"You mean to betray your country?"

"Neither mine nor yours! our country is wherever love and gold are rulers."

"Wretch!" cried he, taking a step toward her so threateningly that she retreated from the window to which his back was turned as he continued to face her.

"Which is the meaner?" she responded. "I deceive a man who loaths me, scorns me and threatens me with the love of another! You deceive the man who shelters you and to whom you owe everything. I betray him who does me harm—you, him who did you good. We are on a level, unless you have surpassed me. This is love! Did you imagine that you can withdraw the foot that takes one step in this path? An error, for one must tread it to the end. The steps are passion, the fault, the vice and the crime. But I have need of you to save me. I am yours and your soul is mine! Take the spoil and follow me!"

In his surprise, Antonino did not remark a footstep, sounding harsh with gravel grinding the wood of the verandah, or a grim face at the open window.

"You are right," he said. "I am a scoundrel, but I am not going to be a villain. It is I who should commit suicide. Farewell! my death be on your head!"

"You have spoken your doom!" said she quickly, as she made a sign to Von Sendlingen in whose hand she saw naked steel abruptly gleam.

"Who's there?" began the Italian, but, before he could turn, the long stiletto, drawn out of a sword-cane, was passed through his slender body.

He fell without a groan and his staring eyes, sublimely unconscious of his assassin and of the instigator of the crime, were riveted, on the ceiling.

"Confound it!" said the colonel, "this is not your husband!"