As no delay had been considered necessary, the play was performed the next day.
Frédéric had told me the truth. There had been organised by someone—by whom I had not the slightest idea, perhaps spontaneously and without any other incentive than the hatred borne towards us—the roughest sort of opposition I ever witnessed. As usual, I was present in a box at my first night, so I lost none of the incidents of that terrible battle which raged for seven hours; during which the play was knocked down a dozen times and always rose up again, ending at two in the morning by forcing the panting, horrified and scared public to go down on its knees.
Oh! I repeat it with an enthusiasm that has not diminished after twenty-five years of fighting, and in spite of my fifty or more triumphant successes, the contest between the genius of man and the ill-will of the crowd, the vulgarity of the audience, the hatred of enemies, is a grand and splendid spectacle. There is an immense satisfaction in dramatic quarters in feeling the opposition forced down on its knees and slowly made to bite the dust in utter defeat. Oh! what pride would victory produce, if it were not that, amongst honest men, it is a cure for vanity!
It is quite impossible to give any idea of the effect that the arrest of Monaldeschi produced on the audience, after the monologue of Sentinelli at the window, which had been hooted at. The whole theatre burst into roars of applause, and when, in the fifth act, Monaldeschi, saved by the love of Christine, sends the poisoned ring to Paula, there were furious outcries against the cowardly assassin, which were turned into frantic cheers when they saw him drag himself, wounded and bleeding, to the feet of the queen, who, in spite of his supplications and prayers, gives utterance to this line, which Picard had pronounced impossible—
"Eh bien, j'en ai pitié, mon père.—Qu'on l'achève!"
At last the whole audience was won over and the success of the play was assured. The epilogue, which was calm, and cold, and grandiose, a kind of vast cavern with damp floors and I dank vaults, where I buried the bodies of my characters, detracted from its successful acceptation. Those guilty souls with blanched heads and dead affections, meeting one another again after thirty years' separation, the one without hatred and the other without love, gazing in wonder at each other and asking forgiveness for the crime they had perpetrated, presented a succession of scenes that were more philosophic and religious in spirit than dramatic in art. Confronted with my own work, I recognised my mistake; but, having erred, I must atone; so I cut out the epilogue, which was really the best piece in the whole work, as regards style, although far from being perfect. Let us hasten to say that the rest was not very striking; it was written in imitation of a language in which I had then only just begun to stammer, in faltering accents.
I had not lost sight of Soulié during the performance: he and his fifty men were there. Even if I had put a mask over my face, I should not have dared to do what he had done for the success of my play!
Oh! dear and loyal-hearted friend! Known to and appreciated by few, I, who did know and appreciate you during your lifetime, and defended you after your death, I still extol your virtues!
But to conclude my story: the whole of the audience left the theatre without a single soul being able to tell whether Christine was a success or a failure.
I had a supper-party afterwards, for any of my friends who liked to come. If we were not fully triumphant at the victory, we were, at all events, excited by the fight. There were about twenty-five of us to supper—Hugo, de Vigny, Paul Lacroix, Boulanger, Achille Comte, Planche (Planche, who had not yet been bitten by the dog of hatred, and who only later showed an inclination to madness), Cordelier-Delanoue, Théodore Villenave—and I know not who besides, of the noisy youthful crew full of life and activity that surrounded us at that time; all the volunteers belonging to that great war of invasion, which was not in reality as terrible as it pronounced itself to be, and, after all, only threatened to capture Vienna in order to obtain possession of the Rhine frontiers.