All these intrigues are exhausted; the human mind, so variously complicated, has been enabled to develop itself at its ease in the three outlines with which our recital has supplied it. It is not unlikely that, in the future we are now preparing, a question of politics and intrigues may still arise, but the springs by which they work will be so carefully concealed that no one will be able to see aught but flowers and paintings, just as at a theater, where a colossus appears upon the scene, walking along moved by the small legs and slender arms of a child concealed within the framework.
We now return to Saint-Mande, where the superintendent was in the habit of receiving his select confederacy of epicureans. For some time past the host had met with nothing but trouble. Every one in the house was aware of and felt for the minister’s distress. No more magnificent or recklessly improvident reunions. Money had been the pretext assigned by Fouquet, and never was any pretext, as Gourville said, more fallacious, for there was not even a shadow of money to be seen.
M. Vatel was resolutely painstaking in keeping up the reputation of the house, and yet the gardeners who supplied the kitchens complained of ruinous delays. The agents for the supply of Spanish wines sent drafts which no one honored; fishermen, whom the superintendent engaged on the coast of Normandy, calculated that if they were paid all that was due to them, the amount would enable them to retire comfortably for life; fish, which, at a later period, was the cause of Vatel’s death, did not arrive at all. However, on the ordinary reception days, Fouquet’s friends flocked in more numerously than ever. Gourville and the Abbe Fouquet talked over money matters—that is to say, the abbe borrowed a few pistoles from Gourville; Pelisson, seated with his legs crossed, was engaged in finishing the peroration of a speech with which Fouquet was to open the parliament; and this speech was a masterpiece, because Pelisson wrote it for his friend—that is to say, he inserted all kinds of clever things the latter would most certainly never have taken the trouble to say of his own accord. Presently Loret and La Fontaine would enter from the garden, engaged in a dispute about the art of making verses. The painters and musicians, in their turn, were hovering near the dining-room. As soon as eight o’clock struck the supper would be announced, for the superintendent never kept any one waiting. It was already half-past seven, and the appetites of the guests were beginning to declare themselves in an emphatic manner. As soon as all the guests were assembled, Gourville went straight up to Pelisson, awoke him out of his reverie, and led him into the middle of a room, and closed the doors. “Well,” he said, “anything new?”
Pelisson raised his intelligent and gentle face, and said: “I have borrowed five and twenty thousand francs of my aunt, and I have them here in good sterling money.”
“Good,” replied Gourville; “we only what one hundred and ninety-five thousand livres for the first payment.”
“The payment of what?” asked La Fontaine.
“What! absent-minded as usual! Why, it was you who told us the small estate at Corbeli was going to be sold by one of M. Fouquet’s creditors; and you, also, who proposed that all his friends should subscribe—more than that, it was you who said that you would sell a corner of your house at Chateau-Thierry, in order to furnish your own proportion, and you come and ask—‘The payment of what?’”
This remark was received with a general laugh, which made La Fontaine blush. “I beg your pardon,” he said, “I had not forgotten it; oh, no! only—”
“Only you remembered nothing about it,” replied Loret.
“That is the truth, and the fact is, he is quite right, there is a great difference between forgetting and not remembering.”