“Duet mit zwei Augengläsern,” for Viola and Violoncello—I, 205.
Duo for Clarinet and Bassoon—I, 205.
Duo, Arrangement of Trio Op. 3 for Pf. and Violoncello, Op. 64—II, 113.
Duo for two Flutes—I, 134.
Polonaise from Serenade in D, arranged for two Violins—II, 113;
the same arranged for Violin and Guitar—II, 113.
Trios (Three) for Pf., Violin and Violoncello in E-flat, G, and C minor, Op. 1—I, 130, 132, 137, 144, 145, 160, 175, 180, 185, 186, 208, 271; II, 326, 374, 388; III, 23, 40.
Trio for Violin, Viola and Violoncello, in E-flat, Op. 3—I, 134, 135, 145, 180, 187, 200, 204, 206, 221.
Trio in D (Serenade) for Violin, Viola and Violoncello, Op. 8—I, 202, 208; II, 113.
Trios (Three) for Violin, Viola and Violoncello, in G major, D major and C minor, Op. 9—I, 209, 221, 225, 271; II, 77.
The same, arranged for Pf. and Strings by Ries—I, 350; II, 77.
Trio for Pf., Clarinet (or Violin) and Violoncello, in B-flat major, Op. 11—I, 225, 244.
Trio (Serenade) for Flute, Violin and Viola, in D major. Op. 25—I, 207, 208, 364; II, 20.
Trio for Pf., Clarinet (or Violin) and Violoncello, in E-flat, Op. 38 (arrangement of the Septet, Op. 20)—I, 350; II, 55.
Trio for Pf., Violin and Violoncello, in E-flat, Op. 63 (arrangement of the Quintet, Op. 4, which see).
Trios (Two) for Pf., Violin and Violoncello, in D major and E-flat, Op. 70—II, 131, 132, 141, 162; III, 207.
Trio for two Violins and Viola, in C, Op. 29 (arrangement of the Trio for two Oboes and English Horn)—I, 206; II, 77.
Trio for two Oboes and English Horn, in C, Op. 87—I, 206; II, 77; III, 59.
Trio for Pf., Violin and Violoncello, in B-flat, Op. 97—II, 199, 209, 219, 269, 270, 311, 312, 313, 318, 319, 325, 338, 340, 347, 350, 351, 352, 353, 357, 367; III, 136, 223.
Trios for Pf., Violin and Violoncello, arranged from the String Quartets, Op. 18—II, 77.
Trio arranged from the Second Symphony—II, 40.
Trio for Pf., Violin and Violoncello, in E-flat (Op. posth.)—I, 136.
Trio in one Movement, for Pf., Violin and Violoncello (for Maximiliane Brentano)—II, 221, 237; III, 136.
Trio, Adagio, Variations (on “Ich bin der Schneider Kakadu”) and Rondo, for Pf., Violin and Violoncello, Op. 121a—III, 136.
Trio for Pf., Violin and Violoncello, in D (attributed to Mozart: K. 52a)—I, 139.
Trio for Pf., Flute and Bassoon—I, 137.
Trio (Variations on “Là ci darem”) for two Oboes and English Horn—I, 202, 206; III, 64.
Quartets (Six) for Strings, in F, G, D, C minor, A and B-flat, Op. 18—I, 227, 228, 235, 272 et seq.; 277, 279, 280, 290, 298, 307; II, 77, 89.
Quartets (Three) in F, E minor, and C, Op. 59 (“Rasoumowsky”)—II, 65, 68, 73, 75 et seq.; 82, 97, 103, 104, 105, 133, 337.
Quartet for Strings, in E-flat, Op. 74 (“Harp”)—II, 155, 159, 160, 195, 198.
Quartet for Strings, in F minor, Op. 95—II, 172, 193, 195, 219, 311, 312, 313, 318, 339, 340, 351, 357, 364; III, 183.
Quartet for Strings, in E-flat, Op. 127—III, 140, 177, 183 et seq.; 187, 192 et seq.; 201, 214 et seq.
