“Well, monseigneur?”
“All the details of his coming into and going out of the palace—on the night when he introduced himself in the character of an Italian fortune teller—you will tell him, that he may not doubt the correctness of my information; that he had under his cloak a large white robe dotted with black tears, death’s heads, and crossbones—for in case of a surprise, he was to pass for the phantom of the White Lady who, as all the world knows, appears at the Louvre every time any great event is impending.”
“Is that all, monseigneur?”
“Tell him also that I am acquainted with all the details of the adventure at Amiens; that I will have a little romance made of it, wittily turned, with a plan of the garden and portraits of the principal actors in that nocturnal romance.”
“I will tell him that.”
“Tell him further that I hold Montague in my power; that Montague is in the Bastille; that no letters were found upon him, it is true, but that torture may make him tell much of what he knows, and even what he does not know.”
“Exactly.”
“Then add that his Grace has, in the precipitation with which he quit the Isle of Ré, forgotten and left behind him in his lodging a certain letter from Madame de Chevreuse which singularly compromises the queen, inasmuch as it proves not only that her Majesty can love the enemies of the king but that she can conspire with the enemies of France. You recollect perfectly all I have told you, do you not?”
“Your Eminence will judge: the ball of Madame the Constable; the night at the Louvre; the evening at Amiens; the arrest of Montague; the letter of Madame de Chevreuse.”
“That’s it,” said the cardinal, “that’s it. You have an excellent memory, Milady.”