Gott allein ist unser Herr. Er allein
(God alone is God our Lord. He alone)
Great Works and Potboilers
The remark made in the letter to Hauschka that he was compelled to do a lot of scribbling (or “smearing,” as he expressed it) for the sake of money in order to procure leisure for great works may be explained by the fact that he was engaged upon the arrangement of folksongs for Thomson, which were published in Thomson’s Vol. VI, as well, possibly, as those contained in the subsequent octavo edition of 1822-24. The pianoforte piece in B-flat, published by Schlesinger in Berlin under the title “Dernière pensée musicale,” of which mention has already been made, was no doubt a potboiler. With the folksongs must be associated the Variations for Pianoforte alone, or Pianoforte and Flute (or Violin), which he wrote in this and the following year and which were published as Op. 105 and 107. The suggestion had come from Birchall; but Beethoven’s demands for an honorarium was thought too large by the English publisher, and though Beethoven modified them, nothing came of the project at the time. On February 21, 1818, Beethoven offered Thomson twelve “overtures” (in the sense of introductions, or preludes, no doubt) for 140 ducats, and twelve Themes and Variations for 100 ducats, both lots for 224 ducats. The Themes and Variations were accepted and published by Thomson. Beethoven composed sixteen Themes and Variations on folksong material in all; six of them were published by Artaria in Vienna (Op. 105) and the other ten by Simrock in Bonn (Op. 107).
Little is to be added to what has been said about the works published in 1818. Thomson’s Vol. V, the settings for which had been made earlier, was published on June 1, Thomson’s announcement in the preface reading: “On the first of June, 1818, was published by George Thomson, Nr. 3, Royal Exchange, Edinburgh, and by T. Preston, 97 Strand, London, the fifth Volume of Select Scottish Melodies with Symphonies and Accompaniments to each Melody for the Pianoforte, Violin and Violoncello, composed by Haydn and Beethoven.” Four of the settings are by Haydn; the rest by Beethoven. The song “Resignation” was published on March 31, as supplement of the Vienna “Modezeitung.”
End of Volume II
FOOTNOTES:
[1] Probably the Quintet for Pianoforte and Wind-Instruments, Op. 16, published in March, 1801.
[2] “Cäcilia.” IX, p. 219.
[3] The English editor of this biography found trombone parts written out by Beethoven among Mr. Thayer’s posthumous papers; they belonged to the Trio in the Scherzo of the Ninth Symphony, and Beethoven’s instructions to the copyist where to introduce them in the score plainly showed that they were an afterthought.