Quartet for Strings, in B-flat, Op 130—III, 205, 214 et seq.; 221, 222 et seq.; 225, 237, 245.
Quartet for Strings, in C-sharp minor, Op. 131—III, 218, 225, 296, 297, 307.
Quartet for Strings, in A minor, Op. 132—III, 205, 206, 214 et seq.; 219, 223.
Quartet for Strings, Grand Fugue (originally Finale of Op. 130)—III, 215, 223.
Quartet for Strings, in F major, Op. 135—III, 225, 237, 244, 282.
Fugue from a String Quartet in D, from a collection projected by Haslinger—II, 389.
Quartet for Strings, arranged from Pf. Sonata Op. 14, No. 1—I, 349.
Quartets (Three) in E-flat, D and C, for Pf. and Strings, composed in 1785—I, 88, 210.
Quartet for Strings, an arrangement of the Quintet in E-flat, published by Artaria as Op. 75—I, 208.
Quartet in E-flat, for Pf., Violin, Viola and Violoncello, arranged by B. from Quintet Op. 16—I, 208, 350.
Quartet (arrangement of the “Eroica” Symphony as Pf. Quartet)—II, 113.
Quintet for Strings, in E-flat, Op. 4 (an arrangement of the Octet, Op. 103)—I, 134, 144, 187, 204.
Quintet for Pf., Oboe, Clarinet, Bassoon and Horn, in E-flat, Op. 16—I, 200, 207, 214, 224, 290, 316, 350; II, 2, 34, 337.
Quintet for Strings, in C, Op. 29—I, 228, 293;
unauthorised publication of, 294 et seq.; 355, 364, 368; II, 44.
Quintet for Strings, in C minor, Op. 104 (arranged from the Trio, Op. 1, No. 3)—II, 374, 388; III, 23.
Quintet (arrangement of the First Symphony)—I, 228.
Quintet, Pf., Double-bass, Flute, Horns, etc. (arrangement of the Second Symphony with Double-bass, Flute and 2 Horns, ad lib.)—II, 113.
Sextet in E-flat, for Clarinets, Horns and Bassoons, Op. 71—I, 206, 207, 209; II, 41, 147, 195.
Sextet in E-flat, for Strings and Horns, Op. 81b—I, 207; II, 195.
Septet in E-flat, Op. 20—I, 209, 227, 266, 267;
B.’s dislike of it, 267;
origin of the theme of the variations, 267, 272, 275, 277, 278;
dedication, 278;
first performance, 278, 282, 286, 299, 350, 364; II, 29, 214, 316, 337, 381, 386;
arranged as Trio, I, 350; II, 55;
arranged as Quintet, I, 228, 350.
Octet for Wind Instruments, Op. 103 (the original of the Quintet for Strings, Op. 4)—I, 132, 133, 134, 144, 184, 204.
Dinner Music for Wind Instruments—I, 134.
Parthia for Wind Instruments—I, 133, 144.
Rondino for Oboes, Clarinets, Horns and Bassoons, in E-flat—I, 134.
Sketches: For Trio in F minor—III, 136;
for quintets—III, 245.
(e) SONATAS, ETC., FOR PIANOFORTE AND OTHER INSTRUMENTS OBBLIGATO
Three Sonatas for Pf. and Violin, in D, A and E-flat, Op. 12—I, 162, 225, 226, 307.
Sonata for Pf. and Violin, in A minor, Op. 23—I, 289, 290, 307.
Sonata for Pf. and Violin, in F, Op. 24—I, 289, 290, 307.
Three Sonatas for Pf. and Violin, in A, C minor and G, Op. 30—I, 364, 365; II. 20, 305.
Sonata in A, for Pf. and Violin, Op. 47 (“Kreutzer”)—I, 140, 365; II, 9, 13, 20, 21.
Sonata for Pf. and Violin, in G, Op. 96—II, 237, 312, 313, 319, 325, 347, 350, 353, 357, 367.
Notturno for Pf. and Viola (arranged from the Serenade, Op. 8), Op. 42—I, 208.
