And yet the enforced idleness of these following years was far from unprofitable. The less time occupied in the routine work of his profession, the more leisure he had for his favourite study of natural history, and especially of botany. This latter study had been taken up during his stay at Woodbridge, the neighbourhood of which had a Flora differing from that of the bleak coast country of Aldeburgh, and it was now pursued with the same zeal at home. Herbs then played a larger part than to-day among curative agents of the village doctor, and the fact that Crabbe sought and obtained them so readily was even pleaded by his poorer patients as reason why his fees need not be calculated on any large scale. But this absorbing pursuit did far more than serve to furnish Crabbe's outfit as a healer. It was undoubtedly to the observing eye and retentive memory thus practised in the cottage gardens, and in the lanes, and meadows, and marshes of Suffolk that his descriptions, when once he found where his true strength lay, owed a charm for which readers of poetry had long been hungering. The floral outfit of pastoral poets, when Crabbe began to write, was a hortus siccus indeed. Distinctness in painting the common growth of field and hedgerow may be said to have had its origin with Crabbe. Gray and Goldsmith had their own rare and special gifts to which Crabbe could lay no claim. But neither these poets nor even Thomson, whose avowed purpose was to depict nature, are Crabbe's rivals in this respect. Byron in the most hackneyed of all eulogies upon Crabbe defined him as "Nature's sternest painter yet the best." The criticism would have been juster had he written that Crabbe was the truest painter of Nature in her less lovely phases. Crabbe was not stern in his attitude either to his fellow-men, or to the varying aspects of Nature, although for the first years of his life he was in habitual contact with the less alluring side of both.

But it was not only through a closer intimacy with Nature that Crabbe was being unconsciously prepared for high poetic service. Hope deferred and disappointments, poverty and anxiety, were doing their beneficent work. Notwithstanding certain early dissipations and escapades which his fellow-townsmen did not fail to remember against him in the later days of his success, Crabbe was of a genuinely religious temperament, and had been trained by a devout mother. Moreover, through a nearer and more sympathetic contact with the lives and sorrows of the poor suffering, he was storing experience full of value for the future, though he was still and for some time longer under the spell of the dominant poetic fashion, and still hesitated to "look into his heart and write."

But the time was bound to come when he must put his poetic quality to a final test. In London only could he hope to prove whether the verse, of which he was accumulating a store, was of a kind that men would care for. He must discover, and speedily, whether he was to take a modest place in the ranks of literature, or one even more humble in the shop of an apothecary. After weighing his chances and his risks for many a weary day he took the final resolution, and his son has told us the circumstances:--

"One gloomy day towards the close of the year 1779, he had strolled to a bleak and cheerless part of the cliff above Aldeburgh, called The Marsh Hill, brooding as he went over the humiliating necessities of his condition, and plucking every now and then, I have no doubt, the hundredth specimen of some common weed. He stopped opposite a shallow, muddy piece of water, as desolate and gloomy as his own mind, called the Leech-pond, and 'it was while I gazed on it,' he said to my brother and me, one happy morning, 'that I determined to go to London and venture all'"

About thirty years later, Crabbe contributed to a magazine (The New Monthly) some particulars of his early life, and referring to this critical moment added that he had not then heard of "another youthful adventurer," whose fate, had he known of it, might perhaps have deterred him from facing like calamities. Chatterton had "perished in his pride" nearly ten years before. As Crabbe thus recalled the scene of his own resolve, it may have struck him as a touching coincidence that it was by the Leech-pool on "the lonely moor"—though there was no "Leech-gatherer" at hand to lend him fortitude—that he resolved to encounter "Solitude, pain of heart, distress, and poverty." He was, indeed, little better equipped than Chatterton had been for the enterprise. His father was unable to assist him financially, and was disposed to reproach him for forsaking a profession, in the cause of which the family had already made sacrifices. The Crabbes and all their connections were poor, and George scarcely knew any one whom he might appeal to for even a loan. At length Mr. Dudley North, of Little Glemham Hall, near Parham, whose brother had stood for Aldeburgh, was approached, and sent the sum asked for—five pounds. George Crabbe, after paying his debts, set sail for London on board a sloop at Slaughden Quay—"master of a box of clothes, a small case of surgical instruments, and three pounds in money." This was in April 1780.

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CHAPTER II

POVERTY IN LONDON

(1780-1781)

Crabbe had no acquaintances of his own in London, and the only introduction he carried with him was to an old friend of Miss Elmy's, a Mrs. Burcham, married to a linen-draper in Cornhill. In order to be near these friendly persons he took lodgings, close to the Royal Exchange, in the house of a hairdresser, a Mr. Vickery, at whose suggestion, no doubt, he provided himself with "a fashionable tie-wig". Crabbe at once began preparations for his literary campaign, by correcting such verse as he had brought with him, completing "two dramas and a variety of prose essays," and generally improving himself by a course of study and practice in composition. As in the old Woodbridge days, he made some congenial acquaintances at a little club that met at a neighbouring coffee-house, which included a Mr. Bonnycastle and a Mr. Reuben Burrow, both mathematicians of repute, who rose to fill important positions in their day. These recreations he diversified with country excursions, during which he read Horace and Ovid, or searched the woods around London for plants and insects.