"Citizen," said Madame Krüdener, who affected republican forms of speech, "here is citizen Garat; he has just come in, and perhaps he can give us some news. Garat, what do you know?" And she drew into the circle a man of thirty-three or four, elegantly dressed.
"He knows that one minim is worth two crotchets," said Benjamin Constant, mockingly.
Garat rose on the tips of his toes to discover the author of this joke at his expense. He was strong on minims, a matchless singer, and, furthermore, one of the most perfect incroyables that the witty pencil of Horace Vernet has bequeathed to us. He was a nephew of the Conventional Garat, who wept as he read Louis XVI.'s sentence of death. Son of a distinguished lawyer, his father wished to make a lawyer of him, but nature and education produced a singer; for the former had endowed him with one of the most beautiful voices the world has ever heard.
An Italian named Lamberti, together with François Beck, the director of the theatre at Bordeaux, gave him music lessons; which inspired him with such a passion for music that when he was sent to Paris to take a course in law he took a course in singing instead. When his father heard of this he stopped his allowance. The Comte d'Artois then appointed him his private secretary, and had him sing before Marie-Antoinette, who immediately admitted him to her private concerts.
Garat thus became completely estranged from his father, for nothing will estrange father and son quicker than the withdrawal of the latter's allowance. The Comte d'Artois intending to visit Bordeaux, he suggested that Garat accompany him. The latter hesitated at first, but the desire to let his father see him in his new position induced him to go. At Bordeaux he found his old master Beck in penury, and he arranged a concert for his benefit. Curiosity to hear a man from their own department, who had already attained fame as a singer, prevailed, and the people of Bordeaux flocked to hear him. The receipts were enormous, and Garat's success was so great that his father, who was present, left his place and threw himself in his son's arms. In consequence of this amend, coram populo, Garat forgave him.
Garat remained an amateur until the beginning of the Revolution; but the loss of his fortune compelled him to become a professional artist. In 1793 he started for England, but the vessel in which he sailed, driven by contrary winds, landed him at Hamburg instead. Seven or eight concerts, which were attended with great success, enabled him to return to France with a thousand louis, which were each worth seven or eight hundred francs in paper money. Upon his return he met Madame Krüdener, and became intimate with her.
The Thermidorean reaction adopted Garat, and there was not, at the time of which we are speaking, a great concert, a brilliant gathering, or an elegant exhibition, at which he did not figure as the foremost of the artists, singers or invited guests. This good fortune made Garat very susceptible, as we have seen, and there was nothing astonishing in the fact that he looked about him to see who had declared that his musical knowledge was limited to the incontrovertible fact that one minim is worth two crotchets. It must be remembered that it was Benjamin Constant, another incroyable, not less susceptible than Garat upon the point of honor, who had spoken.
"Look no further, citizen," said he, holding out his hand; "it is I who advanced that daring opinion. If you do know anything else tell it to us."
Garat pressed the hand as frankly as it had been offered.