Rondo for Pf. and Violin, in G—I, 179.
Sonata for Pf. and Violin (arrangement of Trio for Oboes and Bassoon)—I, 206.
Six Allemandes for Pf. and Violin—II, 303.
Variations on “Se vuol ballare,” for Pf. and Violin—I, 132, 138, 176, 178, 179.
Sonata in B-flat for Pf. and Flute—I, 138.
Two Sonatas for Pf. and Violoncello, in F and G, Op. 5—I, 195, 200, 205.
Sonata for Pf. and Violoncello, in A, Op. 69—II, 112, 131, 132, 141, 150, 162, 218.
Duo for Pf. and Flute (arranged from Serenade, Op. 25, and published as Op. 41)—I, 208; II, 20.
Six Variations on National Themes, for Pf. and Flute (or Violin), Op. 105—II, 415, 416; III, 23.
Ten Variations on National Themes, for Pf. and Flute (or Violin), Op. 107—II, 415, 416; III, 22.
Sonatina for Mandolin and Pf. (Cembalo)—I, 210, 236.
Two Sonatas for Pf. and Violoncello, in C and G, Op. 102—II, 316, 328, 338, 339, 340, 352, 357, 367, 389; III, 23.
Variations on “See the Conquering Hero Comes,” from “Judas Maccabæus,” for Pf. and Violoncello—I, 202, 205.
Variations in E-flat, Op. 44, for Pf., Violin and Violoncello—I, 137.
Variations on “Bei Männern welche Liebe fühlen,” for Pf. and Violoncello—I, 364.
Variations on “Ein Mädchen oder Weibchen,” for Pf. and Violoncello—I, 226, 305.
Arrangement of Trio, Op. 3, for Pf. and Violoncello, Op. 64—II, 113.
Sonata for Pf. and Horn, Op. 17—I, 239, 244, 267, 274, 277, 279, 290; II, 39.
Sketches from “Pastoral” Sonata for Pf. and Violoncello—II, 310.
(f) FOR PIANOFORTE ALONE
Three Sonatas (No. 1, F minor; No. 2, A major; No. 3, C major), Op. 2—I, 137, 144, 186, 192, 217.
Sonata in E-flat, Op. 7—I, 202, 209, 244, 318; II, 74.
Sonata in C minor, Op. 10, No. 1—I, 207, 210, 224, 226, 244.
Sonata in F major, Op. 10, No. 2—I, 224, 244; II, 76.
Sonata in D major, Op. 10, No. 3—I, 205, 224, 244.
Sonata in C minor, Op. 13 (“Pathétique”)—I, 209, 221, 225, 227, 307; II, 90.
Sonata in E major, Op. 14, No. 1—I, 225, 226, 244;
arranged as a String Quartet, 349, 364.
Sonata in G major, Op. 14, No. 2—I, 225, 244.
Sonata in B-flat, Op. 22—I, 277, 279, 282, 286, 299, 364.
Sonata in A-flat major, Op. 26—I, 289, 290;
story of the Funeral March, 291;
published, 364;
the Funeral March orchestrated by B., II, 298; 299; III, 312.
Sonata quasi una Fantasia, in E-flat, Op. 27, No. 1—I, 244, 280, 289, 291, 364.
Sonata quasi una Fantasia, in C-sharp minor, Op. 27, No. 2—I, 244, 289, 291, 292, 293;
dedication of, 322;
B.’s opinion of, 322; 338, 339;
published, 364.
Sonata in D major, Op. 28 (“Pastoral”)—I, 289, 292.
Sonata in G major, Op. 31, No. 1—I, 364, 365; II, 20.
Sonata in D minor, Op. 31, No. 2—I, 364, 365;
origin of the Finale, 368; II, 20.
Sonata in E-flat, Op. 31, No. 3—II, 40.
Two Sonatas, No. 1 in G minor, No. 2 in G major, Op. 49—I, 206, 209, 225, 278; II, 55.
Sonata in C major, Op. 53 (“Waldstein”)—I, 103, 140; II, 31, 37, 40, 55, 77.
