A droll custom prevailed at the court of the Frank kings. St. Germier having come to solicit some favour from the King of the Franks, Clovis, that haughty Sicamber received the bishop with kindness, and had an excellent dinner served for him. The holy bishop took leave of the king after the banquet, and the king, who sometimes piqued himself upon his politeness, pulled out a hair, according to the custom of the time, and offered it to his guest. Each of the courtiers hastened, in his turn, to imitate the benevolent monarch, and the virtuous prelate returned to his diocese enchanted with the reception he had met with at the court.[XXXIV_28]
Among other amusements prepared for Queen Elizabeth, during her sojourn at the celebrated castle of Kenilworth, “There was,” says Laneham, “an Italian juggler who performed feats of strength and leaps, and cut such capers with so much suppleness and ease, that I began to ask myself whether it were a man or a sprite. Indeed I know not what to say of that comical fellow,” adds the artless chronicler; “I suppose his back must resemble that of a lamprey—it had no bone.”[XXXIV_29]
In England, during the middle ages, the courts of princes and the castles of the great were crowded with visitors, who were always received with sumptuous hospitality. The pomp displayed by the lords was truly extraordinary, and it is difficult to understand how their fortunes could suffice for it. They had their privy-counsellors, treasurers, secretaries, chaplains, heralds, pursuivants-at-arms, pages, guards, trumpeters—in a word, all the officers, all the servants, with which royalty itself is surrounded. And besides this numerous domestic establishment, there were troops of minstrels, clowns, jugglers, strolling players, rope-dancers, &c., lodged there at the great banqueting times. Each of the apartments open to the guests presented spectacles in harmony with the gross taste of the epoch. It was a marvellous confusion, a prodigious chaos, in which the ear was struck at once with the sound of dishes, of cups clashing one against another, of harmonious music, with the bustle of the dance, the notes of the song, pasquinades, somersaults, and everywhere the most boisterous laughter. The face of decency alone was slightly veiled.[XXXIV_30]
Sometimes the term entre-mets was also applied to decorations, which were paraded through the banqueting hall, and which represented cities, castles, and gardens, with fountains, whence flowed all kinds of liquors. At the dinner which Charles V. of France gave to the Emperor Charles IV. there was a grand spectacle, or entre-met. A vessel appeared with its masts, sails, and rigging; it advanced into the middle of the hall, by means of a machine concealed from the view of all. A moment after there appeared the city of Jerusalem; its towers covered with Saracens. The vessel approached it, and the city was taken by the Christian knights who manned the vessel.[XXXIV_31]
Among the Egyptians a funereal idea was made the means of rousing the erewhile buoyant spirits of the guests at the end of a repast. A servant entered carrying a skeleton, or the representation of a mummy, which he took slowly round the dining-room. He then approached the guests, and said: “Eat, drink, amuse yourselves to-day; to-morrow you die.”[XXXIV_32]
Greece, and Rome in particular, adopted this lugubrious emblem of the rapid flight of time and pleasure. This sepulchral image hurried them on in the enjoyment of the present: it never revealed to paganism a “hope full of immortality.”[XXXIV_33]
XXXV.
A ROMAN SUPPER.
Two lustres had passed since the world obeyed Domitius Nero, son of Agrippina. The Romans, a herd of vile slaves, docile adulators of the infamous Cæsar, had already celebrated nine anniversaries of his happy accession to the empire, and the Flamen of Jupiter solemnly thanked the gods at each of these epochs for all the benefits that the well-beloved monarch had unceasingly lavished on the earth.