On July 4, 414, Pulcheria, the daughter of an emperor, assumed, contrary to all precedent, the title of Augusta, previously reserved exclusively for the wives of emperors, and formally took upon herself the honor and the duties of regent in the name of her brother, who was still a minor. So thoroughly did she gain the ascendency over the young prince that even after he was created Augustus two years later she retained her title and continued to be the real power in the imperial palace; indeed, she was for forty years virtually the ruler of the Eastern Empire.
The children of Arcadius and Eudoxia inherited the religious temperament of their father rather than the worldly disposition of their mother. Consequently, the court of Theodosius the Younger formed a great contrast to that of Arcadius. Pulcheria determined to embrace a life of celibacy. Resolving to remain a virgin, she induced her sisters to join with her in vows of perpetual virginity. They were confirmed in this step by their spiritual father, Atticus, who wrote for the princesses a book in which he dwelt on the beauty of the single life. In the presence of the clergy and the assembled people of Constantinople the three daughters of Arcadius dedicated their virginity to God; and their solemn vows were inscribed on a tablet of gold and jewels, which was publicly offered in the Church of Saint Sophia. Pious souls saw in this vow of Pulcheria only the natural result of her strict piety and her unselfish love for her brother; but profane historians attributed it to her extraordinary prudence, which was with her a gift of nature, and to her unbounded ambition--on the ground that she could thus maintain permanently her ascendency over the young prince, and, by controlling his marriage, share his power.
In her manner of life, however, Pulcheria emphasized the genuineness of her piety. The imperial palace, as says a contemporary, assumed the character of a cloister. All males, except saintly men who had forgotten the distinction of sexes, were excluded from the holy threshold. Pulcheria and a chosen band of Christian damsels formed a sort of religious community. Spiritual practices were carried on, with strict punctuality, from morning till evening. Whereas richly clad senators and officers in sumptuous raiment had earlier passed in and out of the palace, so now the black robes of priests and the dark cowls of monks were to be seen thronging the entrance, and in place of the joyous songs of banquetings and festivities, one could hear the monotonous intoning of psalms. The vanity of dress which had scandalized the court of Eudoxia was discarded, and the simple garb of nuns was the prevailing fashion of the palace. The princesses did not employ themselves in personal adornment or in the many vanities of royal station, but spent much of their time at the loom, weaving garments for the poor and needy. A frugal diet was adopted, and even this was interrupted by frequent fasts. Thus Pulcheria and her maidens wearied not in their saintly life and in the performance of deeds of mercy.
These outward exercises of piety were attended by sumptuous beneficences for the spread of the Christian religion. Magnificent churches were built in various parts of the Empire at the expense of Pulcheria; charitable foundations for the benefit of the poor and the unfortunate were established in Constantinople and elsewhere, and ample donations were given by her for the perpetual maintenance of monastic societies. This imperial saint, who thus devoted a large part of her time and energies to the performance of religious duties and of charitable undertakings, naturally enjoyed the peculiar favor of the Deity. There is a tradition that the knowledge of the location of sacred relics and intimation of future events were communicated to her in dreams and revelations. The common people attributed healing power to her. Pulcheria's virtues aroused in the populace a feeling of admiration, and the saintly life of the palace awakened and spread a deep spiritual influence throughout the Empire.
Religion, however, was accompanied with culture, and Pulcheria, with the aid of the best masters, had her brother and sisters trained in all the various branches of knowledge acquired up to that time. Under her direction Theodosius became a student of natural science; and so great was his skill in writing and in illuminating manuscripts that he received the name of Calligraphus. Pulcheria acquired an elegant and familiar command of both Greek and Latin; and she displayed her intellectual discipline, and gift of expression on the various occasions of speaking or writing on public business.
Yet Pulcheria's devotion to religion and to learning never diverted her indefatigable attention from public affairs. She strengthened the influence of the senate and supported it in the reform of many abuses which had crept in during the ascendancy of the eunuchs of the palace and the struggles with the German party; but her energies were chiefly directed toward acting as counsellor to the emperor, and protecting him from the intrigues of court officials, to which his weak character made him an easy victim. She instructed her brother in the art of government, yet the tenderness of her discipline seems to have made him rather a willing instrument in her own hands than an independent monarch. Possibly she realized that the elements which go to form a great ruler were lacking in his character; possibly her own love of power blinded her to the right course of action toward her confiding ward. At any rate, "her precepts may countenance some suspicion of the extent of her capacity or the purity of her intention. She taught him to maintain a grave and majestic deportment; to walk, to hold his robe, to seat himself on his throne in a manner worthy of a great prince; to abstain from laughter; to listen with condescension; to return suitable answers; to assume, by turns, a serious or a placid countenance; in a word, to represent with grace and dignity the external figure of a Roman emperor."