(See Andante favori.)
Sonata in F major, Op. 54—II, 31, 40, 56, 76.
Sonata in F minor, Op. 57 (“Appassionata”)—I, 140; II, 31, 40, 73, 77, 113, 335.
Sonata in F-sharp major, Op. 78—B.’s opinion of, I, 292; 323, 336, 338; II, 148, 154, 160, 161;
dedication, 195.
Sonatina in G major, Op. 79—II, 148, 160, 161;
publication of, 195.
Sonata in E-flat, Op. 81a (“Les Adieux, l’Absence et le Retour”)—II, 143, 146, 148, 159, 160, 161, 192, 199, 200, 207, 210, 219.
Sonata in E minor, Op. 90—II, 288, 291, 303, 328.
Sonata in A major, Op. 101 (“für Hammerklavier”)—II, 328, 338, 356, 364, 365, 389, 412.
Sonata in B-flat, Op. 106—II, 376, 378, 382, 388, 389, 396, 411, 412, 413, 414, 415; III, 23, 145.
Sonata in E major, Op. 109—III, 48, 49, 90.
Sonata in A-flat, Op. 110—III, 48, 49, 90.
Sonata in C minor, Op. 111—III, 48, 49, 55, 72, 90.
Three Sonatas dedicated to Maximilian Friedrich—I, 72.
Sonata (Unfinished) sent to Eleonore von Breuning—I, 139, 140, 179.
Sonata for Pf. four hands, in D, Op. 6—I, 200, 209.
Gavotte, Marcia lugubre et Rondo, for Pf. four hands (attributed to Mozart)—I, 139.
Grand Fugue for Pf. four hands, arranged from the Finale of the Quartet Op. 130—III, 223, 224.
Andante favori, in F (see Sonata, Op. 53)—II, 31, 40, 77.
Allegretto in C minor (B. and H. Supplement, XXV, No. 299)—I, 210.
Bagatelles, in general—I, 261; III, 57, 62.
Bagatelles (Seven), Op. 33—I, 71, 140, 361, 362, 364, 371; II, 20.
Bagatelles, Op. 119—I, 365, 371; III, 48, 86.
Bagatelles (Six), Op. 126—III, 57, 64, 142 et seq.
Bagatelles (B. and H. Supplement, XXV, 295)—I, 210.
“Beethoven’s letzter Gedanke” (“Dernière Pensée musicale”)—II, 415.
Écossaise in E-flat—III, 216.
Écossaises (Twelve)—II, 113; III, 216.
Fantasia, Op. 77—I, 293; II, 91, 148, 154, 160, 161, 195.
Ländler (Six)—I, 364, 365. (Also for Orchestra.)
Contradances (Six)—I, 289, 364. (Also for Orchestra.)
Marches, Three Grand, for four hands, in C, E-flat and D, Op. 45—I, 350, 356; II, 40.
Minuet in E-flat—II, 56.
Polonaise in C, Op. 89—II, 152, 305, 328.
Preludes (Two) through all the Major Keys, for Pianoforte or Organ, Op. 39—I, 138, 371; II, 20.
Prelude in F minor—I, 138; II, 55.
Rondos (Two) in C and G, Op. 51—I, 202, 244, 275, 277, 322, 364;
dedicated, 370.
Rondo Allegretto—I, 75.
Rondo a Capriccio (“Die Wuth über den verlornen Groschen”), Op. 129—III, 143, 246.
Rondo in C (Youthful, anonymous)—I, 72, 140.
Variations (Six) on an Original Theme, Op. 34—I, 314, 364, 365, 370;
dedication, 368; II, 20.
Variations (Fifteen) with a Fugue, on a Theme from “Prometheus,” Op. 35—I, 364, 365, 368, 369, 370; II, 20.
Variations in D, on a Theme used afterwards in “The Ruins of Athens,” Op. 76—II, 148, 160, 161, 195.
Variations (Thirty-three) on a Waltz by Diabelli, Op. 120—III, 107, 108, 127 et seq.; 147.
