"Oh! good gracious!" I exclaimed suddenly, "what has happened to your beautiful pastel?"
"As you see, the glass and the frame are broken; I am waiting to send it to the glazier's and picture-framer's ... it was a most incomprehensible thing!"
"What was?"
"The way it fell."
"Did the nail come out, or the ring break?"
"Neither the one nor the other. The day before yesterday I was working all evening; when it reached a quarter to twelve, I was tired, but I still had to correct a proof of a handy little edition of my Ovid. I decided to combine rest and work by going to bed and correcting the proofs when I was in bed. So I lay down: I put my candle on the table by the bedside, and the light from it shone on the portrait of my poor friend; my glance followed the candlelight and I said good-night to the picture as usual.... A half-open window let in a little breeze which blew the flame of my candle about so that it seemed to me as though the portrait returned my good-night by bending its head as I had done! You will understand that I looked upon this movement as visionary and foolish; but, whether folly or a vision, my mind persisted in dwelling upon the movement, and the more I pondered over it, the more real the incident seemed; my eyes would stray from my Ovid, and fix themselves on that one point, the picture; my wandering thoughts would fly back, in spite of myself, to the days of my youth; and these early days passed before me one by one.... Ah me! I think I have told you that the original of that pastel occupied a good deal of my attention in those early days! So there I was, going at full tilt over old recollections of twenty-five years back; I addressed the copy as though the original could hear me, and my memory answered for her; it seemed as though the lips in the pastel moved; I thought the colours of the painting began to fade, and the expression on the face grew sad and unhappy.... Something like a smile of farewell passed over her lips; a tear came into her eyes ready to moisten the glass. Midnight began to strike; and, in spite of myself, I shivered—why, I could not tell! The wind blew, and, at the last stroke of midnight, while the clock was still vibrating, the half-open window opened wide violently, I heard a sigh like a groan, the eyes of the portrait closed, and the picture fell without either the nail that held it or the cord being broken; and my candle went out. I tried to light it again, but there was no fire in the grate, there were no matches on the chimneypiece; it was midnight, everybody in the house was asleep; so there was no way of obtaining a light. I shut my window again and I went back to bed.... Although I was not afraid, I felt much moved, I was sad, I had a great desire to weep; I thought I heard something pass through my room like the rustle of a silk dress.... I heard this noise three times so distinctly that I asked, 'Is there anyone there?' Finally, I fell asleep, very late, and the first thing I looked at when I woke again was my poor pastel, which I found in the state in which you now see it."
"That is indeed a strange story!" I said. "And have you received your weekly letter as usual?"
"No, and that is what makes me uneasy; that is why I gave Françoise orders to bring or send up any letters that might come for me the moment they arrive."
"Well," said I, "perhaps the one I have just brought you...."