With a perfect reliance that Aramis had made arrangements fairly to distribute the vast number of guests throughout the palace, and that he had not omitted to attend to any of the internal regulations for their comfort, Fouquet devoted his entire attention to the ensemble alone; in one direction Gourville showed him the preparations which had been made for the fireworks; in another, Moliere led him over the theater; at last, after he had visited the chapel, the salons, and the galleries, and was again going downstairs, exhausted with fatigue, Fouquet saw Aramis on the staircase. The prelate beckoned to him. The surintendant joined his friend, and, with him, paused before a large picture scarcely finished. Applying himself heart and soul to his work, the painter, Lebrun, covered with perspiration, stained with paint, pale from fatigue and inspiration of genius, was putting the last finishing touches with his rapid brush. It was the portrait of the king, whom they were expecting, dressed in the court-suit which Percerin had condescended to show beforehand to the bishop of Vannes. Fouquet placed himself before this portrait, which seemed to live, as one might say, in the cool freshness of its flesh, and in its warmth of color. He gazed upon it long and fixedly, estimated the prodigious labor that had been bestowed upon it, and, not being able to find any recompense sufficiently great for this Herculean effort, he passed his arm round the painter's neck, and embraced him. The surintendant, by this action, had utterly ruined a suit of clothes worth a thousand pistoles, but he had satisfied, more than satisfied, Lebrun. It was a happy moment for the artist; it was an unhappy one for M. Percerin, who was walking behind Fouquet, and was engaged in admiring, in Lebrun's painting, the suit that he had had made for his majesty, a perfect objet d'art, as he called it, which was not to be matched except in the wardrobe of the surintendant. His distress and his exclamations were interrupted by a signal which had been given from the summit of the mansion. In the direction of Melun, in the still empty open plain, the sentinels of Vaux had perceived the advancing procession of the king and the queens. His majesty was entering into Melun with his long train of carriages and cavaliers.
"In an hour—" said Aramis to Fouquet.
"In an hour!" replied the latter, sighing.
"And the people who ask one another what is the good of these royal fetes!" continued the bishop of Vannes, laughing, with his false smile.
"Alas! I, too, who am not the people, ask the same thing."
"I will answer you in four-and-twenty-hours, monseigneur. Assume a cheerful countenance, for it should be a day of true rejoicing."
"Well, believe me or not, as you like, D'Herblay," said the surintendant, with a swelling heart, pointing at the cortège of Louis, visible in the horizon, "he certainly loves me but very little, nor do I care much for him; but, I cannot tell you how it is, that since he is approaching toward my house—"
"Well, what?"
"Well, then, since I know he is on his way here, as my guest, he is more sacred than ever for me; he is my acknowledged sovereign, and as such is very dear to me."
"Dear? yes," said Aramis, playing upon the word, as the Abbe Tenay did, at a later period, with Louis XV.