Roman Women

by Alfred Brittain

Taking the account as it stands, matters were now very serious for the Romans. The enemy had gained the citadel, and a bloody conflict ensued. But the women whose abduction had brought on these troubles were also to be the means of making peace. As the battle was raging, the two armies were astounded to behold the Sabine women rushing from the homes of the Romans, not to make their escape, but to throw themselves between the combatants. With tears, they entreated their fathers and brothers to hear them. Their plea was voiced by a captive named Hersilia, who some historians hold was the wife of that Hostilius who afterward became King of Rome, while others claim that she had been taken by Romulus himself. Plutarch gives us her speech--of course, drawing from his own imagination, though he is not far from what might have been the truth; for anyone may guess what would be likely on such an occasion. She said: "It is true we were ravished away unjustly and violently by those whose wives we now are; but that being done, we are bound to them by the strictest bonds, so that it is impossible for us not to weep and tremble at the danger of the men whom once we hated. You now come to force away wives from their husbands, and mothers from their children. Which shall we call the worse, their love making or your compassion? Restore to us our parents and kindred, but do not rob us of our husbands and children. We entreat you not to make us twice captive." Whereupon, the Sabines learning that their daughters were not yearning to be rescued, and having no other good reason for carrying on the fight, a truce was declared. With a zealous determination to leave nothing unaccounted for, the tradition relates how the women took their kindred into the city and proudly exhibited the comforts and indulgences they enjoyed with their husbands, whose wooing had been so unmannerly. This might well be, as the Sabines were a pastoral people and unaccustomed to what were to them the luxuries of city life. So peace was made; and we are told that it was in commemoration of this event that the ladies of Rome ever afterward celebrated the festival of the Matronalia on the first of March. It was their custom to ascend in the morning in procession to the temple of Juno, and place at the feet of the goddess the flowers with which their heads were crowned. In the evening, in memory of the tokens of gratitude which the Sabine women received from their Roman husbands, they remained at home, adorned in their best attire, waiting for the customary gifts of their husbands and friends. At a date far later, we find Tibullus debating with himself, in an exquisite little poem, what gift he shall send to his beloved Neæra on the Calends of March. With the customary valuation which an author sets upon his own productions, he decides that he can give her nothing more acceptable than a copy of his poems, beautifully bound and adorned.

Every nation has its traditional Golden Age, a period to which the poetic philosophers of degenerate after times love to refer in the assumption that then all things were at their best and men were perfectly happy. So all Roman ideals of civic concord are concentrated in and derived from the legendary reign of Numa Pompilius. He is described as not seeking the kingdom, but preferring the pleasures of reflection in a quiet life with Tatia, his like-minded and noble wife. But the honor was forced upon him, and he reigned in the spirit of a true philosopher. He formulated laws and established a system of morals in accordance with principles worthy of Marcus Aurelius. To him is given the credit of organizing the religious institutions of the Romans, and especially the college of Vestal Virgins. We have seen that, before his time, to certain maidens was assigned the duty of guarding the sacred fire, and at the same time their virgin purity. But Numa was said to have formulated the rules of the order, to have assigned precisely its duties, and to have built a house for Vesta. But there is not the least doubt that around the name Numa have clustered, and to him have been attributed, many advances in civilization which were the growth of centuries. This seems especially probable in view of the fact that Numa was a Sabine, one of the pastoral race which was naturally less advanced in culture than the people who were gathered in cities.

