Chamber, ‘yea, as low as any gracious soul can possibly be. Shall I ever see even the borders of the good land above?’ I read that fine letter again last Sabbath afternoon in my room at hospitable Helenslee, overlooking the lower reaches of the Clyde, and as I read this passage, I recollected the opportune sea-view commanded by my window. I had only to rise and look out to see an excellent illustration of my much-exercised author; for the forenoon tide had just retreated to the sea, and the broad bed of the river was left by the retreated tide less a river than a shallow, clammy channel. Shoals of black mud ran out from our shore, meeting and mingling with shoals of black mud from the opposite shore. There was scarce clean water enough to float the multitude of buoys that dipped and dragged in their bed of mire. That any ship, to call a ship, could ever work its way up that sweltering sewer seemed an utter impossibility. There was Rutherford’s low ebb, then, under my very eyes. There was low water indeed. And the low water seemed to laugh the waiting seamen’s hopes to scorn. But next morning my heart rose high as I looked out at my window and saw all the richly-laden vessels lighting their fires and spreading their sails, and setting their faces to the replenished river. And I thought of Samuel Rutherford’s ship, far past all her ebbing tides now, and for ever anchored in her haven above.
On the wall of my room in the same beautiful house there was a powerful cartoon of Peter’s crucifixion, head downwards, for his Master’s sake. The masterpiece of Filippino Lippi I felt to be an
excellent illustration also of Rutherford’s letter to James Guthrie and the rest of the ministers and elders who were imprisoned in the Castle of Edinburgh for daring to remind Charles Stuart of the contents of the Covenant to which both he and the whole nation had solemnly sworn. ‘If Christ doth own me,’ Rutherford wrote to the martyrs in the Castle, ‘let me be laid in my grave in a bloody winding-sheet; let me go from the scaffold to the spikes in four quarters—grave or no grave, as He pleases, if only He but owns me.’ And I seemed to see the crucified disciple’s glorified Master appearing over his reversed cross and saying, ‘Thou art Peter, and with this thy blood I will sow widespread my Church.’ Yes, my brethren, if Christ but owns us, that will far more than make up to us in a moment for all our imprisonments, and all our martyrdoms, and all our ebbing tides down here. ‘Angels, men, and Zion’s elders eye us in all our suffering for Christ’s sake, but what of all these? Christ is by us, and looketh on, and writeth it all up Himself.’
James Guthrie was hanged and dismembered at the Cross of Edinburgh on the first day of June, 1661. His snow-white head was cut off, and was fixed on a spike in the Nether Bow. James Guthrie got that day that which he had so often prayed for—a sudden plunge into everlasting life with all his senses about him and all his graces at their brightest and their keenest exercise.
XVII. WILLIAM GUTHRIE
‘A merry heart doeth good like a medicine.’—Solomon.
William Guthrie was a great humorist, a great sportsman, a great preacher, and a great writer. The true Guthrie blood has always had a drop of humour in it, and the first minister of Fenwick was a genuine Guthrie in this respect. The finest humour springs up out of a wide and a deep heart, and it always has its roots watered at a wellhead of tears. ‘William Guthrie was a great melancholian,’ says Wodrow, and as we read that we are reminded of some other great melancholians, such as Blaise Pascal and John Foster and William Cowper. William Guthrie knew, by his temperament, and by his knowledge of himself and of other men, that he was a great melancholian, and he studied how to divert himself sometimes in order that he might not be altogether drowned with his melancholy. And thus, maugre his melancholy, and indeed by reason of it, William Guthrie was a great humorist. He was the life of the party on the moors, in the manse, and in the General Assembly. But the life of the party when he was present was always pure and noble and pious, even if it was
sometimes somewhat hilarious and boisterous. ‘If a man’s melancholy temperament is sanctified,’ says Rutherford in his Covenant of Grace, ‘it becomes to him a seat of sound mortification and of humble walking.’ And that was the happy result of all William Guthrie’s melancholy; it was always alleviated and relieved by great outbursts of good-humour; but both his melancholy and his hilarity always ended in a humbler walk. Samuel Rutherford confides in a letter to his old friend, Alexander Gordon, that he knows a man who sometimes wonders to see any one laugh or sport in this so sinful and sad life. But that was because he had embittered the springs of laughter in himself by the wormwood sins of his youth. William Guthrie had no such remorseful memories continually taking him by the throat as his divinity professor had, and thus it was that with all his melancholy he was known as the greatest humorist and the greatest sportsman in the Scottish Kirk of his day. No doubt he sometimes felt and confessed that his love of fun and frolic was a temptation that he had to watch well against. In his Saving Interest he speaks of some sins that are wrought up into a man’s natural humour and constitution, and are thus as a right hand and a right eye to him. ‘My merriment!’ he confessed to one who had rebuked him for it, ‘I know all you would say, and my merriment costs me many a salt tear in secret.’ At the same time this was often remarked with wonder in Guthrie, that however boisterous his fun was, in one moment he could turn from it to the most serious things. ‘It was often observed,’ says Wodrow, ‘that, let
Mr. Guthrie be never so merry, he was presently in a frame for the most spiritual duty, and the only account I can give of it,’ says wise Wodrow, ‘is, that he acted from spiritual principles in all he did, and even in his relaxations.’ Poor Guthrie had a terrible malady that preyed on his most vital part continually—a malady that at last carried him off in the mid-time of his days, and, like Solomon in the proverb, he took to a merry heart as an alleviating medicine.
Like our own Thomas Guthrie, too, William Guthrie was a great angler. He could gaff out a salmon in as few minutes as the deftest-handed gamekeeper in all the country, and he could stalk down a deer in as few hours as my lord himself who did nothing else. When he was composing his Saving Interest, he somehow heard of a poor countryman near Haddington who had come through some extraordinary experiences in his spiritual life, and he set out from Fenwick all the way to Haddington to see and converse with the much-experienced man. All that night and all the next day Guthrie could not tear himself away from the conversation of the man and his wife. But at last, looking up and down the country, his angling eye caught sight of a trout-stream, and, as if he had in a moment forgotten all about his book at home and all that this saintly man had contributed to it, Guthrie asked him if he had a fishing-rod, and if he would give him a loan of it. The old man felt that his poor rough tackle was to be absolutely glorified by such a minister as Guthrie condescending to touch it, but his good wife did not like this come-down at the end of such a visit as his has been, and she said so. She