Carlyle Smythe, in his interesting reminiscences of Mark Twain, printed in Life, says that, of all the stories which interested the great American writer while travelling with him through Australasia, the tragical story which is the basis of “The Tale of Timber Town” fascinated the celebrated author more than any other. The version which Mark Twain read was the re-print of the verbatim report of the most remarkable trial ever held in New Zealand, and perhaps south of the Line, and there is no cause for wonder in his interest. I, too, have studied and re-studied that narrative, with its absorbing psychological and sociological problems; I have interrogated persons who knew the chief characters in the story; I have studied the locality, and know intimately the scene of the tragedy: and even though “The Tale of Timber Town” has in the writing taxed my energies for many a month, I have by no means exhausted the theme which so enthralled Mark Twain.
I have tried to reproduce the characters and atmosphere of those stirring days, when £1,000,000 worth of gold was brought into Timber Town in nine months; and I have sought to reproduce the characters and atmosphere of Timber Town, rather than to resuscitate the harrowing details of a dreadful crime. I have tried to show how it was possible for such a tragedy to take place, as was that which so absorbed Mark Twain, and why it was that the tale stirred in him an interest which somewhat surprised Carlyle Smythe.
Here in Timber Town I met them—the unassuming celebrity, and the young entrepreneur. The great humorist, alack! will never read the tale as I have told it, but I am hopeful, that in “The Tale of Timber Town,” his erstwhile companion and the public will perceive the literary value of the theme which arrested the attention of so great a writer as Mark Twain.
“The Tale of Timber Town” first appeared in the pages of The Otago Witness, whose proprietors I desire to thank for introducing the story to the public, and for the courtesy of permitting me to reserve the right of reproduction of the work in book-form.
Timber Town. A.A.G.
PROEM.
Timber Town lay like a toy city at the bottom of a basin. Its wooden houses, each placed neatly in the middle of a little garden-plot, had been painted brightly for the delight of the children. There were whole streets of wooden shops, with verandahs in front of them to shade the real imported goods in their windows; and three wooden churches, freshly painted to suit the tastes of their respective—and respectable—congregations; there was a wooden Town Hall, painted grey; a wooden Post Office, painted brown; a red college, where boys in white disported upon a green field; a fawn-coloured school, with a playground full of pinafored little girls; and a Red Tape Office—designed in true Elizabethan style, with cupolas, vanes, fantastic chimney-tops, embayed windows, wondrous parapets—built entirely of wood and painted the colour of Devonshire cream, with grit in the paint to make it look like stone.
Along the streets ran a toy tram, pulled by a single horse, which was driven by a man who moved his arms just as if they were real, and who puffed genuine clouds of smoke from his tobacco-pipe. Ladies dressed in bright colours walked up and down the trim side-paths, with gaudy sunshades in their hands; knocked at doors, went calling, and looked into the shop windows, just like actual people.