What improvement may have found its way into the conditions of feminine life during this period, it is difficult to determine. The useful arts are said to have grown greatly in favor. Numa is credited with having instituted guilds for the encouragement of flute blowers, goldsmiths, coppersmiths, carpenters, fullers, dyers, potters, and shoemakers. Life would thus become more comfortable, and also be brightened by that which was pleasurable and ornamental. This supposes an enlargement of the sphere of the home, a consequent increasing of the interests and responsibilities of the women, and a softening effect upon their nature. There is also an indication that, as in ancient Germany, though the women may have had no part in the direct government of the State, yet the counsels of certain of their sex were followed by the lawmakers with a reverence akin to religion. There is a strong suggestion of feminine influence in the legends concerning the marital relations of Numa. Plutarch relates that Tatia, Numa's estimable first wife, was separated from him by death after thirteen years of wedded felicity, and that after this he never married again, but sought to console himself by melancholy ramblings in the fields and woods. This gave rise to the story that, in a certain grove, he was accustomed to meet the goddess Egeria, who not only favored him with her love, but also endowed him with the wisdom to perform his duties with marvellous success. On the other hand, Livy, who probably knew neither more nor less about it, says that Numa consecrated this grove, with its grotto and spring of living water, to the Muses, who were accustomed there to meet his wife Egeria. Whether this Egeria is to be regarded as a mortal woman, perhaps the lawful wife of the king, or, what is considerably less likely, a divine being, cannot be decided from these traditions. But they surely have a value in that they indicate the willingness of the earliest Romans to attribute excellence in statesmanship on the part of their best men to the inspiration of members of the fair and gentle, sex.

After the death of Numa, the Romans elected as their king Tullus Hostilius, and thus a turbulent warrior succeeded the peace-loving lawgiver. In this reign, instead of the poetic anachronism which portrays an abnormally advanced civilization, we are brought back again to earth and to history and to a more accurate description of the progress of the people. Much is revealed in the story by which Livy, in his inimitable manner, accounts for the Sororium Tigillium, or the Sister's Post, a monument which he says was existent in his own day. Here we not only encounter the terrible right of the father of a family over the lives of his children, but we also see that the tender instincts of a woman's love were accounted as nothing in comparison with loyalty to the family and her duty of hatred to the enemies of the State. The heroic Horatius, single-handed after the death of his brothers, had slain the three champions of the Alban army, and thus provided the first taste of the delight of subjugation to the city which was destined to become the mistress of the world. In the triumphal return to Rome, Horatius marched foremost of all the army, carrying before him the spoils of the three Alban brothers. As they neared the Porto Capena, the Roman women came forth to welcome the victors home. Among the rest came Horatia, the sister of the youthful conqueror. As she ran to embrace him, she noticed upon his shoulder a familiar robe; in fact, it was a soldier's tunic which she had wrought with her own hands for one of the vanquished Curiatii, to whom she had been betrothed. The truth flashed upon the damsel's mind in an instant. Her lover was dead, and that by the hand of her brother. With tears and lamentations, she began to call upon the name of her betrothed. Possibly with her cries of grief she joined bitter upbraidings of her brother, who had saved himself and Rome at the cost of her bereavement. His sister's lamentations, in the midst of his own triumph and the great public rejoicing, so greatly angered the excited youth that he drew his sword and stabbed her to the heart. As he did this, he cried: "Go with thy unseasonable love; go and rejoin thy betrothed, thou who forgettest thy dead brothers, and him who remains, and thy country! So perish every woman who shall dare to lament the death of an enemy!" This atrocious murder raised, of course, a profound sensation among the people. They did not know which ought to outweigh the other: his awful crime or his brilliant exploit for the public good. The king appointed duumvirs to try him. By these he was condemned to be beaten with rods, within or without the walls of the city, and then to be hanged.

But the law gave to Horatius the right of appeal to the people, and in this second trial he found an effective advocate in his own father. The old man declared that he considered his daughter deservedly slain. Were it not so, he said, he would by his own authority as father have inflicted punishment on his son. It seems probable, however, that Horatius senior took this course of argument, not because he did not regret his daughter, but because he hoped thereby to save himself from being bereft of all his children. "Go, lictor," he said, "bind those hands which but a little while since, being armed, established sovereignty for the Roman people. Strike him within the town, if thou wilt, but in presence of these trophies and spoils; without the town, but in the midst of the tombs of the Curiatii. Into what place can you lead him where the monuments of his glory do not protest against the horror of his punishment?" The tears of the father and the intrepidity of the son won for the latter absolution; but the father was commanded to make expiatory sacrifices, and these were ever afterward continued in the Horatian family. As a further punishment, a beam was laid across the street and the young man made to pass under it, with veiled head, as under a yoke.

