It is obvious that some difficulty had arisen between Beethoven and Simrock. What that difficulty was is explained in a letter from Simrock to Brentano dated November 12, 1820. It was a misunderstanding concerning the price of the “new grand musical mass” which the composer wished to sell for 100 Louis d’ors. The publisher had agreed to the price, understanding Louis d’ors to mean what the term meant in Bonn, Leipsic and throughout Germany, namely, the equivalent of Friedrichs d’ors, pistoles. In order to avoid unpleasantness after the reception of the mass he had explained this clearly to Beethoven and in a letter, dated September 23, had repeated that by Louis d’ors he meant Friedrichs d’ors; he was not in a position to give more. He would hold the sum in readiness against the receipt of the mass, which Beethoven had promised to provide with German as well as Latin words. He was also under the impression that he had asked a speedy decision, as he did not want to keep his money tied up in Frankfort. Hearing nothing for four weeks he had quit counting on the mass and made other use of his money. Learning, however, from Brentano’s letter of November 8th that Beethoven had agreed to let him have the mass, he now finds himself in the embarrassment of not having the gold Louis d’ors on hand, but as Brentano had said nothing on the subject he would in the meantime try to secure the coin, unless Brentano were willing to take the equivalent in florins at the rate of 9.36. He asked to be informed of the arrival of the music so that he might instruct Heinrich Verhuven to receive it on paying the sum mentioned.
Simrock waited four weeks before abandoning hope that Beethoven would send the mass; it was ten weeks and more before Beethoven answered Simrock’s letter. Then he sent his reply to Brentano enclosed in a letter dated November 28. The letter has not been found, or at least not made public; but the letter to Brentano[35] makes it plain that Beethoven had acceded to Simrock’s offer and agreed to take pistoles for Louis d’ors. He says:
Your kindness permits me to hope that you will not refuse to have the enclosure sent to Simrock, inasmuch as in it my views are set forth concerning the whole matter. Nothing remains now except to take what he offers, namely the 100 pistoles and as much more as you, an expert in the business, can get for me by the rate of exchange. I am convinced of your kind disposition in this regard. I am very hard-pressed just now, but such things are to be told last of all to a publisher; it is, thank God, not my fault, but my sacrifices for others, chiefly, too, for the weak Cardinal who led me into this morass and does not know how to help himself. As soon as the translation is finished I shall trouble you again by sending you the mass, and I pray you give a little attention then to securing what you can for me from the Jewish[36] publisher.
Thus matters stand with the Mass at the end of 1820, and thus they seem to have remained throughout the next year. Simrock always was to be but never was blest with the score. On July 18, 1821, Beethoven promises to put the work into the Archduke’s hands “while here”—i. e., at Unterdöbling; he leaves the reasons for the delay to the imagination of his patron: “the details might prove anything but pleasant to Y. I. H.” In November he thinks again of Simrock and on the 12th writes to Brentano:
The mass might have been sent before this, but had to be carefully looked through, for the publishers in other countries do not get along well with my manuscript, as I know from experience, and a copy for the engraver must be examined note by note. Moreover, I could not come because of illness, the more since despite everything I have been compelled to make a considerable number of potboilers (as unfortunately I must call them). I think I am justified in making an attempt to get Simrock to reckon the Louis d’ors at a higher rate, inasmuch as several applications have been made from other quarters, concerning which I shall write you soon. As for the rest, do not question my honesty; frequently I think of nothing except that your kind advance may soon be repaid.
Loan Advanced on the Mass
It seems a fair inference from the concluding remark, together with the advice of his friend or friends in the Conversation Book of the previous summer concerning a collection through Brentano as soon as the mass had been handed over to the stage-coach, that Beethoven had got an advance from Brentano on the money which was awaiting the arrival of the work in Frankfort. The following letter to Brentano strengthens the inference:
Vienna, December 20, 1821.
Noble man!