Marguerite folded her mantle over her cambric peignoir, all bespattered with small red spots. This movement, so expressive of feminine modesty, caused La Mole to remember that he had held in his arms and pressed to his heart this beautiful, beloved queen, and at the recollection a fugitive glow of color came into his pallid cheeks.

"Madame," stammered La Mole, "can you not leave me to the care of the surgeon?"

"Of a Catholic surgeon, perhaps," said the queen, with an expression which La Mole understood and which made him shudder. "Do you not know," continued the queen in a voice and with a smile of incomparable sweetness, "that we daughters of France are trained to know the qualities of herbs and to make balsams? for our duty as women and as queens has always been to soften pain. Therefore we are equal to the best surgeons in the world; so our flatterers say! Has not my reputation in this regard come to your ears? Come, Gillonne, let us to work!"

La Mole again endeavored to resist; he repeated that he would rather die than occasion the queen labor which, though begun in pity, might end in disgust; but this exertion completely exhausted his strength, and falling back, he fainted a second time.

Marguerite, then seizing the poniard which he had dropped, quickly cut the lace of his doublet; while Gillonne, with another blade, ripped open the sleeves.

Next Gillonne, with a cloth dipped in fresh water, stanched the blood which escaped from his shoulder and breast, and Marguerite, with a silver needle with a round point, probed the wounds with all the delicacy and skill that Maître Ambroise Paré could have displayed in such a case.

"A dangerous but not mortal wound, acerrimum humeri vulnus, non autem lethale," murmured the lovely and learned lady-surgeon; "hand me the salve, Gillonne, and get the lint ready."

Meantime Gillonne, to whom the queen had just given this new order, had already dried and perfumed the young man's chest and arms, which were like an antique model, as well as his shoulders, which fell gracefully back; his neck shaded by thick, curling locks, and which seemed rather to belong to a statue of Parian marble than the mangled frame of a dying man.

"Poor young man!" whispered Gillonne, looking not so much at her work as at the object of it.

"Is he not handsome?" said Marguerite, with royal frankness.