Chronologically, this seems to be the appropriate place to introduce some reference to another race which, to no small extent, affected the early history of Rome and also the status of the Roman woman. From Etruria came the ancestor of the Tarquins, that proud dynasty which provided two legends of the extreme opposite types of women: Tullia, the cruel and ambitious queen, and Lucretia, the ideal of conjugal faithfulness. Tanaquil, the never-forgotten helpmeet of an able man, also came from this people.

The Etruscans have ever been a puzzle to historians and one of the principal enigmas in ethnology. Entirely unlike the Hellenic or Italiote races in appearance as well as in customs, even the ancients were at a loss to surmise whence this remarkable people originated. Dionysius says, "they claimed alliance with no people in the world." Inquiry regarding them would not be so interesting, were it not that they have left such an abundance of proofs of their proficiency in art and advancement in civilized industry. At the time of which we are writing, they possessed the very respectable beginning of a literature. We have nearly two thousand of their inscriptions; but hardly a word are we able to interpret, for the Etruscan language is to-day what the Egyptian hieroglyphics were before Champollion. These people were the artists and the manufacturers for all Italy. In the museums of Europe are to be seen specimens of their art, such as statues, beautifully ornamented vases, bas-reliefs, and jewelry, which can but excite the wonder of the beholder by the richness of their execution. Their tombs have been found to contain great quantities of such treasures, which they were in the habit of burying with their chiefs. Reclining on one of these tombs are the carved effigies of a man and his wife, represented as though resting upon a couch. If these figures give as correct an idea of the appearance of the Etruscans as they indicate artistic ability, they were a thickset people, with retreating foreheads, aquiline noses, and eyes rather oblique--all suggestive of the Asiatic type. The barbarous religious ideas of the Etruscans rendered the race gloomy and fatalistic. Their priests were supposed to be experts in divining the future; and their gods often required to be propitiated with human sacrifices. Their civilization had a powerful effect upon that of Rome. In Etruria women were treated with a respect unusual among the races of that time; and it may have been owing to this influence that the women of Rome enjoyed so much more liberty than their sisters of Greece. On the other hand, to the Etruscans' characteristic delight in cruel sports has been attributed the introduction of gladiatorial contests in the arena at Rome.

The traditional account of the origin of the Tarquin family is very uncertain historical data, the founder being represented as the son of a foreigner in Tarquinii, a city of Etruria, and his name Lucumo; while history seems to indicate that the lucumon was an Etruscan chief magistrate. However, we will take the legendary account as it stands. In it we are told that Lucumo had married a noble maiden of Tarquinii, called Tanaquil, a name that in after times became a household word among the Romans. When they wished to hold before their daughters the ideal of a good housewife, they exhorted them to emulate Queen Tanaquil. She was also called Caia Cæcilia, "the good spinner"; and to her memory and industry all young brides paid honor. From what is told of her, however, she seems rather to have been an extraordinary type of the women whose ambitions urge their husbands in the quest of high political position and whose wise intuitions help to support their spouses in those positions when attained.

These Etruscans were wealthy; but Lucumo could hope for no place of influence in Etruria, for the reason that he was the son of a foreigner. It is to Tanaquil, however, that the credit is given of having persuaded him to migrate to Rome. We can imagine her argument to have been that, in the new State, where all the nobility were of recent origin and where men were elevated for merit rather than for family descent, the courage and energy of her husband would give him the best chances of success. The story relates that, as they were about to enter Rome, an eagle swooped down from the skies and seized Lucumo's cap in its talons. After flying around the chariot with loud screams, to their great astonishment the bird replaced the cap on the man's head. In those times, the movements of birds were looked upon as the surest kind of omens, as indeed they were so regarded for centuries afterward; and among the first historians, the tradition of the entrance into Rome of a man destined to be its king, in which there was no mention made of an omen, would simply indicate a defect in the narrative which literary justice would require them to make good. Tanaquil, availing herself of the science of augury, in which the Etruscans were especially expert, declared that this was a sign that the highest honors were to be heaped upon her husband's head. Down to very late times, Romans, even those of the keenest intellect, were largely influenced in their actions and decisions by such signs; and it is easy to see how omens might seem valid, inasmuch as they contributed in no small degree to their own fulfilment by encouraging or depressing those who thoroughly believed in them.