"Gentlemen—(the ladies were apparently here only on sufferance, and the stage-performer was of no consideration in the authorities' eyes)—Gentlemen, a murder has been committed and we seek the culprit here in your midst!"
"Murder!" and the audience rose to their feet like one man.
"Stand up here," said the functionary, pointing to a place on a bench which a timid spectator had vacated, and pushing Baboushka roughly, "and point out the man who has made away with the honorable Major von Sendlingen."
"Major von Sendlingen!" repeated the audience, shocked, as the officer had been seen but the night previously among them in lusty life, and death is a spectre most terrible in a saloon of mirth and carousal.
After that general exclamation, a silence ensued; one that meant acquiescence in the proceedings of the police.
"I must have killed him," thought the student. "This is a black prospect! I had better have quitted the hall and profited by the invitation of refuge which Herr Daniels offered me."
For the moment, he could take no part, though he could not doubt that Baboushka would denounce him—a stranger, and the principal in the duel with canes. His cloak would help toward the identification and unless the hag's crew had abstracted it, it would be forthcoming, he doubted not.
Indeed, elevated on her perch, able to see the faces of all around her, the hag's aged but brilliant eyes rapidly scanned those nearest her in wider and wider circles. All at once they became fixed upon Claudius, and by instinct, the neighbors fell away from him so that he was isolated. She extended her arm with an unnatural vigor, and in a voice also unexpectedly strong with malice, cried:
"That is he! there you have the slayer of poor Major von Sendlingen!"
At that very moment, a shrill, ear-splitting whistle sounded; and the gas-jets all over the hall went out too simultaneously for the act not to be that of a hand at the inlet from the street-main. Claudius heard the soldiers and policemen buffeting the people to scramble over the benches toward him. He had but a single road to a possible escape: by the little door in the wall through which Rebecca Daniels had ushered him into the auditorium. He stooped as he turned, to elude any outstretched hands, drove himself like a wedge through the compacted mass of frightened spectators and, spite of the gloom, the deeper because of the glare preceding it, he reached the egress. The uninitiated would never have suspected its existence, for the actors and staff of the establishment alone had the right and knowledge to use it.