The Three Musketeers

By Alexandre Dumas, Père

First Volume of the D’Artagnan Series

CONTENTS

[AUTHOR’S PREFACE]
[Chapter I. THE THREE PRESENTS OF D’ARTAGNAN THE ELDER]
[Chapter II. THE ANTECHAMBER OF M. DE TRÉVILLE]
[Chapter III. THE AUDIENCE]
[Chapter IV. THE SHOULDER OF ATHOS, THE BALDRIC OF PORTHOS AND THE HANDKERCHIEF OF ARAMIS]
[Chapter V. THE KING’S MUSKETEERS AND THE CARDINAL’S GUARDS]
[Chapter VI. HIS MAJESTY KING LOUIS XIII.]
[Chapter VII. THE INTERIOR OF THE MUSKETEERS]
[Chapter VIII. CONCERNING A COURT INTRIGUE]
[Chapter IX. D’ARTAGNAN SHOWS HIMSELF]
[Chapter X. A MOUSETRAP IN THE SEVENTEENTH CENTURY]
[Chapter XI. IN WHICH THE PLOT THICKENS]
[Chapter XII. GEORGE VILLIERS, DUKE OF BUCKINGHAM]
[Chapter XIII. MONSIEUR BONACIEUX]
[Chapter XIV. THE MAN OF MEUNG]
[Chapter XV. MEN OF THE ROBE AND MEN OF THE SWORD]
[Chapter XVI. IN WHICH M. SÉGUIER, KEEPER OF THE SEALS, LOOKS MORE THAN ONCE FOR THE BELL]
[Chapter XVII. BONACIEUX AT HOME]
[Chapter XVIII. LOVER AND HUSBAND]
[Chapter XIX. PLAN OF CAMPAIGN]
[Chapter XX. THE JOURNEY]
[Chapter XXI. THE COUNTESS DE WINTER]
[Chapter XXII. THE BALLET OF LA MERLAISON]
[Chapter XXIII. THE RENDEZVOUS]
[Chapter XXIV. THE PAVILION]
[Chapter XXV. PORTHOS]
[Chapter XXVI. ARAMIS AND HIS THESIS]
[Chapter XXVII. THE WIFE OF ATHOS]
[Chapter XXVIII. THE RETURN]
[Chapter XXIX. HUNTING FOR THE EQUIPMENTS]
[Chapter XXX. D’ARTAGNAN AND THE ENGLISHMAN]
[Chapter XXXI. ENGLISH AND FRENCH]
[Chapter XXXII. A PROCURATOR’S DINNER]
[Chapter XXXIII. SOUBRETTE AND MISTRESS]
[Chapter XXXIV. IN WHICH THE EQUIPMENT OF ARAMIS AND PORTHOS IS TREATED OF]
[Chapter XXXV. A GASCON A MATCH FOR CUPID]
[Chapter XXXVI. DREAM OF VENGEANCE]
[Chapter XXXVII. MILADY’S SECRET]
[Chapter XXXVIII. HOW, WITHOUT INCOMMODING HIMSELF, ATHOS PROCURES HIS EQUIPMENT]
[Chapter XXXIX. A VISION]
[Chapter XL. A TERRIBLE VISION]
[Chapter XLI. THE SIEGE OF LA ROCHELLE]
[Chapter XLII. THE ANJOU WINE]
[Chapter XLIII. THE SIGN OF THE RED DOVECOT]
[Chapter XLIV. THE UTILITY OF STOVEPIPES]
[Chapter XLV. A CONJUGAL SCENE]
[Chapter XLVI. THE BASTION SAINT-GERVAIS]
[Chapter XLVII. THE COUNCIL OF THE MUSKETEERS]
[Chapter XLVIII. A FAMILY AFFAIR]
[Chapter XLIX. FATALITY]
[Chapter L. CHAT BETWEEN BROTHER AND SISTER]
[Chapter LI. OFFICER]
[Chapter LII. CAPTIVITY: THE FIRST DAY]
[Chapter LIII. CAPTIVITY: THE SECOND DAY]
[Chapter LIV. CAPTIVITY: THE THIRD DAY]
[Chapter LV. CAPTIVITY: THE FOURTH DAY]
[Chapter LVI. CAPTIVITY: THE FIFTH DAY]
[Chapter LVII. MEANS FOR CLASSICAL TRAGEDY]
[Chapter LVIII. ESCAPE]
[Chapter LIX. WHAT TOOK PLACE AT PORTSMOUTH AUGUST 23, 1628]
[Chapter LX. IN FRANCE]
[Chapter LXI. THE CARMELITE CONVENT AT BÉTHUNE]
[Chapter LXII. TWO VARIETIES OF DEMONS]
[Chapter LXIII. THE DROP OF WATER]
[Chapter LXIV. THE MAN IN THE RED CLOAK]
[Chapter LXV. TRIAL]
[Chapter LXVI. EXECUTION]
[Chapter LXVII. CONCLUSION]
[EPILOGUE]

AUTHOR’S PREFACE

In which it is proved that, notwithstanding their names’ ending in os and is, the heroes of the story which we are about to have the honor to relate to our readers have nothing mythological about them.

A short time ago, while making researches in the Royal Library for my History of Louis XIV., I stumbled by chance upon the Memoirs of M. d’Artagnan, printed—as were most of the works of that period, in which authors could not tell the truth without the risk of a residence, more or less long, in the Bastille—at Amsterdam, by Pierre Rouge. The title attracted me; I took them home with me, with the permission of the guardian, and devoured them.

It is not my intention here to enter into an analysis of this curious work; and I shall satisfy myself with referring such of my readers as appreciate the pictures of the period to its pages. They will therein find portraits penciled by the hand of a master; and although these squibs may be, for the most part, traced upon the doors of barracks and the walls of cabarets, they will not find the likenesses of Louis XIII., Anne of Austria, Richelieu, Mazarin, and the courtiers of the period, less faithful than in the history of M. Anquetil.

But, it is well known, what strikes the capricious mind of the poet is not always what affects the mass of readers. Now, while admiring, as others doubtless will admire, the details we have to relate, our main preoccupation concerned a matter to which no one before ourselves had given a thought.