THE PORTRAIT.
In that malady which is termed love the paroxysms succeed each other at intervals, always more rapid from the moment the disease declares itself. By-and-by, the paroxysms are less frequent, in proportion as the curet approaches. This being laid down as a general axiom, and as the heading of a particular chapter, we will now proceed with our recital. The next day, the day fixed by the king for the first conversation in Saint-Aignan's room, La Valliere, on opening one of the folds of the screen, found upon the floor a letter in the king's handwriting. The letter had been passed, through a slit in the floor, from the lower apartment to her own. No indiscreet hand or curious gaze could have brought or did bring this simple paper. This was one of Malicorne's ideas. Having seen how very serviceable Saint-Aignan would become to the king on account of his apartment, he did not wish that the courtier should become still more indispensable as a messenger, and so he had, on his own private account, reserved this last post for himself. La Valliere most eagerly read the letter, which fixed two o'clock that same afternoon for the rendezvous, and which indicated the way of raising the trap-door which was constructed out of the flooring. "Make yourself look as beautiful as possible," added the postscript of the letter, words which astonished the young girl, but at the same time reassured her. The hours passed away very slowly, but the time fixed, however, arrived at last. As punctual as the priestess Hero, Louise lifted up the trap-door at the last stroke of the hour of two, and found the king upon the top steps, waiting for her with the greatest respect, in order to give her his hand to descend. The delicacy and deference shown in this attention affected her very powerfully. At the foot of the staircase the two lovers found the comte, who, with a smile and a low reverence distinguished by the best taste, expressed his thanks to La Valliere for the honor she conferred upon him. Then, turning toward the king, he said:
"Sire, our man is here." La Valliere looked at the king with some uneasiness.
"Mademoiselle," said the king, "if I have begged you to do me the honor of coming down here, it was from an interested motive. I have procured a most admirable portrait-painter, who is celebrated for the fidelity of his likenesses, and I wish you to be kind enough to authorize him to paint yours. Besides, if you positively wish it, the portrait shall remain in your own possession." La Valliere blushed.
"You see," said the king to her, "we shall not be three as you wished, but four instead. And, so long as we are not alone, there can be as many present as you please." La Valliere gently pressed her royal lover's hand.
"Shall we pass into the next room, sire?" said Saint-Aignan, opening the door to let his guests precede him. The king walked behind La Valliere, and fixed his eyes lingeringly and passionately upon her neck as white as snow, upon which her long fair ringlets fell in heavy masses. La Valliere was dressed in a thick silk robe of pearl gray color, with a tinge of rose, with jet ornaments, which displayed to greater effect the dazzling purity of her skin, holding in her slender and transparent hands a bouquet of heartsease, Bengal roses, and clematis, surrounded with leaves of the tenderest green, above which uprose, like a tiny goblet shedding perfumes, a Haarlem tulip of gray and violet tints, of a pure and beautiful species, which had cost the gardener five years' toil of combinations and the king five thousand francs. Louis had placed this bouquet in La Valliere's hand as he saluted her. In the room, the door of which Saint-Aignan had just opened, a young man was standing, dressed in a loose velvet coat, with beautiful black eyes and long brown hair. It was the painter; his canvas was quite ready, and his palette prepared for use. He bowed to La Valliere with that grave curiosity of an artist who is studying his model, saluted the king discreetly, as if he did not recognize him, and as he would, consequently, have saluted any other gentleman. Then, leading Mademoiselle de la Valliere to the seat which he had arranged for her, he begged her to sit down. The young girl assumed an attitude graceful and unrestrained, her hands occupied, and her limbs reclining on cushions; and in order that her gaze might not assume a vague or affected expression, the painter begged her to choose some kind of occupation, so as to engage her attention; whereupon, Louis XIV., smiling, sat down on the cushions at La Valliere's feet; so that she, in the reclining posture she had assumed, leaning back in the armchair, holding her flowers in her hand, and he, with his eyes raised toward her and fixed devouringly on her face—they, both together, formed so charming a group, that the artist contemplated it with professional delight; while, on his side, Saint-Aignan regarded them with feelings of envy. The painter sketched rapidly; and very soon, beneath the earliest touches of the brush, there started into life, out of the gray background, the gentle, poetry-breathing face, with its soft calm eyes and delicately-tinted cheeks, enframed in the masses of hair which fell about her neck. The lovers, however, spoke but little, and looked at each other a good deal; sometimes their eyes became so languishing in their gaze, that the painter was obliged to interrupt his work in order to avoid representing an Erycina instead of a La Valliere. It was on such occasions that Saint-Aignan came to the rescue, and recited verses, or repeated one of those little tales as Patru related them, and which Tallemant des Reaux wrote so cleverly. Or, it might be, that La Valliere was fatigued, and the sitting was, therefore, suspended for awhile; and, immediately, a tray of precious porcelain, laden with the most beautiful fruits which could be obtained, and rich wines distilling their bright colors in silver goblets beautifully chased, served as accessories to the picture of which the painter could but retrace the most ephemeral resemblance. Louis was intoxicated with love, La Valliere with happiness, Saint-Aignan with ambition, and the painter was storing up recollections for his old age. Two hours passed away in this manner, and four o'clock having struck, La Valliere rose and made a sign to the king. Louis also rose, approached the picture, and addressed a few flattering remarks to the painter. Saint-Aignan also praised the picture, which, as he pretended, was already beginning to assume an accurate resemblance. La Valliere, in her turn, blushingly, thanked the painter, and passed into the next room, where the king followed her after having previously summoned Saint-Aignan.
"Will you not come to-morrow?" he said to La Valliere.
"Oh! sire, pray think that some one will be sure to come to my room, and will not find me there."
"Well!"