“Here is the portrait,” replied the bishop, handing the prisoner a miniature in enamel, on which Louis was depicted life-like, with a handsome, lofty mien. The prisoner eagerly seized the portrait, and gazed at it with devouring eyes.
“And now, monseigneur,” said Aramis, “here is a mirror.” Aramis left the prisoner time to recover his ideas.
“So high!—so high!” murmured the young man, eagerly comparing the likeness of Louis with his own countenance reflected in the glass.
“What do you think of it?” at length said Aramis.
“I think that I am lost,” replied the captive; “the king will never set me free.”
“And I—I demand to know,” added the bishop, fixing his piercing eyes significantly upon the prisoner, “I demand to know which of these two is king; the one this miniature portrays, or whom the glass reflects?”
“The king, monsieur,” sadly replied the young man, “is he who is on the throne, who is not in prison; and who, on the other hand, can cause others to be entombed there. Royalty means power; and you behold how powerless I am.”
“Monseigneur,” answered Aramis, with a respect he had not yet manifested, “the king, mark me, will, if you desire it, be the one that, quitting his dungeon, shall maintain himself upon the throne, on which his friends will place him.”
“Tempt me not, monsieur,” broke in the prisoner bitterly.
“Be not weak, monseigneur,” persisted Aramis; “I have brought you all the proofs of your birth; consult them; satisfy yourself that you are a king’s son; it is for us to act.”