symphony in A is dedicated to the Empress of the Russias, meaning the wife of the Emperor Alexander—Op. 98.

Concerning the expenses of copying and posting, it is not possible to fix them before hand, they are at any rate not considerable and you’ll please to consider that you have to deal with a man of honour, who will not charge one 6d [sixpence] more than he is charged for himself. Messrs. Fries and Co., will account with Messrs. Coutts and Co. The postage may be lessened as I have been told.

I offer you of my works the following new ones. A grand Sonata for the pianoforte alone £40. A Trio for the Piano with accompt. of Violin or Violoncello for £50. It is possible that somebody will offer you other works of mine to purchase: for ex. the Score of the Grand Symphony in A. With regard to the arrangement of this Symphony for the piano, I beg you not to forget that you are not to publish it until I have appointed the day of its publication here in Vienna. This cannot be otherwise without making myself guilty of a dishonourable act—but the Sonata with the violin and the Trio in B-flat may be published without any delay.

With all the new Works which you will have of me or which I offer you, it rests with you to name the day of their publication at your own choice. I entreat you to honour me as soon as possible with an answer having many orders for compositions and that you may not be delayed. My address or direction is: