Contents of Volume III

PAGE
Chapter I. The Year 1819—Guardianship of Beethoven’s Nephew Karl—Mother and Uncle in a Legal Struggle—The Lad’s Education—Conversation Books—A Wedding Song—In Travail with the Mass in D—The Commission for an Oratorio from the Gesellschaft der Musikfreunde—Visits from Zelter and Friedrich Schneider—Creative Work of the Year[1]
Chapter II. End of the Litigation over the Guardianship of the Nephew—A Costly Victory—E. T. A. Hoffmann—An Analytical Programme—Beethoven’s Financial Troubles—Adagios and English Hymn-Tunes—Stieler’s Portrait—Arrested as a Vagrant—Negotiations for the Mass in D begun with Simrock—The Last Pianoforte Sonatas—Compositions of the Years 1820 and 1821[24]
Chapter III. The Year 1822—The Mass in D—Beethoven and His Publishers—Simrock—Schlesinger—C. F. Peters—Phantom Masses—Johann van Beethoven: His Appearance and Character—Becomes His Brother’s Agent—Meetings with Rochlitz and Rossini—Franz Schubert—“The Consecration of the House”—Revival of “Fidelio”—Madame Schroeder-Devrient—The Bagatelles—A Commission from America[51]
Chapter IV. The Year 1823—The Roman Ritual and the Mass in D—Subscriptions Asked from Royal Courts—Incidents of the Appeal—Goethe and Cherubini Enlisted as Agents—A Medal from the King of France—Further Negotiations with Publishers and Societies—Operatic Projects—Consideration of Grillparzer’s “Melusine”—The Diabelli Variations—Summer Visitors—An Englishman’s Story—Weber and Julius Benedict—Ries and the Ninth Symphony—Franz Liszt and Beethoven’s Kiss[89]
Chapter V. The Year 1824—The Symphony in D Minor—Its Technical History—The Choral Finale and Schiller’s “Ode to Joy”—First Performance of the Work and Portions of the Mass—An Address to Beethoven—Laborious and Protracted Preparations for the Concert—A Financial Failure—Beethoven’s False Accusations against Friends and Helpers Drive Them from the Dinner-Table[144]
Chapter VI. Incidents and Labors of the Year 1824—A Truce with the Hated Sister-in-Law—The Gesellschaft der Musikfreunde’s Oratorio—Bernard’s Libretto—The Society Forgives Beethoven His Debt and Elects Him an Honorary Member—Book of “The Victory of the Cross”—Summer Sojourn at Penzing Interrupted by Curious Visitors—The London Philharmonic Society Receives the Symphony in D Minor—Further Negotiations for the Mass—New Publishers—Probst—Schott and Sons—A Visitor from London—Beethoven’s Opinion of His Predecessors—The Quartet in E-flat, Op. 127—Trip to England Determined Upon[170]
Chapter VII. The Year 1825. The Invitation from the Philharmonic Society of London—The Ninth Symphony Performed at Aix-la-Chapelle—Mass and Symphony Delivered to Schott and Sons—Unpleasant Results of an Attempted Joke on Haslinger—Beethoven and a Copyist—The String Quartet in E-flat Taken Away from Schuppanzigh after a First Performance—Karl Holz—Beethoven Authorizes Him to Write the History of His Life—Early Biographers—Visits of Rellstab, Kuhlau, Smart and Others—Sir George Smart’s Recollections—Dedication of the Mass in D—Stephan von Breuning—Wegeler asks Beethoven to Defend the Honor of His Mother—The Quartets in A Minor and B-flat[186]
Chapter VIII. A Year of Sickness and Sorrow—The Last String Quartets—Wolfmayer Commissions a “Requiem” and Pays in Advance—Many Works in petto—Controversy with Prince Galitzin and His Son—The Fugue in the B-flat Quartet—“Muss es sein?”—Dedication of the Ninth Symphony—The King of Prussia and His Gift of a Dubious Diamond—Abbé Stadler—Beethoven Defends Mozart’s “Requiem”—Friedrich Wieck—Beethoven Goes to His Brother’s Summer Home—Life at Gneixendorf—Relations with His Brother’s Family—Young Oxen Thrown into a Panic Fear—The Quartet in F and a New Finale for the Quartet in B-flat—The Year 1826—Beethoven’s Last Compositions[218]
Chapter IX. Karl van Beethoven—A Wayward Ward and an Unwise Guardian—Beethoven and his Graceless Nephew—An Ill-advised Foster-father—A Profligate Youth—Effect of the Guardianship on Beethoven’s Character—An Unsuccessful Attempt at Self-destruction—Karl is Made a Soldier[247]
Chapter X. The Last Days at Gneixendorf—A Brother’s Warning—Beethoven and His Kinspeople—The Fateful Journey to Vienna—The Fatal Illness—The Physicians and Their Treatment—The Nephew Exonerated from a Slanderous Accusation—Schindler’s Disingenuousness—Dr. Malfatti Forgets a Resentment Harbored for more than a Decade—Beethoven and Handel’s Scores—A Gift of 100 Pounds Sterling from the London Philharmonic Society—Eventual Disposition of the Money—Metronome Marks for the Ninth Symphony—Death and Burial of Beethoven—His Estate[267]
General Index[315]
Index to Compositions[344]

Chapter I

The Contest for the Guardianship of Nephew Karl—The Conversation Books—A Wedding Song—In Travail with the Mass—The Year 1819.

The key-note for much that must occupy us in a survey of the year 1819 is sounded by A New Year’s Greeting to Archduke Rudolph. Beethoven invokes all manner of blessings on the head of his pupil and patron and, begging a continuance of gracious benevolences for himself, sets forth a picture of his unhappy plight.

A terrible occurrence has recently taken place in my family affairs which for a time robbed me of all my reasoning powers; and to this must be charged the circumstance that I have not called upon Y. R. H. in person nor made mention of the masterly Variations of my highly honored and exalted pupil, the favorite of the Muses. I do not dare to express either by word of mouth or in writing my thanks for the surprise and favor with which I have been honored, inasmuch as I occupy much too humble a position, nor dare I, much as I would like and ardently as I long to do so, requite like with like.

A little boy of eleven years runs away from his uncle to his indulgent mother whom he, for months at a time, has not been allowed to see, although both live within the same city limits. What else could be expected than that this should now and then occur? What should be thought of the child’s heart if it did not? And when it did, who but Beethoven would have felt more than a passing disturbance of his equanimity at an offense so natural under the circumstances? But to him it was a “terrible occurrence” which for a space robbed him of his reason. No one of ordinary sensibilities can read the story without strong feelings of compassion for him—not that the boy’s freak was in any sense in itself a grievous misfortune, but because the uncle’s sufferings occasioned by it were so real and intense.

There is no reason to doubt the mother’s assertion that she sent the child back through the intervention of the police, for this was clearly her best policy, more especially because she and her advisers found in the incident a wished-for occasion to renew her petition to have her son admitted into the R. I. Convict. It was this petition, enforced by Hotschevar’s long paper and its accompanying documents, which had led to the question of Beethoven’s right to have his case tried by the tribunal of the nobility, and the negative decision which transferred the whole matter to the City Magistracy. At this point a few official data are wanting, and the suspension of Beethoven from the guardianship of his nephew can only be stated as having been determined by the magistrates immediately after the beginning of the new year, and that, in consequence of this, the boy was for a few weeks with his mother. On January 10, Fanny Giannatasio writes in her diary: “What Müller tells me about Beethoven pains me deeply. The wicked woman has finally succeeded in triumphing over him. He has been removed from the guardianship[1] and the wicked son returns to the source of his wickedness. I can imagine Beethoven’s grief. It is said that since yesterday he has been entirely alone and eats apart from the others. He ought to know that Karl is glad to be with his mother; it would ease the pain of the separation.”

Beethoven’s Appeal to the Magistracy