Moliere fixed upon Porthos one of those looks which penetrate the minds and hearts of men. The subject doubtless appeared a very promising one, for he immediately rose and led the way into the adjoining chamber.
Chapter IV. The Patterns.
During all this time the noble mob was slowly heaving away, leaving at every angle of the counter either a murmur or a menace, as the waves leave foam or scattered seaweed on the sands, when they retire with the ebbing tide. In about ten minutes Moliere reappeared, making another sign to D’Artagnan from under the hangings. The latter hurried after him, with Porthos in the rear, and after threading a labyrinth of corridors, introduced him to M. Percerin’s room. The old man, with his sleeves turned up, was gathering up in folds a piece of gold-flowered brocade, so as the better to exhibit its luster. Perceiving D’Artagnan, he put the silk aside, and came to meet him, by no means radiant with joy, and by no means courteous, but, take it altogether, in a tolerably civil manner.
“The captain of the king’s musketeers will excuse me, I am sure, for I am engaged.”
“Eh! yes, on the king’s costumes; I know that, my dear Monsieur Percerin. You are making three, they tell me.”
“Five, my dear sir, five.”
“Three or five, ‘tis all the same to me, my dear monsieur; and I know that you will make them most exquisitely.”
“Yes, I know. Once made they will be the most beautiful in the world, I do not deny it; but that they may be the most beautiful in the word, they must first be made; and to do this, captain, I am pressed for time.”
“Oh, bah! there are two days yet; ‘tis much more than you require, Monsieur Percerin,” said D’Artagnan, in the coolest possible manner.
Percerin raised his head with the air of a man little accustomed to be contradicted, even in his whims; but D’Artagnan did not pay the least attention to the airs which the illustrious tailor began to assume.