"Then which of the two is the taller?" asked Elizabeth, who was not entirely satisfied by this answer, clever as it was.
"My mistress, madam," responded Melville; "I am obliged to confess it."
"Then she is too tall," Elizabeth said sharply, "for I am tall enough. And what are her favourite amusements?" she continued.
"Madam," Melville replied, "hunting, riding, performing on the lute and the harpischord."
"Is she skilled upon the latter?" Elizabeth inquired. "Oh yes, madam," answered Melville; "skilled enough for a queen."
There the conversation stopped; but as Elizabeth was herself an excellent musician, she commanded Lord Hunsdon to bring Melville to her at a time when she was at her harpischord, so that he could hear her without her seeming to have the air of playing for him. In fact, the same day, Hunsdon, agreeably to her instructions, led the ambassador into a gallery separated from the queen's apartment merely by tapestry, so that his guide having raised it. Melville at his leisure could hear Elizabeth, who did not turn round until she had finished the piece, which, however, she was playing with much skill. When she saw Melville, she pretended to fly into a passion, and even wanted to strike him; but her anger calmed down by little and little at the ambassador's compliments, and ceased altogether when he admitted that Mary Stuart was not her equal. But this was not all: proud of her triumph, Elizabeth desired also that Melville should see her dance. Accordingly, she kept back her despatches for two days that he might be present at a ball that she was giving. These despatches, as we have said, contained the wish that Mary Stuart should espouse Leicester; but this proposal could not be taken seriously. Leicester, whose personal worth was besides sufficiently mediocre, was of birth too inferior to aspire to the hand of the daughter of so many kings; thus Mary replied that such an alliance would not become her. Meanwhile, something strange and tragic came to pass.
[CHAPTER II]
Among the lords who had followed Mary Stuart to Scotland was, as we have mentioned, a young nobleman named Chatelard, a true type of the nobility of that time, a nephew of Bayard on his mother's side, a poet and a knight, talented and courageous, and attached to Marshal Damville, of whose household he formed one. Thanks to this high position, Chatelard, throughout her stay in France, paid court to Mary Stuart, who, in the homage he rendered her in verse, saw nothing more than those poetical declarations of gallantry customary in that age, and with which she especially was daily overwhelmed. But it happened that about the time when Chatelard was most in love with the queen she was obliged to leave France, as we have said. Then Marshal Damville, who knew nothing of Chatelard's passion, and who himself, encouraged by Mary's kindness, was among the candidates to succeed Francis II as husband, set out for Scotland with the poor exile, taking Chatelard with him, and, not imagining he would find a rival in him, he made a confidant of him, and left him with Mary when he was obliged to leave her, charging the young poet to support with her the interests of his suit. This post as confidant brought Mary and Chatelard more together; and, as in her capacity as poet, the queen treated him like a brother, he made bold in his passion to risk all to obtain another title. Accordingly, one evening he got into Mary Stuart's room, and hid himself under the bed; but at the moment when the queen was beginning to undress, a little dog she had began to yelp so loudly that her women came running at his barking, and, led by this indication, perceived Chatelard. A woman easily pardons a crime for which too great love is the excuse: Mary Stuart was woman before being queen—she pardoned.
But this kindness only increased Chatelard's confidence: he put down the reprimand he had received to the presence of the queen's women, and supposed that if she had been alone she would have forgiven him still more completely; so that, three weeks after, this same scene was repeated. But this time, Chatelard, discovered in a cupboard, when the queen was already in bed, was placed under arrest.
The moment was badly chosen: such a scandal, just when the queen was about to re-marry, was fatal to Mary, let alone to Chatelard. Murray took the affair in hand, and, thinking that a public trial could alone save his sister's reputation, he urged the prosecution with such vigour, that Chatelard, convicted of the crime of lese-majeste, was condemned to death. Mary entreated her brother that Chatelard might be sent back to France; but Murray made her see what terrible consequences such a use of her right of pardon might have, so that Mary was obliged to let justice take its course: Chatelard was led to execution. Arrived on the scaffold, which was set up before the queen's palace, Chatelard, who had declined the services of a priest, had Ronsard's Ode on Death read; and when the reading, which he followed with evident pleasure, was ended, he turned—towards the queen's windows, and, having cried out for the last time, "Adieu, loveliest and most cruel of princesses!" he stretched out his neck to the executioner, without displaying any repentance or uttering any complaint. This death made all the more impression upon Mary, that she did not dare to show her sympathy openly.