CHAPTER XX.
Gold and Roses.
The Pilot’s daughter was walking in her garden.
The clematis which shaded the verandah was a rich mass of purple flowers, where bees sucked their store of honey; the rose bushes, in the glory of their second blooming, scented the air, while about their roots grew masses of mignonette.
Along the winding paths the girl walked; a pair of garden scissors in one hand and a basket in the other. She passed under a latticed arch over which climbed a luxuriant Cloth of Gold, heavy with innumerable flowers. Standing on tip-toe, with her arms above her head, she cut half-a-dozen yellow buds, which she placed in the basket. Passing on, she came to the pink glory of the garden, Maria Pare, a mass of brown shoots and clusters of opening buds whose colour surpassed in delicacy the softest tint of the pink sea-shell. Here she culled barely a dozen roses where she might have gathered thirty. “Yellow and pink,” she mused. “Now for something bright.” She walked along the path till she came to M’sieu Cordier, brilliant with the reddest of blooms. She stole but six of the best, and laid them in the basket. “We want more scent,” she said. There was La France growing close beside; its great petals, pearly white on the inside and rich cerise without, smelling deliciously. She robbed the bush of only its most perfect flowers, for though there were many buds but few were developed.
Next, she came to the type of her own innocence, The Maiden Blush, whose half-opened buds are the perfect emblem of maidenhood, but whose full-blown flowers are, to put it bluntly, symbolical of her who, in middle life, has developed extravagantly. But here again was no perfume. The mistress passed on to the queen of the garden, La Rosiere, fragrant beyond all other roses, its reflexed, claret-coloured petals soft and velvety, its leaves—when did a rose’s greenery fail to be its perfect complement?—tinged underneath with a faint blush of its own deep colour.
She looked at the yellow, red, and pink flowers in her basket, and said, “There’s no white.” Now white roses are often papery, but there was at least one in the garden worthy of being grouped with the beauties in the basket. It was The Bride, typical, in its snowy chastity and by reason of a pale green tint at the base of its petals, of that purity and innocence which are the bride’s best dowry.
Rose cut a dozen long-stemmed flowers from this lovely bush, and then—whether it was because of the sentiment conveyed by the blooms she had gathered, or the effect of the landscape, is a mystery unsolved—her eyes wandered from the garden to the far-off hills. With the richly-laden basket on her arm, she gazed at the blue haze which hung over mountain and forest. Regardless of her pleasant occupation, forgetful that the fragrant flowers in the basket would wither in the glaring sun, she stood, looking sadly at the landscape, as though in a dream.
What were her thoughts? Perhaps of the glorious work of the Master-Builder; perhaps of the tints and shades where the blue of the forest, the brown of the fern-clad foot-hills, the buff of the sun-dried grass, mottled the panorama which lay spread before her. But if so, why did she sigh? Does the contour of a hill suffuse the eye? Not a hundred-thousand hills could in themselves cause a sob, not even the gentle sob which amounted to no more than a painful little catch in Rose’s creamy throat.
She was standing on the top of the bank, which was surmounted by a white fence; her knee resting on the garden-seat upon which she had placed her basket, whilst in reverie her spirit was carried beyond the blue mountains. But there appeared behind her the bulky form of her father, who walked in carpet slippers upon the gravel of the path.