And shaking his head like a misanthrope, disgusted, if not with life, at least with men, Patout led the horse to the stable.
As for Morgan, he watched Patout till he saw him disappear down the courtyard and enter the dark stable; then, skirting the hedge which bordered the garden, he went toward a large clump of trees whose lofty tops were silhouetted against the darkness of the night, with the majesty of things immovable, the while their shadows fell upon a charming little country house known in the neighborhood as the Château des Noires-Fontaines. As Morgan reached the château wall, the hour chimed from the belfry of the village of Montagnac. The young man counted the strokes vibrating in the calm silent atmosphere of the autumn night. It was eleven o’clock. Many things, as we have seen, had happened during the last two hours.
Morgan advanced a few steps farther, examined the wall, apparently in search of a familiar spot, then, having found it, inserted the tip of his boot in a cleft between two stones. He sprang up like a man mounting a horse, seized the top of the wall with the left hand, and with a second spring seated himself astride the wall, from which, with the rapidity of lightning, he lowered himself on the other side. All this was done with such rapidity, such dexterity and agility, that any one chancing to pass at that instant would have thought himself the puppet of a vision. Morgan stopped, as on the other side of the wall, to listen, while his eyes tried to pierce the darkness made deeper by the foliage of poplars and aspens, and the heavy shadows of the little wood. All was silent and solitary. Morgan ventured on his path. We say ventured, because the young man, since nearing the Château des Noires-Fontaines, revealed in all his movement a timidity and hesitation so foreign to his character that it was evident that if he feared it was not for himself alone.
He gained the edge of the wood, still moving cautiously. Coming to a lawn, at the end of which was the little château, he paused. Then he examined the front of the house. Only one of the twelve windows which dotted the three floors was lighted. This was on the second floor at the corner of the house. A little balcony, covered with virgin vines which climbed the walls, twining themselves around the iron railing and falling thence in festoons from the window, overhung the garden. On both sides of the windows, close to the balcony, large-leafed trees met and formed above the cornice a bower of verdure. A Venetian blind, which was raised and lowered by cords, separated the balcony from the window, a separation which disappeared at will. It was through the interstices of this blind that Morgan had seen the light.
The young man’s first impulse was to cross the lawn in a straight line; but again, the fears of which we spoke restrained him. A path shaded by lindens skirted the wall and led to the house. He turned aside and entered its dark leafy covert. When he had reached the end of the path, he crossed, like a frightened doe, the open space which led to the house wall, and stood for a moment in the deep shadow of the house. Then, when he had reached the spot he had calculated upon, he clapped his hands three times.
At this call a shadow darted from the end of the apartment and clung, lithe, graceful, almost transparent, to the window.
Morgan repeated the signal. The window was opened immediately, the blind was raised, and a ravishing young girl, in a night dress, her fair hair rippling over her shoulders, appeared in the frame of verdure.
The young man stretched out his arms to her, whose arms were stretched out to him, and two names, or rather two cries from the heart, crossed from one to the other.
“Charles!”
“Amélie!”