"Take it," said the queen, "there is no danger—I touch it; besides, you have gloves on."

This precaution was not enough for D'Alençon, who wrapped the volume in his cloak.

"Make haste," said Catharine; "Henry may return at any moment."

"You are right, madame. I will go at once."

The duke went out, trembling with fright.

We have often introduced the reader into the apartments of the King of Navarre, and he has been present at the events which have taken place in them, events bright or gloomy, according to the smile or frown of the protecting genius of the future king of France.

But perhaps never had these walls, stained with the blood of murders, sprinkled with the wine of orgies, scented with the perfumes of love,—perhaps never had this corner of the Louvre seen a paler face than that of the Duc d'Alençon, as with book in hand he opened the door of the bedchamber of the King of Navarre. And no one, as the duke had expected, was in the room to question with curious or anxious glances what he was about to do. The first rays of the morning sun alone were lighting up the vacant chamber.

On the wall in readiness hung the sword which Monsieur de Mouy had advised Henry to take with him. Some links of a coat of mail were scattered on the floor. A well-filled purse and a small dagger lay on a table, and some light ashes in the fireplace, joined to the other evidence, clearly showed D'Alençon that the King of Navarre had put on the shirt of mail, collected some money from his treasurer, and burned all papers that might compromise him.

"My mother was not mistaken," said D'Alençon "the knave would have betrayed me."

Doubtless this conviction gave added strength to the young man. He sounded the corners of the room at a glance, raised the portieres, and realizing from the loud noise in the court-yard below and the dense silence in the apartments that no one was there to spy on him, he drew the book from under his cloak, hastily laid it on the table, near the purse, propping it up against a desk of sculptured oak; then drawing back, he reached out his arm, and, with a hesitation which betrayed his fears, with his gloved hand he opened the volume to an engraving of a hunt. This done, D'Alençon again stepped back, and drawing off his glove threw it into the still warm fire, which had just consumed the papers. The supple leather crackled over the coals, twisted and flattened itself out like the body of a great reptile, leaving nothing but a burned and blackened lump.