Though so careful and systematic in her training of the young prince, Pulcheria did not deprive his boyhood of those companionships which add zest to youthful pursuits and recreation and stimulate the growth of manly qualities. She gave him as comrades two bright and spirited youths, Paulinus and Placitus, with whom he associated in open-hearted intimacy and who were destined to play a prominent part in his reign. Paulinus especially became his most trusted friend, and the two were united for many years by bonds which resembled those of Damon and Pythias. Amid such surroundings and under such influence, Theodosius grew up. The product of Pulcheria's instruction, however, was a ruler who descended below even the weakness of her father and uncle. Chaste, temperate, merciful, superstitious, pious, he was rich in negative qualities; but, being feeble in energy and lacking all initiative, he became merely a good-hearted and well-meaning, instead of active and courageous, ruler. Consequently in every official act it was Pulcheria who supplied the wisdom and the energy which made the earlier years of Theodosius's reign such happy and peaceful ones. Pulcheria, however, was content to keep her power in the background and to attribute to the genius of the emperor the smoothness with which the wheels of government turned, as well as the mildness and prosperity of his reign.
The choice of a wife for Theodosius naturally lay in the hands of Pulcheria. The young prince, influenced by the example of his father, had expressed to his sister his preference for rare physical perfection and high intellectual endowments over exalted station and royal blood in the choice of a consort; and Pulcheria, in conjunction with his boyhood friend Paulinus, set herself to the task of finding in the capital or in the provinces an ideal corresponding to the wishes of the imperial youth. Yet, while they were engaged in the search, by happy chance a wonderful concatenation of events in the pagan city of Athens determined the destiny of the nineteen-year-old ruler.
In the story of Athenais we have the beautiful romance of a maiden of modest station raised by destiny to the exalted dignity of a throne. She was the favorite child of Leontius, an Athenian philosopher, who devoted most of his time to training his daughter in the religion and philosophy of his native city, and who sought to cultivate in her all that charm of manner and richness of temperament which characterized the Greek women in the best days of ancient Athens. The story goes that the old philosopher was so confident that, because of her beauty and intellectual gifts, a high destiny awaited his daughter, that he bequeathed her as a legacy only a hundred pieces of gold, while he divided the bulk of his estate between his two sons, Valerius and Genesius. The brothers, being avaricious by nature and jealous of the superior qualities of their sister, treated her with neglect and cruelty in her distress. Athenais implored them to repair the obvious injustice and to grant her her rights, representing to them how she did not deserve this disgrace and that the indigence of their sister would be to them, if not a cause of grief, yet certainly a continual reproach; but her brothers would not listen to her appeals, and finally drove her from the paternal mansion. Fortunately, a maternal aunt resided in Athens, who received the disinherited maiden into her home and warmly espoused her cause. She brought Athenais to Constantinople, where another aunt dwelt, and made arrangements for the maiden to bring suit against the hard-hearted brothers. To influence the decision, Athenais and her aunt obtained audience with Pulcheria, and thus the link was formed which joined the destinies of the young emperor and the hapless orphan.
The youthful plaintiff was her own advocate, and so effectually did she argue her case that the Augusta, charmed by the penetration and cleverness which her speech revealed, as well as by the wonderful beauty and modest demeanor of the maiden, was irresistibly forced to the conviction that this girl was the very one who embodied the ideals and longings of the young prince. And, in fact, Athenais was physically and intellectually endowed in a manner seldom equalled. Imagine a maiden of tall and slender proportions of figure, of rare perfection of form, of fair complexion, of dark and luminous eyes which revealed the sweetness and subtlety of the spirit within, while the perfect outline of the countenance was framed by a luxuriant abundance of golden locks,--and you have some conception of the stranger who stood with queenly grace before the proud Augusta. Furthermore, every word that she uttered revealed the rare subtlety of understanding or warmth of sensibilities of the petitioner, who was in every regard the perfect picture of a symmetrically developed maiden. So soon as Pulcheria ascertained that Athenais was of good family and was still unmarried, she began to carry out her plans as a royal matchmaker. She aroused the curiosity of her brother by her account of the charms of the Greek maiden, and the recital inspired in the young prince a lively impatience to see Athenais. He besought his sister to arrange an opportunity for him, unobserved, to see the maiden, and Pulcheria readily devised a plan. After having concealed Theodosius and Paulinus behind the tapestries in her apartment, she summoned Athenais to come to her for a further interview. Athenais entered the room, and the young men were so charmed by the view that Theodosius, enamored of the maiden at first sight, desired to make her his bride.