THE FOSTER-FATHER.
The cottage stood, not in the village but on the outskirts of it, a gunshot distant or thereabouts. It was close to a little wood, into which the back-door opened.
The goodman Tinguy--that was the term usually applied to Rosine's father--was a Chouan of the old type. While still a lad, he fought through the first war in La Vendée under Jolly, Couëtu, Charette, La Rochejaquelein, and others. He was afterwards married and had two children. The eldest, a boy, had been drafted, and was now in the army; the youngest was Rosine.
At the birth of each child the mother, like other poor peasant-women, had taken a nursling. The foster-brother of the boy was the last scion of a noble family of Maine, Henri de Bonneville, who will presently appear in this history. The foster-brother of Rosine was, as we have already said, Michel de la Logerie, one of the chief actors in our drama.
Henri de Bonneville was two years older than Michel; the two boys had often played together on the threshold of the door that Michel was about to cross, following Bertha and Rosine. Later on they met in Paris; and Madame de la Logerie had encouraged the intimacy of her son with a young man of large fortune and high rank in the Western provinces.
These foster-children had greatly eased the circumstances of the Tinguy family; but the Vendéan peasant is so constituted that he never admits that he is comfortably off. Tinguy was now making himself out poor at the expense of his life. Ill as he was, nothing would have induced him to send to Palluau for a doctor, whose visit would have cost him five francs. Besides, no peasant, and the Vendéan peasant least of all, believes in a doctor or in medicine. This was why Rosine, when they wanted help, applied first at the château de la Logerie, as foster-sister of the young baron, and then, being driven thence, to the Demoiselles de Souday.
At the noise the young people made on entering the sick man rose on his elbow, with difficulty, but immediately fell back on the bed with a piteous moan. A candle was burning, which lighted the bed only; the rest of the room was in darkness. The light showed, on a species of cot or pallet, a man over fifty years of age, struggling in the grasp of the demon of fever. He was pale to lividness; his eyes were glassy and sunken, and from time to time his body shook from head to foot, as if it had come in contact with a galvanic battery.
Michel shuddered at the sight. He understood at once why his mother, fearing contagion, and knowing that Rosine must come from that bedside impregnated with the miasmas of the disease, which were floating almost visibly in the circle of light around that dying bed, was unwilling to let Rosine enter the château. He wished for camphor, or chloride of lime, or some disinfectant to isolate the sick man from the well man, but having nothing of the kind he stood as near the door as he could to breathe the fresh air.
As for Bertha, she seemed to pay no attention to all that; she went straight to the patient and took his hand. Michel made a motion as if to stop her, and opened his lips to utter a cry; but he was, in a measure, petrified by the boldness of her charity, and he kept his place silently, in admiring terror.
Bertha questioned the sick man. He replied that in the morning, when he rose he had felt so weary that his legs gave way under him when he attempted to walk. This was a warning given by Nature; but the peasantry seldom pay heed to such advice. Instead of getting back into bed and sending for a doctor, Tinguy dressed himself, went down into the cellar for a pot of cider, and cut himself a slice of bread,--to "strengthen him up," as he said. His pot of cider tasted good, but he could not eat the bread. Then he went to his work in the fields.