Variations on a Theme by Count Waldstein, in C, for four hands—I, 139, 176, 183, 184.
Variations (Nine) on a March by Dressler, in C minor—I, 69, 70, 72.
Variations (Twenty-four) on “Venni amore,” in D—I, 7, 114, 117, 138.
Variations (Thirteen) on “Es war einmal,” by Dittersdorf—I, 139, 176, 183, 184.
Variations (Nine) on “Quant è più bello,” by Paisiello, in A—I, 187.
Variations on “Nel cor più non mi sento,” by Paisiello—I, 187, 192.
Variations on the “Minuet à la Vigano”—I, 188, 192.
Variations (Twelve) on a Russian Dance from “Das Waldmädchen”—I, 200, 209, 244.
Variations (Six easy) on a Swiss Air, for Harpsichord or Harp—I, 227.
Variations on “Une fièvre brûlante,” by Grétry—I, 226, 227, 305.
Variations (Ten) on “La Stessa, la stessissima,” by Salieri—I, 227, 244, 275.
Variations (Eight) on “Tändeln und Scherzen,” by Süssmayer—I, 227.
Variations (Nine) on “Kind, willst Du?” by Winter—I, 227, 275.
Variations (Seven) on “God save the King”—I, 140, 305, 370; II, 40.
Variations on “Rule Britannia”—I, 370; II, 40.
Variations (Thirty-two) in C minor—II, 76, 113, 117.
Variations for four hands on “Ich denke Dein”—II, 55.
Variations on a Theme from “Le Nozze disturbate.” (See “Minuet à la Vigano.”)
Variations on “Ich denke Dein”—I, 277, 279, 335, 362; II, 55, 147, 148.
Variations, très faciles, in G—I, 277, 279, 290.
Waltz in D—III, 216.
Waltzes (Twelve), also published for Strings and Wind—II. 113.
Cadenza for Mozart’s Concerto in D minor—I, 185.
Movement for a Clock—I, 76.
Two-part Organ Fugue in D—I, 71.
Sketches for Sonata, four hands—III, 141.
Sketches for a Concerto in D minor—II, 328.
(g) SONGS WITH PIANOFORTE ACCOMPANIMENT
Abendlied—III, 50.
Abschiedsgesang an Wiens Bürger—I, 199; II, 303.
Adelaide, Op. 46—I, 143, 202, 203, 207, 230; II, 6, 306, 338; III, 61.
Als die Geliebte sich trennen wollte—II, 72, 162.
Amante impaziente, L’—II, 160.
Andenken—II, 160, 195.
An die ferne Geliebte—II, 328, 343, 356, 357, 363; III, 32.
An die Geliebte—II, 209, 284, 303.
An die Hoffnung—II, 55, 306, 328, 338, 356; III, 20.
An einen Säugling—I, 75.
An Minna—I, 132.
Ariettes (Four) and a Duet, Italian, Op. 82—II, 160, 192, 209.
Bardengeist, Der—II, 259, 260.
Bitten—II, 20.
Blümchen Wunderhold, Das—I, 362.
Bundeslied—III, 64.
Che fa il mio bene (Buffa)—II, 209.
Che fa il mio bene (Seria)—II, 209.
Der Jüngling in der Fremde—II, 147, 148, 160, 195.
Die Trommel gerühret (See Egmont.)
Dimmi ben mio—II, 209.
Ehre Gottes in der Natur, Die—II, 20.
Ein grosses, deutsches Volk sind wir—I, 201.
Einst wohnten (An den fernen Geliebten)—II, 148, 160, 195.
Elegie auf den Tod eines Pudels—I, 132.
Es war einmal ein König—II, 195, 363.
Feuerfarb—I, 132, 134, 137.
Freudvoll und leidvoll. (See Egmont.)
Gedenke mein—II, 160, 195.
Gegenliebe—I, 203; II, 133.
Geheimniss, Das—II, 72, 328, 356; III, 50.
Gellert: Six Sacred Songs—“Bitten,” “Die Liebe des Nächsten,” “Vom Tode,” “Die Ehre Gottes in der Natur,” “Gottes Macht und Vorsehung” and “Busslied”—II, 20.
