The Companions of Jehu

by Alexandre Dumas

One look sufficed to show him that not only the choir but the entire chapel was empty. Had the spectres led the Englishman along the reverse of the way he had come himself? Possibly. Roland passed rapidly behind the altar, into the vaults, where he found the gate open. He entered the subterranean cemetery. Darkness hid its depths. He called Sir John three times. No one answered.

He reached the second gate; it was open like the first. He entered the vaulted passage; only, as it would be impossible to use his gun in such darkness, he slung it over his shoulder and drew out his hunting-knife. Feeling his way, he continued to advance without meeting anybody, but the further he went the deeper became the darkness, which indicated that the stone in the cistern was closed. He reached the steps, and mounted them until his head touched the revolving stone; then he made an effort, and the block turned. Roland saw daylight and leaped into the cistern. The door into the orchard stood open. Roland passed through it, crossed that portion of the orchard which lay between the cistern and the corridor at the other end of which he had fired upon the phantom. He passed along the corridor and entered the refectory. The refectory was empty.

Again, as in the funereal passageway, Roland called three times. The wondering echo, which seemed to have forgotten the tones of the human voice, answered stammering. It was improbable that Sir John had come this way; it was necessary to go back. Roland retraced his steps, and found himself in the choir again. That was where Sir John had intended to spend the night, and there some trace of him must be found.

Roland advanced only a short distance, and then a cry escaped him. A large spot of blood lay at his feet, staining the pavement. On the other side of the choir, a dozen feet from the blood, was another stain, not less large, nor less red, nor less recent. It seemed to make a pendant for the first.

One of these stains was to the right, the other to the left of that sort of pedestal intended, as we have said, to support the eagle lectern—the pedestal which Sir John had selected for his place of waiting. Roland went up to it. It was drenched with blood! Evidently the drama had taken place on that spot; a drama which, if all the signs were true, must have been terrible.

Roland, in his double capacity of huntsman and soldier, was keen at a quest. He could calculate the amount of blood lost by a man who was dead, or by one who was only wounded. That night three men had fallen, either dead or wounded. What were the probabilities?

The two stains in the choir to the right and left of the pedestal were probably the blood of Sir John’s two antagonists. That on the pedestal was probably his own. Attacked on both sides, right and left, he had fired with both hands, killing or wounding a man with each shot. Hence these two bloodstains which reddened the pavement. He himself must have been struck down beside the pedestal, on which his blood had spurted.

After a few seconds of examination, Roland was as sure of this as if he had witnessed the struggle with his own eyes. Now, what had been done with the bodies? He cared little enough about two of them; but he was determined to know what had become of that of Sir John.

A track of blood started from the pedestal and led straight to the door. Sir John’s body had been carried outside. Roland shook the massive door. It was only latched, and opened at the first pressure. Outside the sill the tracks of blood still continued. Roland could see through the underbrush the path by which the body had been carried. The broken branches, the trampled grass, led Roland to the edge of the wood on the road leading from Pont d’Ain to Bourg. There the body, living or dead, seemed to have been laid on the bank of the ditch. Beyond that no traces whatever.

A man passed just then, coming from the direction of the Château des Noires-Fontaines. Roland went up to him.