"When the story begins," Dugan continued, "the machine has been in use for several years. But for the first time it's to be used for literary purposes. This is because back in the first half of the Twentieth Century there lived a great writer. He was so great that modern critics call him the New Shakespeare. He's called that not only for his genius, but because, like the original Shakespeare, almost nothing is known of his life."
Mallison said, "That's impossible."
"Not altogether," I argued. "It's conceivable that wars and unprecedented bombings and fires could destroy records. Why even today there are gaps in the lives of contemporary artists that will never be filled up."
"To hell with that!" Mallison said. "I still say it's impossible."
Dugan gave me a grateful look. He said, "Anyway, that's about what happened. The literature department of the university is going to send one of its research men back through time to gather material on the life of the new Shakespeare. This man is an expert in ancient English. He's shuttled back into the Twentieth Century, equipped with camera and stenographic devices and all that. In the short period at his disposal, he attempts to get hold of his man."
I said, "It's a cute idea. Imagine going back to the old Mermaid Tavern and buying Marlowe a drink."
Mallison said, "It's a helluva dull story."
"I don't know about that," Belcher said. "I did something of the sort a couple of years ago. Got a cent and a half for it, eh Joey? Also a bonus."
Joey said, "Say, Dugan, you're not cribbing Belcher's yarn, are you?"
"Certainly not!" Dugan looked shocked. "Well, the research man had less than a day. There was some trouble locating the new Shakespeare's address, and when he did, it was already late at night. Now here's the first little surprise. The man lived in the Bronx."