Glück der Freundschaft, Das—II, 20.
Gottes Macht—II, 20.
Gretel’s Warnung—II, 160, 195.
Herz, mein Herz—II, 191, 194, 195.
Horch, wie schallt’s (“Der Wachtelschlag”)—I, 370; II, 40.
Ich denke Dein—I, 275, 277, 279, 335; II, 55, 147, 148.
Ich, der mit flatterndem Sinn—I, 132.
Ich liebe dich—II, 20.
In questa tomba—II, 111, 113, 134.
Irish Songs (for Thomson, with obbligato instruments)—II, 70, 157, 162, 194, 238, 259, 260, 303.
Kennst du das Land—II, 186, 191, 194, 195.
Klage, Die—I, 132; II, 160.
Kleine Blumen—II, 210.
Kriegers Abschied, Des—II, 303, 328.
Kuss, Der—I, 275; III, 64, 87.
La Partenza—II, 20.
Liebe des Nächsten, Die—II, 20.
Liebende, Der—II, 148, 160, 195.
Lied aus der Ferne—II, 147, 148, 160, 195.
Lisch aus, mein Licht—II, 388, 416; III, 50.
Lydiens Untreue—II, 72.
Mailied—I, 204.
Mann von Wort, Der—II, 356, 357.
Man strebt die Flamme—I, 133.
Merkenstein—II, 303, 310, 357; III, 61.
Mit einem gemalten Bande—II, 194.
Mit Liebesblick—II, 160, 195.
Mit Mädchen sich vertragen—I, 132; III, 58.
National Songs—II, 17. (See “Irish,” “Scottish” and “Welsh.”)
No, non turbate (Scena and air)—I, 364.
Nord oder Süd—II, 386, 388, 389; III, 50.
O care selve—I, 204.
Odi l’Aura (Duet)—II, 160, 209.
Opferlied—I, 203, 275, 364; III, 64, 140, 141, 189, 202.
(See Works for Chorus and Orchestra.)
O, welch’ ein Leben—I, 204. (See also “Die schöne Schusterin,” under Choral Works.)
Plaisir d’aimer—I, 228.
Prüfung des Küssens—I, 131.
Punschlied—I, 133.
Que le temps (jour) me dure—I, 228.
Ruf vom Berge—II, 356, 389.
Schilderung eines Mädchens—I, 72.
Scottish Songs (Twelve)—II, 328, 416.
Scottish Songs (Twenty-five)—II, 17, 69, 190, 203, 218, 219, 259, 260; III, 50.
Sehnsucht—II, 132, 133, 194, 195, 357.
Seufzer eines Ungeliebten—I, 202, 203, 207.
Six Songs, Op. 75—II, 192, 195.
“Soll ein Schuh nicht drücken” (from “Die schöne Schusterin”)—I, 204, 224.
Three Songs, Op. 83—II, 192, 199.
T’intendo—II, 209.
Trinklied (“Erhebt das Glas”)—I, 132, 199.
Trinklied (“Lasst das Herz uns froh erheben”)—I, 199. (See “Abschiedsgesang.”)
Trocknet nicht—II, 186, 194, 210.
Turteltaube—I, 204.
Urian’s Reise—I, 88, 132.
Wachtelschlag, Der—I, 370; II, 40.
Was ist des Maurers Ziel—I, 133.
Was zieht mir—II, 210.
Welsh Songs (with obbligato instruments)—II, 70, 157, 238, 389.
Wer ist ein freier Mann—I, 133, 204.
Zufriedene, Der—II, 148, 160, 195.
Zwar schuf das Glück—II, 148, 160, 195.
Sketches for uncompleted songs: “Erlkönig”—III, 86;
“Haidenröslein”—II, 415;
“Meine Lebenszeit verstreicht”—I, 275.
Footnotes
[1] He had not been removed, but only temporarily suspended; he retained the supervision of the boy’s education and at a later period voluntarily resigned the guardianship for a time.