One chief cause--perhaps it is more correct to call it an accompaniment--of the breaking-down of the ancient ideals is found in the increasing tendency to deprecate the indissolubleness of marital bonds. Divorce became common and easy, so that the student of Roman biography finds it increasingly difficult to trace his characters through the many involutions of their various matrimonial alliances. Pompey married five times. Concerning his first two wives, Plutarch makes the following comment: "Sylla, admiring the valor and conduct of Pompey, ... sought means to attach him to himself by some personal alliance, and his wife Metella joining in his wishes, they persuaded Pompey to put away Antistia, and marry Æmilia, the stepdaughter of Sylla, she being at that very time the wife of another man, living with him, and with child by him. These were the very tyrannies of marriage, and much more agreeable to the times under Sylla than to the nature and habits of Pompey, that Æmilia, great with child, should be, as it were, ravished from the embraces of another for him, and that Antistia should be divorced with dishonor and misery by him for whose sake she had just before been bereft of her father--for Antistius was murdered in the Senate because he was suspected to be a favorer of Sylla for Pompey's sake. Antistia's mother, likewise, after she had seen all these indignities, made away with herself, a new calamity to be added to the tragic accompaniments of this marriage; and that there might be nothing wanting to complete them, Æmilia herself died, almost immediately after entering Pompey's house, in childbed."
Down to a very late date, a divorce is not met with in the annals of Rome; but with what unconcern the undoing of the marriage knot came to be regarded is well illustrated in the life of Cato the Younger. Attilia, his first wife, was put away for misconduct. Then he married Marcia, against whose reputation no blighting wind of scandal ever raged. Among the dearest friends of her husband was Hortensius, known as a man of good position and excellent character. Evidently, as the sequel shows, in all seriousness he sought to persuade Cato that the latter's daughter Portia, who was married to a man to whom she had borne two children, might be given to him. His argument was that she, as a fair plot of land, ought to bear fruit; but that it was not right that one man should be provided with a larger family than he could support, while another had none. Cato answered that he loved Hortensius very well, and much approved of uniting their houses; but he could not approve of forcibly taking away his daughter from her husband. Then Hortensius was bold enough to request that Cato, who, he thought, had enough children, should relinquish to him his own wife. Cato, seeing that he was in earnest, consented to do this, stipulating first that his wife's father should be consulted. No objection being raised in that quarter, a marriage was performed between Marcia and Hortensius, Cato assisting at the ceremony. In all this there is no mention made of Marcia's consent being given or even asked. Some years afterward, Cato, wanting someone to keep his house and take care of his daughters, took Marcia again, Hortensius being now dead and having left her all his estate. Cæsar, upon this, reproached Cato with covetousness; "for," he said, "if he had need of a wife, why did he part with her? And if he had not, why did he take her again? unless he gave her only as a bait to Hortensius, and lent her when she was young, to have her again when she was rich." The historian answers this by quoting the verse of Euripides:
'To speak of mysteries-the chief of these
Surely were cowardice in Hercules.'
"For," he says, "it were much the same thing to reproach Hercules for cowardice and to accuse Cato of covetousness." The explanation of this singular action, the cold nature which Cato inherited from his grandfather the Censor being taken into consideration, seems to lie in the fact that the Roman idea of the necessary guardianship over women precluded any just conception of their rights in the disposal of their own persons. The giving and the taking of a woman in marriage was wholly the business of her father and her suitor; nothing was required of her in the transaction save thankful obedience. Cato was perfectly at liberty to give away his wife, if he so desired; this right was guaranteed to him by the simple fact that she was his property.
For the same reason, while chastity on the part of the wife was regarded as an absolute essential, the same virtue was by no means considered as necessary to the good character of the man. The demand for purity in the wife was largely based on the idea of proprietary rights which the husband had in her person; hence the man could divorce the woman for infidelity, but the reverse was not conceded. Plautus introduces upon the stage two matrons, one of whom complains of her husband, and the other consoles and exhorts her thus: "Listen to me. Do not quarrel with your husband; let him love whom, and let him do what, he pleases, since you have everything you want at home; keep in mind the fearful sentence: 'Begone, woman!'"
The new era which had dawned in Rome brought a certain freedom of circumstances and activity within the reach of women; but it did not give them in the marriage contract any more liberty than they had of old. The only women who were allowed the disposal of their own persons were the courtesans. There are many evidences that these were not regarded with the disrespect in which their class is held in modern times. For an example, Flora, who was famous in the last days of the Republic, received on account of her exquisite beauty the high honor of having her statue dedicated to the temple of Castor and Pollux; which may be regarded as a kind of precedent for artists who in an Italy of a much later date employed their mistresses as models for their Madonnas. That this class of women did not hesitate to place a high value upon themselves is proved by the instance of Tertia, to whom Verres presented a Sicilian city. Lucretius speaks of the cost of their favors, giving us also an interesting picture of the gayly dressed wanton:
"Amply though endowed.
His wealth decays, his debts with speed augment,
The post of duty never fills he more,