Delacroix bethought himself once more of the Old Museum Napoléon, the museum which the conquest had overthrown in 1818; it abounded in Flemish and Italian art. That old museum was a wonderful place, with its collection of masterpieces from all over Europe, and in the midst of which the English cooked their raw meat after Waterloo.

It was during this period of prosperity—public talk about art always signifies prosperity; if it does not lead to fortune, it gratifies pride, and gratified pride assuredly brings keener joy than the acquiring of a fortune;—it was during this period of prosperity, we repeat, that Delacroix painted his first Hamlet, his Giaour, his Tasse dans la prison des fous, his Grèce sur les ruines de Missolonghi and Marino Faliero. I bought the first three pictures; they are even now the most beautiful Delacroix painted. The Grèce was bought by a provincial museum. Marino Faliero had a singular fate. Criticism was furious against this picture. Delacroix would have sold it, at the time, for fifteen or eighteen hundred francs; but nobody wanted it. Lawrence saw it, appreciated it, wished to have it and was about to purchase it when he died. The picture remained in Delacroix's studio. In 1836, I was with the Prince Royal when he was going to send Victor Hugo a snuff-box or a diamond ring or something or other, I forget what, in thanks for a volume of poetry addressed by the great poet to Madame la duchesse d'Orléans. He showed me the object in question, and told me of its destination, letting me understand that I was threatened with a similar present.

"Oh! Monseigneur, for pity's sake!" I said to him, "do not send Hugo either a ring or snuff-box."

"Why not?"

"Because that is what every prince does, and Monseigneur le duc d'Orléans, my own particular Duc d'Orléans, is not like other princes; he is himself a man of intellect, a sincere man and an artist."

"What would you have me send him, then?"

"Take down some picture from your gallery, no matter how unimportant a one, provided it has belonged to your Highness. Put underneath it, 'Given by the Prince Royal to Victor Hugo,' and send him that."

"Very well, I will. Better still, hunt out for me among your artist friends a picture which will please Hugo; buy it, have it sent to me, I will give it him. Then two people will be pleased instead of one; the painter from whom I buy it, and the poet to whom I give it."

"I will do what you wish, Monseigneur," I said to the prince.