Fréron’s name was given to the youth of the day, which was called the jeunesse Fréron, or the jéunesse dorée (gilded youth). Why Fréron? Why should he rather than others receive that strange and fatal honor?
I cannot tell you—my researches (those who know me will do me the justice to admit that when I have an end in view, I do not count them)—my researches have not discovered an answer. It was a whim of Fashion, and Fashion is the one goddess more capricious than Fortune.
Our readers will hardly know to-day who Fréron was. The Fréron who was Voltaire’s assailant was better known than he who was the patron of these elegant assassins; one was the son of the other. Louis Stanislas was son of Elie-Catherine. The father died of rage when Miromesnil, Keeper of the Seals, suppressed his journal. The other, irritated by the injustices of which his father had been the victim, had at first ardently embraced the revolutionary doctrines. Instead of the “Année Littéraire,” strangled to death in 1775, he created the “Orateur du Peuple,” in 1789. He was sent to the Midi on a special mission, and Marseilles and Toulon retain to this day the memory of his cruelty. But all was forgotten when, on the 9th Thermidor, he proclaimed himself against Robespierre, and assisted in casting from the altar the Supreme Being, the colossus who, being an apostle, had made himself a god. Fréron, repudiated by the Mountain, which abandoned him to the heavy jaws of Moise Bayle; Fréron, disdainfully repulsed by the Girondins, who delivered him over to the imprecations of Isnard; Fréron, as the terrible and picturesque orator of the Var said, “Fréron naked and covered with the leprosy of crime,” was accepted, caressed and petted by the Thermidorians. From them he passed into the camp of the royalists, and without any reason whatever for obtaining that fatal honor, found himself suddenly at the head of a powerful party of youth, energy and vengeance, standing between the passions of the day, which led to all, and the impotence of the law, which permitted all.
It was to the midst of this jeunesse Fréron, mouthing its words, slurring its r’s, giving its “word of honor” about everything, that Morgan now made his way.
It must be admitted that this jeunesse, in spite of the clothes it wore, in spite of the memories these clothes evoked, was wildly gay. This seems incomprehensible, but it is true. Explain if you can that Dance of Death at the beginning of the fifteenth century, which, with all the fury of a modern galop, led by Musard, whirled its chain through the very Cemetery of the Innocents, and left amid its tombs fifty thousand of its votaries.
Morgan was evidently seeking some one.
A young dandy, who was dipping into the silver-gilt comfit-box of a charming victim, with an ensanguined finger, the only part of his delicate hand that had escaped the almond paste, tried to stop him, to relate the particulars of the expedition from which he had brought back this bloody trophy. But Morgan smiled, pressed his other hand which was gloved, and contented himself with replying: “I am looking for some one.”
“Important?”
“Company of Jehu.”
The young man with the bloody finger let him pass. An adorable Fury, as Corneille would have called her, whose hair was held up by a dagger with a blade as sharp as a needle, barred his way, saying: “Morgan, you are the handsomest, the bravest, the most deserving of love of all the men present. What have you to say to the woman who tells you that?”