[33] J. D. Hunter, Manners and Customs of several Indian Tribes located west of the Mississippi. Philadelphia, 1823, p. 296.
[34] Squier and Davis, Ancient Monuments of the Mississippi Valley, 1848, p. 187.
[35] W. H. Holmes, “Origin and Development of Form and Ornament in Ceramic Art,” Fourth Annual Report of the Bureau of Ethnology, 1882-83. Washington, 1886.
[36] F. H. Cushing, “A Study of Pueblo Pottery as illustrative of Zuñi Culture Growth,” Fourth Annual Report of the Bureau of Ethnology, 1882-83. Washington, 1886.
[37] W. H. Holmes, “Prehistoric Textile Fabrics of the United States derived from Impressions on Pottery,” Third Ann. Rep. Bureau Ethnol. Washington, 1884.
[38] A very interesting collateral line of study has sprung from Mr. Holmes’ investigations of the impressions on pottery. By the simple expedient of taking impressions in clay from ancient pottery, and so throwing into high relief the rather obscure intaglio impressions in the originals, he has been able to restore a considerable number of diverse fabrics which were used for the purposes just stated. “The perfect manner in which the fabric in all its details of plaiting and weaving can be brought out is a matter of astonishment; the cloth itself could hardly make all the particulars of its construction more manifest.” The perishable material so impressed the clay that when it had long since crumbled into dust the latter was enabled to transmit the details of the structure of a fabric the very existence of which would otherwise never have been known.
[39] G. Klemm, Allgemeine Cultur-Geschichte der Menschheit, vol. i. p. 188.
[40] Pottery is made in Fiji, but not in Tonga.
[41] D. Wilson, Prehistoric Annals of Scotland (2nd ed.), 1863, i. p. 430.
[42] E. B. Tylor, Researches into the Early History of Mankind (3rd edit.), 1878, p. 273.